Someone is assassinating CIA field officers and Jake Keller's name is next on the list in the latest thrilling novel from the author Publishers Weekly calls "a fresh voice in the crowded spy thriller field." Jake doesn't know who is trying to kill him and he doesn't know why. Still, it's a threat he can't ignore. When his small plane crashes in the Alps, Jake is the only survivor. A rescue helicopter soon arrives, but the men inside are not there to save anyone. They are determined to complete the murderous job they started. Jake escapes from the mountainside deathtrap, but it won't be the only attempt on his life. If he's to have any chance at surviving, he'll have to find out who's behind the killings. But the circle of people Jake can trust is distressingly small as he suspects that someone inside the Agency is feeding his every move to the very people who are trying to end his life. Jake's quest takes him to the candle-lit cathedrals of Paris and the rain-slicked streets of London. He makes contact with old friends and new enemies along the way—but his true nemesis may be closer than he imagines.
The New York Times and USA Today bestselling author of The Huntress and The Alice Network returns with another heart-stopping World War II story of three female code breakers at Bletchley Park and the spy they must root out after the war is over.
1940. As England prepares to fight the Nazis, three very different women answer the call to mysterious country estate Bletchley Park, where the best minds in Britain train to break German military codes. Vivacious debutante Osla is the girl who has everything—beauty, wealth, and the dashing Prince Philip of Greece sending her roses—but she burns to prove herself as more than a society girl, and puts her fluent German to use as a translator of decoded enemy secrets. Imperious self-made Mab, product of east-end London poverty, works the legendary codebreaking machines as she conceals old wounds and looks for a socially advantageous husband. Both Osla and Mab are quick to see the potential in local village spinster Beth, whose shyness conceals a brilliant facility with puzzles, and soon Beth spreads her wings as one of the Park’s few female cryptanalysts. But war, loss, and the impossible pressure of secrecy will tear the three apart.
1947. As the royal wedding of Princess Elizabeth and Prince Philip whips post-war Britain into a fever, three friends-turned-enemies are reunited by a mysterious encrypted letter–the key to which lies buried in the long-ago betrayal that destroyed their friendship and left one of them confined to an asylum. A mysterious traitor has emerged from the shadows of their Bletchley Park past, and now Osla, Mab, and Beth must resurrect their old alliance and crack one last code together. But each petal they remove from the rose code brings danger–and their true enemy–close
Interview with Author Kate Quinn
1. Was The Rose Code inspired by The Huntress, or The Alice Network?
Neither, really. Bletchley Park has been on my radar for a long time…about 4 years ago I saw an article about it and for some reason it sparked the notion of “Hmm, I wonder if I could set a novel there…”
- What inspired you to tell the story of three female code breakers of Bletchley Park?
Most of the books I’d read about BP were about the male codebreakers, yet women were by far the majority of the workforce by the end. I wanted to explore a story about the ladies instead!
- Does Osla, Mab, and Beth undergo a character arc?
They all do. Osla is struggling to prove herself as more than just a pretty debutante, and struggling to find a home and family–a place she belongs. Mab is struggling to find security, not just for herself but for her little sister. Beth is struggling to get out from behind her domineering mother’s shadow. By the end they’ve all found answers to these questions, though of course they’ve found more questions along the way!
- What makes them great codebreakers?
Beth–a cryptanalyst–has the kind of brain that sees and rearranges patterns, which is what makes her so good at wedging a foot in the door of seeming impenetrable code. Osla is fluent in German, which makes her a terrific translator of decoded Axis traffic. Mab has wonderful powers of concentration and attention to detail, which makes her great at operating and running the tricky bombe machines that help break ciphers.
- How much did you have to research codebreaking, or WWII Cryptography?
So much! I must have gone through hundreds of books, articles, Youtube videos, and more in the writing of this book–and I went to Bletchley Park as well. It’s a terrific historic site and visitors center now.
- What are some interesting facts about codebreaking that aren’t in the book?
Ian Fleming–creator of James Bond–was in and out of Bletchley Park, and I’d have loved to include him as a character, but there wasn’t room.
- If you had a choice to be Osla, Mab, or Beth, who would you be and why?
I’d love to have Beth’s brain. I don’t think I’d be a good cryptanalyst myself, so it would be wonderful to see it from her eyes.
- Do you speak German, or did you have to learn it for the book?
I speak opera German, which isn’t very useful for research! This book require much in foreign languages as far as research went, but when it did, I relied on online translation programs and some very helpful multi-lingual friends to aid in translating things.
- Are there any thematic elements of having three female protagonists?
They all experience different sides of what it is to be female in a workplace run by men. Overall Bletchley Park was a much more egalitarian environment–women found they were able to make their voices heard there in a way that didn’t happen as often in outside workplaces–but there were still difficulties.
- Are the three characters based upon real people or completely fictional?
Mab is fictional; Beth is a fictional composite of two real women who worked at Bletchley Park; Osla is a lightly fictionalized version of Osla Benning who was a Hut 4 translator and really did date Prince Philip through much of the war.
- I read that 75% of the codebreakers were women. Why was there such a large percentage of females?
Probably because so many men were joining the military and going off to fight–women were stepping into the shoes they left behind in the workplace.
- Is the title The Rose Code based upon real life events?
No, that’s my invention. Though there were ciphers at Bletchley Park named after birds, colors, animals…and even flowers!
- Author Fiona Davis Dubbed you “The reigning Queen of historical fiction.” What makes you so passionate about history?
My mother was a librarian and a history buff–her degree was in ancient & medieval history–so those were the stories I was hearing from a young age. The past always fascinated me, so that’s where I gravitated when it came time to tell stories of my own.
- Have you seen any good movies about the codebreakers?
The Imitation Game (Benedict Cumberbatch), Enigma (Kate Winslet, Dougray Scott, Nikolaj Coster-Waldau), and the Bletchley Circle TV series!
Breathe… if you dare.
English countryside, 1958. The idyllic village of Olney St. Mary has stood in its peaceful location for over 900 years.
Until one day, when two teenage boys are struck by a mysterious illness. The newly arrived Doctor Hilary Newton suspects a common flu to be the cause of their malady. Before long, the doctor and residents of Olney St. Mary are plunged into a nightmare, as the disease ravages the local population. Despite the doctors employing the latest medicine available, the death toll keeps rising.
Someone in the village knows the reason behind the pestilence that has struck at the heart of the village, but can the medics learn the truth before it’s too late, or will they join the growing list of names that appear on the death roll in Olney St. Mary?
- Describe your experience dreaming fueling an idea for a story.
This began a few years ago. I simply woke up one morning and turned to my wife Juliet, and said, “I just dreamed a great plot for my next book.” I dreamed about the story in general, the opening, and how it would end. I decided to give it a go and once I started working on the book, the characters kind of developed a life of their own and they drove the story forward as I typed each chapter. I made a few changes to the original dream version of the story simply to add areas of drama and tension to the basic premise. When I completed the book, and read it through before went to my editor I was surprised at how closely the finished article coincided with something that came to me in my sleep. That book was A Mersey Killing, http://getbook.at/Mersey Killing which went on to become an Amazon #1 bestseller and my publisher loved it so much they asked me if I could develop the book into a series. That was the birth of my successful Mersey Mystery series and I’m currently working on the 9th book in the series.
- Which of your books/series have been done this way?
Once I learned to trust my ability to dream storylines and more importantly to retain them when I woke up, (sometimes in the early hours of the morning), I can honestly say that at least four more of the books in the series, A Mersey Maiden, A Mersey Mariner, A Very Mersey Murder, and The Mersey Monastery Murders can be attributed in some way to my dreams.
- How do you determine if the idea is viable enough to commit an entire novel?
Good question. The only way I can make that determination is by starting the process of writing the book. If I manage to get the first three or four chapters written and I’m confident that I can go forward with the concept, I will keep going until the book is completed. If I begin a book and immediately find myself struggling with the story or the continuity of the tale, I will stop writing put it into my pending file and leave it for another time, in case it eventually adds up in my mind and I’m able to return to it and complete the project.
- How long does it typically take for you to write a book?
One of my Mersey Mystery series will typically take between 6 months to a year to complete. The includes the research, writing and all checks and edits prior to submitting to my publisher.
- Describe your creative process for fleshing out an idea once it’s there.
As I said earlier my books are heavily character-driven, and the central characters of my series have grown and developed as the series has progressed, so I find those characters almost have a life of their own in my mind. So, I can create, a storyline and situations within that story, and ‘allow’ my characters to direct the way they will react to any given circumstances. It’s really a lot of fun, letting those fictional characters take over my thoughts so far, I haven’t been disappointed with the results.
- Do you have a routine when it comes to editing your books?
I have a great editor, and together we make a good team. Over the years we’ve developed a routine where, as I write, I will send one or two chapters at a time to her and she immediately checks and edits the work. Once I have agreed and made any changes those chapters go into a separate document which will form the final book. When completed, the finished book then undergoes a final edit which includes a line by line spelling and grammar check.
- Do you utilize beta readers?
Before I found my editor I used to have a small team of Beta readers but nowadays I find them unnecessary and generally just use one of them who I retained as a final ‘fail safe’ for checking the manuscript.
- How much are you influenced by feedback by others during the process?
My wife is one of my fiercest critics and she reads and comments on my work as the book progresses. The only other feedback I take notice of is that of my editor, researcher and sole Beta reader.
- How do you perform research for your books?
Most of my books contain some references to real events in the past so I spend a lot of time involved in historical research to ensure that any references to true events in the past are as accurate as possible.
I also have a terrific researcher, a lady called Debbie Poole, who lives in Liverpool. As my Mersey Mystery books are set in and around that city, it’s important that any and all references to places on the city are accurate and reliable. Nowadays, I live in Yorkshire and the Liverpool of my youth really has changed so much that my own memories of streets, buildings and roads are just not up to date, so Debbie’s knowledge is of vital importance to the books.
I can give you a good example of her contributions to the books. When I was working on Last Train to Lime Street, I needed to find a suitable piece of railway track, close to a road bridge, which could be used as a ‘body dump’ site. Debbie spent days driving around Liverpool, stopping the car, peering over the edges of various Bridges, looking for a suitable site, one which had to have hedges and trees close to the tracks. She found the perfect location which I used in the book. We had a laugh at the time wondering how she would reply if a police officer followed and approached her and asked her why she was looking over the parapets of various bridges. We could just imagine his reaction if she replied in all honesty, “Oh, I’m just driving around looking for a suitable body dump site!” She’s so committed to the books, that I simply couldn’t manage without her expertise.
- What kind of advice would give to new aspiring authors?
I’ve been asked that question many times. I think the best advice I can give is first of all, read, read and read some more. When asked how to be a good writer that was exactly what Charles Dickens replied. So yes, read as much as possible, your favourite authors if possible and try to learn from them in terms of writing styles, sentence construction etc.
When you’ve actually written a book, if it’s good enough a publisher will eventually show an interest, but expect to receive a few rejections once you start submitting the work to publishers. It happens to the best authors, treat rejections as an occupational hazard. It might take a while but if you’re confident you have a good product, don’t lose faith and maintain your self-belief. If it’s good enough, you will eventually find a publisher. Don’t give up and don’t be afraid of occasional harsh criticism. If it’s constructive then it can be helpful.
- What are you currently working on?
I’m currently working on the ninth book in my Mersey Mystery series, The Mersey Ferry Murders. Convicted rapist/murderer Howard Blake has died in prison. Now someone appears to be viciously killing the members of the jury that convicted him of the crimes, to which he always pleaded he was innocent of committing. Detective Inspector Andy Ross leads his Specialist Murder Investigation Team in search of the unknown killer, as the body count grows!
A Short Biography
Luci de Foix is an archeologist and artifact expert who travels extensively to country’s attempt to save their priceless treasures. On a trip to Greece, she discovers a clay shard with writings from an ancient society that disappeared during an earthquake on their island of Helike. When her best friend and adopted sister, Sarah, is kidnapped by a ruthless Russian oligarch determined to find the legendary treasure of Helike, they struggle to survive against terrifying odds, only to discover a secret that governments will kill for…even her own.
Linda L. Kane
What was your path to becoming a writer?
As a kid, I grew up in Inglewood, California, my mom worked as a waitress, my dad had left and we were very poor, so poor that the leftovers from others at the restaurant were given to us for food. It was a nice restaurant so we really did get pretty terrific food. This left me with my mom gone, hours to write. I was left alone most nights and for me, writing became an escape. I could be anyone, a wealthy person, an artist, or an actress. It was all in my imagination and I had big dreams.
Who has informed your writing the most over the years?
As a child, I read everything that my school library had in biographies. Women that were courageous, women of science, women who made a difference in other’s lives.
Can you tell us a little about archeologist Luci De Foix?
Luci de Foix was placed in an orphanage after her parent’s death. Little did she know that there was a group of men, The Order, that had been watching her family for hundreds of years, waiting for the opportunity to acquire a very important codex.
What is the relationship like between Luci and Sarah?
Luci met Sarah at the orphanage, two lonely little girls who found one another, helped each other, protected one another. Luci’s grandparents who lived in France, finally found Luci and came to take her home. They saw the friendship between Luci and Sarah and didn’t want to tear them away from each other, after many months, Sarah was adopted and came to live with Luci and her grandparents
What are they up against in Death Is an Illusion?
Sarah became an expert in computer science and was on a scientific expedition in Greece where the group came across evidence of an island that had long been forgotten, Helike. Some of the people survived and made they’re way across oceans to South America carrying with them a very special plant that could heal the sick forever. Many people that were on that expedition told others, namely the Russians who were out to acquire that plant. Sarah flew home to have Luci come with her to Greece and read shards of pottery pinpointing the location of the lost tribe of the Helike’s.
What are some interesting facts you discovered in your research?
Something I discovered in a BBC magazine was that there was an island, Helike that was destroyed by a volcano and a tsunami. Aristotle believed that this was Atlantis. Something that all of us know is that there are many plants in S America with healing properties, the land is being destroyed by loggers and others. Soon there will be no plants to help us as a people.
Have you ever been to Greece?
I’ve never been to Greece, had a missed opportunity on a sailboat. Maybe one day, I’d like to see what they’ve found of Helike.
What’s next for you?
A continuation of the adventures of Luci de Foix. I wrote her first book, The Black Madonna: A Popes Deadly Obsession, and I would like her and her friends to find the book John Dees was writing about Angels. His delving into alchemy and gold. That should be a fun mix.
About L Lee Kane
A detective and FBI agent join forces on what seems like an open-and-shut case—but a new rash of killings sends them on a pulse-pounding race against time in this intense thriller.
Michael and Megan Fitzgerald are siblings who share a terrifying past. Both adopted, and now grown—Michael is a long-haul truck driver, Megan a college student majoring in psychology—they trust each other before anyone else. They’ve had to. Their parents are public intellectuals, an Ivy League clinical psychologist and a renowned psychiatrist, and they brought up their adopted children in a rarefied, experimental environment. It sheltered them from the world’s harsh realities, but it also forced secrets upon them, secrets they keep at all costs.
In Los Angeles, Detective Garrett Dobbs and FBI Agent Jessica Gimble have joined forces to work a murder that seems like a dead cinch. Their chief suspect is quickly identified and apprehended –but then there’s another killing just like the one they’ve been investigating. And another. And not just in Los Angeles—the spree spreads across the country. The Fitzgerald family comes to the investigators’ attention, but Dobbs and Gimble are at a loss—if one of the four is involved, which Fitzgerald might it be?
From coastal California to upstate New York, Dobbs and Gimble race against time and across state lines to stop an ingenious and deeply deranged killer—one whose dark and twisted appetites put them outside the range of logic or experience.
This was one of the best books I’ve read in a long time! I mean, it begins with a BANG. And. Does. Not. Let. Up. The Coast to Coast Murders has a great hook to suck the reader deeply into the story. Michael Fitzgerald, has quite a surprise when he returns home from work, when he discovers an unknown woman in his bathtub. Dead. Except he has no idea how she got there! I loved the story concept behind this, plot, characters, villains, detectives and F.B.I. law enforcement officials. What a wild goose chase. James Patterson and J.D. Barker form quite a duo! Highly recommended.
An exquisitely written and nuanced biography of an exceptional individual and writer who has created the # 1 international bestselling hero Jack Reacher, revered by dedicated and loyal readers worldwide.
Lee Child has a great public persona: he is gracious and generous with readers and fans. But Jim Grant is a reticent and very private man.
This rags-to-riches literary and social biography is based principally on disarmingly frank personal conversations and correspondence with the author since 2016 and privileged access to archival materials. It consists almost entirely of original material, and is the nearest thing the world is likely to get to the autobiography he does not intend to write.
There are a handful of great Lee Child/Reacher stories that have been recycled over and over again. They are so good that no one has bothered to look beyond them. This book revisits (and sometimes revises) those irresistible stories, but goes back further and digs deeper. The emphasis on chronology, accuracy and specificity is unprecedented.
The Lee Child origin myth is much loved. But mostly it sees him springing fully formed from the brow of Granada Television. There are glancing references to Aston Villa and the schoolyard, but no one has examined the social and historical detail or looked closely at where Lee really came from: the people, places and period.
This is the first time someone has described the Lee Child arc: from peaceful obscurity in the Yorkshire Dales and Upstate New York to cult figure, no. 1 in America, rock star, celebrity and publishing institution through to backlash, the changing zeitgeist, and intimations of retirement. The analysis of the emotional power and significance of Lee’s work in the final chapters—the themes of happiness, addiction, dependency, loneliness, and existential absurdity—and the first-hand retrospective accounts of his life and second-act career are all exclusive to this definitive biography.
Mystery Thriller Week – Benjamin Thomas
Heather Martin – The Reacher Guy
- How did you develop a love for reading?
Family. I was lucky. I clearly remember my father reading aloud to me at bedtime: The Wind in the Willows, The Magic Pudding, The Way of the Whirlwind, the highly coloured bush poetry of Henry Lawson. He sang a lot of songs to me, too, which are little stories in themselves. His parents had a houseful of books, including all the popular series of the day: the Famous Five, the Secret Seven, My Naughty Little Sister, What Katy Did, Anne of Green Gables. I would sit on the floor with our dog, reading, or take a book and disappear up the mulberry tree. This was in West Australia, not England where I live now!
- What was your first impression of Lee Child after reading his books for the first time?
I had no impression of Lee Child after reading his books for the first time. I gave the writer no thought at all. It was Reacher who filled my mind. When I finished one Reacher book, all I thought about was where I was going to find the next one. Which Lee would entirely approve of. I only really started to think about the writer after I met the man. It was only then that my attention was drawn explicitly to the skill of his writing. But I suspect my willingness to submit to the power of the story without stopping to think where it came from (this despite my professional background in literary criticism) is itself testament to that skill. Very quickly, however, the writer became even more interesting to me than his creation – as the origin of Reacher, because he contained Reacher within him, but also in many ways exceeded him.
- What fascinates you about why people love telling and hearing stories?
I notice you’ve adopted Lee’s preferred terminology, of ‘telling’ and ‘hearing’, which emphasises the aural, which reminds us that in one form or other storytelling goes right back to the beginning of human history, back before the invention of writing. I find his view compelling: that stories were, and remain, important because they encourage, embolden and empower us, by allowing us to see the world in new ways and glimpse new possibilities – different plot lines and alternative endings, if you like. An effective story takes us out of ourselves for the duration of our reading – like a song does, but for longer – while also inviting an intense connection, through empathy or identification, with the characters, and beyond them, even if we don’t realise it, the writer. For better or worse, we escape our own lives and live instead in the world of the book.
- What do you appreciate about the way Lee Child tells a story?
Another big question! Presumably the fact that it feels like someone’s ‘telling’ me the story! What is commonly referred to as narrative ‘voice’. His voice has an effortless quality to it, which is down to his acute sense of rhythm and timing. But the appearance of effortlessness tends to be an effect of great artistry – the accomplishment of someone who is master of his craft. And mixed in with those musical qualities you have the sweeping historical vision, the unique mix of humour and pathos, and plenty of painterly and poetic touches too, especially in the depiction of weather and the evocation of landscape. I’m always surprised by the range and rhetoric of Lee’s discourse, and his idiosyncratic turn of phrase in both speech and writing. Contrary to popular opinion, I think his voice, while very distinctive, is almost impossible to imitate without lapsing into parody.
- What was your initial reaction when Lee Child asked you to write his biography?
It wasn’t really like that. He never outright asked me. It was more an agreement we reached over the course of a long conversation. Whenever we met, which at first was a purely social thing, he would tell me stories about his life growing up in the Midlands, which was very different to mine growing up on the west coast of Australia. It was the same when we corresponded. I loved those stories in miniature, that teased and tantalised and left me wanting more. I guess I was always asking questions, with one question leading inexorably to the next, a form of research that was entirely organic, but when the idea of a biography took hold it proved impossible to shake off. It felt to me like the book I was meant to write, and I think Lee, in his empathetic way, sensed that too. But to be given formal permission to go ahead? That was a thrilling moment, and that’s for damn sure!
- What was it like working with him?
Pure unalloyed pleasure. Because of the situation I’ve just described – the ongoing conversation. And we got to meet up in all sorts of places, many of them new to me. I’d try to catch him on the wing in the UK whenever I could, and then I had the great good fortune of spending a year in New York, which made it easier to fit in with his crazy schedule. It was there I did most of the writing, and had the chance to look through family photos, which was so illuminating. He was very generous with his time, and remarkably non-interventionist. Maybe I was just good at self-censorship, but despite this being an authorised biography there were very few things he asked me not to write. He never tried to tell me how to do things, but simply encouraged me to follow my own storytelling instinct. So yes, emboldening and empowering, without a doubt!
- What were some of the challenges of writing?
The biggest challenge was structure. I wanted to tell the story in a broadly chronological way (and I did), but there was no escaping Reacher from page one. It was immediately obvious that anyone reading the book would already know that Lee Child was the author of a bestselling series, so to wait until his thirty-ninth year before introducing Reacher would be absurd. Instead I found myself telling the stories of Lee Child, Jack Reacher and Jim Grant (who created them both) all at once. But I tried not to overthink it. I just let Reacher pop up where the narrative journey took him, as is the case in the novels. And I conceived of each chapter as a self-contained story, governed by a single moment or idea or image, which I think helps the reader too. It’s a big book, but that approach makes it easy to dip in and out. If you were to ask Lee the same question, he would say the biggest problem was that of memory – how individual it is, and how different people often have differing recollections of the same event.
- After writing his biography, how has your view of storytelling, the works of Lee Child, and his craft changed?
Though all the words remain exactly the same, his books resonate with me now on a more personal level. And even as he has so spectacularly escaped his origins, as was always his wish, I see that his loyalty to the Midlands remains as fierce as ever. We’ve had some fascinating conversations since The Reacher Guy was published at the end of September, mostly in the context of all the brilliant digital festivals we’ve done in lieu of our planned live events (postponed, circumstances permitting, to next year). Reading the story of his own life has given even Lee new perspective on it, and brought certain moments and experiences more sharply into focus. At the same time, we’ve both become more conscious of the overlap between fiction and creative non-fiction – two variations on the storytelling theme.
About Heather Martin
An insomnia pandemic is sweeping the globe, leaving people unable to function and society on the brink of collapse…
Dr. Cooper Delaney believes he has the answer: Noctural, a new sleep-aid—one with absolutely no side-effects—which in early testing shows 100% effectiveness.
The only problem is, it doesn’t work. With no warning. No explanation.
Unable to accept the drug’s inexplicable failure and unwilling to concede to the competition, lines are crossed, ethical boundaries are pushed to the breaking point, and disturbing realizations come to light that could completely unravel civilization as we know it… and throw into question humanity’s place in the universe.
A jetset medical thriller meets sci-fi adventure with an unforgettable cast of characters, Percivious Insomnia presents an alternate history so compelling that it could possibly be true. The first book in the Percivious Trilogy from husband-wife author duo JJ Cook & AJ Cook, MD, Percivious Insomnia sets a unique and original course for fiction of the future, and paints a timely, prescient portrait of today’s globalized society… and what may exist beyond the realm of our current understanding.
J.J. Cook & A.J. Cook
Behind the plot of Percivious Insomnia was a singular idea or more specifically a question. What would happen if someone or something could exploit your sleep hours for their own benefit? This question blossomed in a separate direction for each of us, likely from the beginning. For AJ Cook, the story was based in science fiction and for JJ Cook it involved exploring an idea never considered before and how it would impact people individually and society as a whole. In the first chapter the reader meets Dr. Cooper Delaney, a talented star at a leading pharmaceutical company. His place at the beginning of the novel is critical and his role is what fostered our first discussions about the storyline. What was at first a collection of ideas captured on paper, eventually became sentences, which were then fashioned into paragraphs, chapters and finally the novel itself.
Medical research is at the heart of the novel. AJ Cook’s expertise brought plausible medical science to life in what would otherwise be a story of strictly fiction. Both of us are life-long learners, always curious about the why behind the what, and the depth of the characters echoes this sentiment throughout this first book in the trilogy. Elements of science were added specifically to provide believable explanations for key elements such as the description of our ancient humanoid cousins as well as the plateau of our own evolution referred to as human pinnacle theory in the novel. As the story unfolded, the science gathered through our research continually lead and supported the story to the point where it became eerie as we found ourselves launching a novel about a pandemic in the midst of a real one.
Writing with a spouse, quite literally, is a double-edged sword; pushing for the very best from each other and simultaneously disagreeing about major facets of the plot certainly make for an interesting dialogue on many nights. What keeps us balanced is a genuine love for this story, the anticipation of where it will lead next and the exhilaration we both experience when making breakthroughs with the plot, the characters and the marriage of science and fiction. Nothing is more rewarding than creating paragraphs that scream to be believed despite not being true. Authoring something that could be possible is second only to writing those few sentences that refuse to be forgotten. The ones that stay in your head long after you have finished reading them, or writing them in our case. It is important to us both that we keep up the momentum in this next novel, the second in the trilogy, Percivious Origins. We want the reader to fall in love with a new cast of characters, a new setting and quite literally a new world that will be required to reach the depths of this story. The base line of the first novel was that question we mentioned – what if someone or something could exploit our sleep hours? In the second novel, the entire premise revolves around the exploitation of a prehistoric plant and how it changed the course history and the destiny of our ancient humanoid cousins. Percivious Origins will amplify our place within the environment and the importance of respect and stability between Homosapiens and nature.
The overarching theme of the trilogy remains intact, the definition of Percivious – the ultimate in altruism. Self-sacrifice in order to benefit others with no regard to reward or reciprocity. This is the soul of all three novels and is the true reason we as a couple are so dedicated and passionate about this adventure – about writing together. We quite literally could not have penned this novel without one another. Finishing each other’s thoughts and sentences have quite literally become, in our case – not only possible…but a dream come true.
On opening day of the new baseball season a small model-kit airplane flies down from the stands and buzzes the mound, where a decorated veteran pilot is about to throw out the first ball. The toy plane is the exact replica of the one flown by the war hero. Everyone laughs, thinking it’s a prank or a publicity stunt. Until it explodes, killing dozens.
Seconds later a swarm of killer drones descend upon the picnicked crowd, each one carrying a powerful bomb. All across the country artificial intelligence drive systems in cars, commuter trains and even fighter planes go out of control. The death toll soars as the machines we depend upon every day are turned into engines of destruction.
Joe Ledger and the Department of Military Sciences go on the hunt for whoever is controlling these machines, but the every step of the way they are met with traps and shocks that strike to the very heart of the DMS. No one is safe. Nowhere is safe. Enemies old and new rise as America burns.
Joe Ledger and his team begin a desperate search for the secret to this new technology and the madmen behind it. But before they can close in the enemy virus infects Air Force One. The president is trapped aboard as the jet heads toward the heart of New York City. It has become PREDATOR ONE.
Well, this one literally begins with a bang to set things off. Captain Joe Ledger and the Department of Military Sciences are caught off guard for most of the book, until they can figure out what’s causing a widespread attack. I love how Jonathan Maberry has returning villains in his stories, but no spoilers here! I will say, though, that the DMS had their asses handed to them on a silver platter. YIKES. I had no idea how they were going to pull themselves out of this one. Maberry keeps his foot on the accelerator throughout the entirety of the story, so you’ll have to read it to find out what happens! Five stars of course.
JONATHAN MABERRY is a New York Times best-selling and five-time Bram Stoker Award-winning author, anthology editor, comic book writer, magazine feature writer, playwright, content creator and writing teacher/lecturer. He was named one of the Today’s Top Ten Horror Writers. His books have been sold to more than two-dozen countries.
He writes in several genres. His young adult fiction includes ROT & RUIN (2011; was named in Booklist’s Ten Best Horror Novels for Young Adults, an American Library Association Top Pick, a Bram Stoker and Pennsylvania Keystone to Reading winner; winner of several state Teen Book Awards including the Cricket, Nutmeg and MASL; winner of the Cybils Award, the Eva Perry Mock Printz medal, Dead Letter Best Novel Award, and four Melinda Awards); DUST & DECAY (winner of the 2011 Bram Stoker Award; FLESH & BONE (winner of the Bram Stoker Award; 2012; and FIRE & ASH (August 2013). BROKEN LANDS, the first of a new spin-off series, debuts in 2018.
His thrillers include The Joe Ledger Thrillers from St. Martin’s Griffin (PATIENT ZERO, 2009, winner of the Black Quill and a Bram Stoker Award finalist for Best Novel; EXTINCTION MACHINE, (2013; now in development for TV by SONY); PREDATOR ONE, and others. His first middle grade novel, THE NIGHTSIDERS BOOK 1: THE ORPHAN ARMY, was named one the 100 Best Books for Children 2015, with a sequel, VAULT OF SHADOWS debuting this year from Simon & Schuster. His standalone teen science fiction novel, MARS ONE, is in development for film by Zucker Productions and Lone Tree Entertainment. His upcoming standalone suspense novel, GLIMPSE, has gotten advance praise from Clive Barker, Scott Smith, James Rollins, Heather Graham and Charlaine Harris.
His horror novels include The Pine Deep Trilogy from Pinnacle Books (GHOST ROAD BLUES, 2006, winner of the Bram Stoker Award for Best First Novel and named one of the 25 Best Horror Novels of the New Millennium; DEAD MAN’S SONG, 2007; and BAD MOON RISING, 2008), as well as DEAD OF NIGHT, 2011 (named one of the 25 Best Horror Novels of the New Millennium) and its sequel, FALL OF NIGHT, 2014. He also wrote the movie novelization, THE WOLFMAN, 2010, winner of the Scribe Award for Best Adaptation; and DEADLANDS: GHOSTWALKERS, an original novel inspired by the million-copy-selling role-playing game. He has also written the foreword to a new annotated edition of DRACULA from Writers Digest Books.
Jonathan and colleague #1 NY Times bestseller Kami Garcia (Beautiful Creatures) each wrote an X-FILES ORIGINS novel for teens; with Kami focusing on Fox Mulder in AGENT OF CHAOS; and Jonathan telling the backstory of young Dana Scully in DEVIL’S ADVOCATE.
Jonathan is the creator, editor and co-author of V-WARS, a shared-world vampire anthology from IDW, and its sequels, V-WARS: BLOOD AND FIRE, V-WARS: NIGHT TERRORS, and V-WARS. And he writes a best-selling monthly V-WARS comic. A board game version of V-Wars was released in 2017; and the series is in development for TV by IDW Media.
He is also the editor of the dark fantasy anthology series, OUT OF TUNE (JournalStone), a series of THE X-FILES anthologies which launched in 2015; SCARY OUT THERE, an anthology of horror for teens; and the anthologies ALIENS: BUG HUNT, NIGHTS OF THE LIVING DEAD (with George Romero), JOE LEDGER UNSTOPPABLE (with Bryan Thomas Schmidt) and two volumes of mysteries: ALTERNATE SHERLOCKS and THE GAME’S AFOOT (with Michael Ventrella).
Jonathan was an expert on the History Channel documentary series, ZOMBIES: A Living History and TRUE MONSTERS. And he was participated in the commentary tracks for NIGHT OF THE LIVING DEAD: REANIMATED.
How Do I Kill Thee?
By Daniella Bernett
Murder is a shocking and terrifying taboo. The very word sends an icy frisson slithering down one’s spine. And yet, it is an occupational hazard for a crime writer. On a cerebral level, the taking of a human life is fascinating. It is a serious business, requiring cunning and sangfroid mingled with passion, anger or fear. A certain degree of luck is necessary to pull off a murder without getting caught. The faint of heart would be riddled with remorse and horror at this deadly transgression.
Setting aside the moral considerations, I find it deliciously thrilling to plot a murder. The omnipotent power to kill is a dizzying prospect. Murder is an art form, if one thinks about it. The killer must be creative. But how does an author choose from the plethora of methods available? Your character is the key to unlocking this mystery. Therefore, an author must first delve into the murderer’s psyche to thoroughly understand why he or she came to make the fatal decision. Is he or she an assassin, a spurned lover, a business partner who has been swindled, or an average individual pushed to the brink in an extraordinary situation? Once the author has sketched this character profile, the pieces will fall into place and the story will begin to flow. The author must have absolute trust in the murderer. He or she will guide you down the evil path and determine if the victim expires quickly or suffers a slow, lingering death.
In most cases, murder stems from a rupture in an intimate relationship. This personal animus is likely fueled by emotion and an overwhelming thirst for revenge. Consequently, this means inflicting pain. The thrust of a knife into the heart, stomach or between the ribs would do the job nicely. With stabbing, the murderer and victim must be at close range. Generally, stabbing ensures that the killer’s face is the last thing the victim sees in this world, satisfying a desire to mete out punishment. For this reason, the murderer in one of the books in my series featuring journalist Emmeline Kirby and jewel thief/insurance investigator Gregory Longdon slashed the throat of an unscrupulous man, who had derived malicious glee from ruining other people’s lives.
Meanwhile, shooting also would induce pain. With this method, the author has the option of killing someone instantly, forcing the culprit to hastily cover his or her tracks. This provides an opportunity to sprinkle red herrings through the story. Conversely, the dark deed can rattle the murderer to the point that he or she is no longer thinking clearly and makes mistakes. Another possibility is that the gunshot does not kill the victim outright. It may cause a grave wound, presenting the murderer with a chance to finish off the victim another way. Let’s say by poison, for example.
Ah, poison. To me, it’s so sinister and tantalizing. I believe I share this view with my hero Agatha Christie, who masterfully eliminated dozens with a soupçon of poison. Some poisons are tasteless and odorless. Then there is cyanide, which smells like bitter almonds, while arsenic, when heated, gives off an odor resembling garlic. Depending on what your story dictates, poison can work instantaneously or the victim can waste away little by little. Russian spies, and Putin in particular as a former head of the KGB, have a penchant for using poison to dispatch enemies, defectors and anyone who dares to oppose them. As a result, poison was my weapon of choice in another novel. The story dealt with a defector who recklessly pitted Putin against Russian mafia boss Igor Bronowski. At the same time, both had unsavory entanglements with a ruthless British entrepreneur. All were obsessed with a flawless blue diamond. I will confess that two victims succumbed to poison in the book. However, poison is not the exclusive domain of the assassin. An author can wield it perfectly well among those who have a personal score to settle. On this point of the professional versus the amateur (for want of a better word) killer, an assassin can employ stabbing or shooting in a pinch for expediency’s sake.
A lethal arsenal would not be complete without strangulation, drowning and smothering. But all three may prove troublesome because they require a degree of strength and the victim will most certainly put up a struggle. A murderer wants death to come swiftly with a minimum of fuss to have time to disappear before the body is discovered. On the same token, bludgeoning someone to death with a heavy object could prove messy, since several blows would likely be needed thus causing a good deal of blood to be shed. Of course, an author may want to employ bludgeoning for precisely this reason to set the stage for the murderer’s ultimate undoing. For in the haste to flee, he or she may miss a trace of blood.
Allow these diabolical musings to steep in your mind. After a while, you’ll come to realize that it’s criminally good fun to acquire a literary taste for murder.
Daniella Bernett is a member of the Mystery Writers of America NY Chapter and the International Thriller Writers. She graduated summa cum laude with a B.S. in Journalism from St. John’s University. Lead Me Into Danger, Deadly Legacy, From Beyond The Grave, A Checkered Past and When Blood Runs Cold are the books in the Emmeline Kirby-Gregory Longdon mystery series. She also is the author of two poetry collections, Timeless Allure and Silken Reflections. In her professional life, she is the research manager for a nationally prominent engineering, architectural and construction management firm. Daniella is currently working on Emmeline and Gregory’s next adventure. Visit www.daniellabernett.com or follow her on Facebook or on Goodreads. Old Sins Never Die, the sixth book in her series, was released in September.