How To Get Your Book Into Schools And Double Your Income With Volume Sales With Dave Hendrickson

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Link to full transcript

 

 

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Have you ever dreamed of an entire school reading your book?

 
Would you like to double (or more!) your writing income?

 
This book shows you how.

 

Drawing from his own first-hand experience, David H. Hendrickson leads you through every step of the process. He highlights the critical pitfalls to avoid, and points out ways to maximize your profit when a school adopts your book.

With advice and insights that are adaptable to getting your book in front of audiences ranging from middle grade to high school to college, and even to corporations, this book is for you!

 
“If you have a book you want to get into K-12 schools and sell in the thousands,
you MUST read this book.”
—Maggie Lynch, bestselling author, Career Author Secrets series

 

www.hendricksonwriter.com

 

 

Getting to Know Author Cameron Poe

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Cameron Poe (Barry Cameron Lindemann) is a student of classic literature. He earned his undergraduate degree from Saint John’s University in Collegeville, Minnesota, and his MBA from Pepperdine University in Malibu, California. He is an observer of politics and the interplay between nation states. He has a keen interest in structural and mechanical engineering. He has three sons and resides in Las Vegas where he manages real estate portfolio financing.

 

 

 

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The most sought after commodity in the world is power, and when money is no object, power is up for grabs. Desiring autonomy, one small nation develops an unlikely plan to procure a nuclear-powered submarine. If all goes as intended, the Middle East will destabilize and the OPEC Alliance will crumble. Yet as money might buy power, there’s no guarantee that it buys loyalty. So when the submarine breaks the ocean surface it doesn’t travel to the Middle East, it sails for Russia, in an attempt to return the nation to its Soviet roots.

Alerted to the possibility of the theft of a Russian sub, the CIA must foil the plan for acquisition without alarming the rest of the world. A step behind and suffering from department infighting, the CIA watches in disbelief as the single most powerful weapon in the world rises from the ocean floor. It doesn’t take long for them to realize that the commander of the vessel has no intention of honoring his contract.

Scrambling to prevent a world-wide disaster, CIA operatives in coordination with the US Navy launch a daring and risky plan to quietly thwart a rogue submarine captain before he can obliterate Moscow and take control of the country. Those who volunteer for this mission risk their lives. Those who don’t risk the safety of the entire world.

 

 

 

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GETTING TO KNOW AUTHOR CAMERON POE

 

What was your journey like becoming a writer?

Very long! Most people talk about writing a book, but doing the first one takes forever. Approximately 25 years because back in the day you had to beg people to read it, and if they liked it then maybe they would talk to you about publishing. Needless to say, it was written and then collected a lot of dust.

 

 

What are your favorite pieces of classic literature?

The Homeric tales, The Iliad and The Odyssey. I have an appreciation for Tolstoy, especially The Death of Ivan Ilyich. That being said Mary Shelley’s Frankenstein is always at the top of my list. The inverse would be Ulysses; not a fan of James Joyce and his supposed adaption.

 

 

Is Red Agenda your first novel?

Yes. The initial draft was back in the Clinton era. When editing and publishing became problematic (I couldn’t afford it) I shelved it. In late 2013 I resuscitated the book because the story still resonates today. All I did was upgrade the technology and lingo. It’s true, the more things change the more they stay the same. That being said I did write a screenplay (Supergrass, with co-writer Clem Connolly) and submitted it to Final Draft’s Screen Writers contest in 2007. Out of 3,200 submissions the screenplay place in the final 10. I heard later it was 6th. Still, it is Hollywood and no one had their story made.

 

 

 

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What were some major hurdles while learning to write?

Convincing myself that my writing style worked. I don’t like input until I have a finished draft. It was a big risk for me to write it (yes, no one saw it for 20 plus years), have it edited, and then wait and see what the reviews say. It is very gratifying to see the positive comments on the pace and style of the book.

 

 

What’s the difference between good writing and telling a good story?

I would think they are too similar to separate. Word usage is key. Good writing demands tactile expressions and good story telling also requires such. On some level your story telling has to engage your writing ability. You become laser focused and your story gushes through your repertoire of words, down to your fingertips, and spills onto the page

 

 

Take us through your plotting process for your book Red Agenda.

That is tough. I know I wanted a story where the Soviet Union rears it head, but I didn’t want it as simple as someone in the Russian government plotting the overthrow. I also like the confluence of unrelated events producing an outcome no one thinks about. The problem with that kind of plot is that it comes off as expansive with many character for the reader. So to keep them engaged you have to move the book fast to a point in the story where it all melds together. Then you can step off the gas and let them become engrossed. I also wanted to blow up a nuclear missile for grins. So I did.

 

 

 

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Do you take your ideas based on world events or create your own?

I base them in world events and then put an unusual twist on it. I would assume today that what we don’t know about our government is 10x more scarier than what we can think about.

 

 

Is there a central protagonist?

Yes. Nicholas Shaw. I don’t introduce him until a third of the way through because he needs something to rescue. He is loyal, flawed, and scared most of the time. Most of written American hero characters seem to be able to solve any problem, no sweat. I don’t want a McGyver for my protagonist. I want a guy who needs a shot of bourbon to calm his nerves later.

 

 

Are there any authors you model yourself after?

Cussler and Clancy. That is the fiction in which I will fit. I have never read a Vince Flynn novel but I might have smattering of him in my style too judging from reviews on his books.

 

 

What are you working on next?

I am keeping some of the characters in Red Agenda to continue into the next book. I am thinking about a platform from which they all work and solve pressing problems to the US and the world. The plot will be about rare earth metals and China’s (or some antagonist)  reason for purchasing all that is mined across the world. Am waiting for the antagonist to form. Title – Dyson Sphere. Which is a hypothetical megastructure that completely encompasses a star and captures a large percentage of its power output. Just kicking that around.

 

 

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Andy Siegel Discusses Justice & His Legal Thriller Series

 

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Andy Siegel maintains a special commitment to representing survivors of traumatic brain injury in his practice of law. He is on the Board of Directors of the New York State Trial Lawyers Association and of the Brain Injury Association of New York State. His many trial successes have regularly placed those outcomes among the “Top 100 Verdicts” reported in the state annually. A graduate of Tulane University and Brooklyn Law School, he now lives outside of the greater NYC area. 

 

Andy Siegel is also the author of several adventurous legal thrillers, three of which are newly released today.

 

 

NellyEltonJenna

 

 

 

A Time with the Author

 

 

In your bio you twice mention your “sense of justice.” What does that mean, and how does it affect your work as a lawyer and a novelist?

 

My sense of justice is an internal feeling I get when my hard-fought legal efforts have resulted in achieving an outcome I know to be more than fair and reasonable. And … the resolution leaves my client with an impression of satisfactory closure. As a novelist, I create good versus evil and/or David versus Goliath scenarios in my stories. So I believe a sense of justice is attained for my eponymous character when the readers find themselves viewing Tug Wyler as an ambulance chaser they can root for.

 

 

 

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What is the civil justice system?

The best and only game in town. Where people can come under one roof and address real grievances in a civilized way, judged by members of their own community. I’ve never considered any area of law other than personal injury, embracing the fact that the media likes to poke fun at guys like me. Any related scene you’ve ever viewed in a movie or on television will show a guy in a neck brace, representing a scammer of the system. I get it and appreciate its humor too. I mean, just look at the home page of my andysiegel.com website. It reads: “Finally, an ambulance chaser you can root for …”

 

But I specialize in injury cases involving traumatic brain insult. My commitment to these individuals extends beyond the courthouse walls, as I sit on the Board of Directors of the Brain Injury Association of New York State. I represent real people whose lives, and those of their families’ lives, have been tragically altered in a nanosecond of negligent conduct. I try to make life easier for those folks who—through no fault of their own face a future long in challenges. For some, that challenge is just getting out of bed in the morning.

 

 

You strike me as a natural storyteller. Name the similarities of trials, cases, and victims to storytelling.

Each has a beginning, middle, and an end. It’s that simple. But, if you’re going to be a storytelling novelist, you also need an audience. In court, my audience is captive, with a court officer keeping them in that jury box until their service is over.

 

 

 

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You stated “Justice is something you shouldn’t have to compete for, … but it is.” In light of this statement, what are the flaws of the adversarial nature of the justice system?

The flaws are not in the system per se but rather in the manner in which an injured individual selects and hires their lawyer. People spend hours and hours researching what car they’re going to buy, but that same person will hire any accident lawyer upon the recommendation of a friend—or even a friend of a friend—without doing any due diligence. The fact of the matter is, not every lawyer has the requisite knowledge and experience to handle cases of significant proportion. Especially when it comes to traumatic brain injury (TBI), an area I have a compassionate interest in.

And I’m not the “right guy” for every TBI survivor with a lawsuit. There has to be a particular connection between the attorney and the client in these matters for things to be holistic. For a greater understanding of the message I’m hoping to share here visit: http://tbihelpline.com/traumatic-brain-injury-lawyer-new-york/, which memorializes a lecture I gave at the annual conference of the Brain Injury Association of New York State called the“Dos and Don’ts of Hiring a TBI Lawyer.”

And what I mean by “justice is something you shouldn’t have to compete for” is that your case will only be as good as the lawyer you hire. If the other side has a better lawyer, then you may lose that competition for justice.

 

 

 

Who is Tug Wyler?

 

Part me, part my alter ego. But you knew that already. However, I live in the real world and not a fictional one, so I’m unable to follow Tug Wyler’s model as he goes about representing his clients in such an antic, creative, and risk-taking way.

 

 

What motivates him?

 

What keeps Tug digging deeper and deeper into the circumstances giving rise to his legal retention is his compulsion, like mine, to make the system work for the injured victim, an outcome the big insurance companies vigorously resist. Please remember, as I always do, that there’s no one type of victim. We’re all vulnerable.

 

 

 

 

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Do you have any other creative ideas for books besides the Tug Wyler series?

Easiest question of the bunch. No. Every single word in the Tug Wyler Mystery Series is derived from, inspired by, and influenced by each and every legal case I’ve handled over the years. I write from a true insider’s perspective. So, I’m not very confident that I could write an engaging book outside of this series. I have written a screenplay though …

 

 

 

 

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How did you go from “not knowing what you wanted to do” to Brooklyn Law School?

 

My college roommate made a very compelling argument in support, stating, “Hey, let’s go to law school. Let’s be lawyers, get a JD degree. Knowledge is power. Power is king, and we’ll command respect from our peers. Respect.”

Sounded good to me. My only plan at that moment was a decision whether to get a Domilise’s hot sausage po’boy or to go to the Camellia Grill for a piece of pecan pie. I recall being stretched out on our disgusting couch, sore from lacrosse practice, thinking how I needed to investigate this lawyer thing a bit more, already knowing exactly who I needed to speak to: my childhood next-door neighbor Jack B. Weinstein, Chief Judge of the United States District Court for the Eastern District of New York, appointed by President Lyndon Johnson.

As I grew up, Jack had taught me a lot of useful stuff over the years—how to change a flat tire on my bike, how to bait a hook and scale a fish, and how to use a lock wrench, among many other things. One day on college break, I walked down his driveway. He gave me his patented smile and said, “Back from New Orleans. Great, here.” He handed me a potato sack and a broomstick. Jack, for certain, was the only person in Great Neck, Long Island, who owned a potato sack.

Anyway, he led me to his fenced-in garden, which was on a narrow tract of land between the Long Island Sound and the Library Pond, where I asked what the sack and the stick were for. He responded with a pointed finger. What I saw was a gaggle of Canadian geese swimming in the Library Pond.

“And?” was my next question, which led to his second finger point. A gosling was stuck in his garden, trying to get out by repeatedly attempting to jump through one of the square openings in the wire fence. Unfortunately the little guy was too big to get through, and, with each jump, he scraped the top of his head on the wire, which wound was now bloody and deep. “Jack, why don’t I just pick him up and put him over?”

He responded, “Go stand in front of the fence, and, when I pick up that chick, you ward off mama goose with the stick and the sack.”

I gave him a curious look, which was met with a You’ll understand in a moment expression. The one thing I knew about Jack was that he was always right, so I didn’t question him and took my position.

Jack asked, “Ready?”I nodded, and, when he went to pick up the tiny frightened chick, it began squeaking some alarm call. This cry for help caused mama goose to take off like a high-powered fighter seaplane on a dive-bombing mission, flying straight at my head at forty miles per hour. Barely fending her off, I screamed, “What the fuck, Jack?” realizing I had just sworn at the highest and most prestigious federal judge in New York State. Turning back to him, I saw that little ball of fluff was in the exact same place it had been before the mom took her run at me. Unnerved, I asked, “What’s up?” Jack responded, “I couldn’t get a grip on him.” Now I’m not one to take issue with a famous federal judge—and famous he was—but I did strongly urge him to get a hold next round, which didn’t happen until after four more attempts and close encounters with a highly protective and dangerous mama goose.

Recovering from our confrontation, we found ourselves sitting on a bench, facing the Long Island Sound, next to his rowboat. Over the years, Jack and I had had several conversations on this bench, but this was the most important one. I said, “Jack, I’m thinking of going to law school. Why’d you go?”

He responded, “I didn’t know what to do next.” That was good enough for me. He added, “I’d be happy to write a recommendation but don’t apply to Columbia Law School.”

I said, “Thanks, but why not Columbia?” He didn’t hesitate. “Because you’ll get in, but you’re not qualified.” He of course was right again.

Long story short, my roommate didn’t show up for the LSAT test or apply to law school, but I owe him dearly for that “knowledge is power” speech, for that conversation propelled me to go to law school. I will add that I love what I do.

 

 

 

NellyEltonJenna

 

 

ANDY SIEGEL

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Interview with Historical Mystery Author Jennifer Kincheloe

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Jennifer is a research scientist turned writer of historical fiction. Her novels take place in 1900s Los Angeles among the police matrons of the LAPD and combine, mystery, history, humor, and romance. THE WOMAN IN THE CAMPHOR TRUNK was released in November, 2017. Her debut novel, THE SECRET LIFE OF ANNA BLANC was a finalist in the Lefty Awards for Best Historical Mystery, The Colorado Author’s League Award for Best Genre Fiction, the Macavity Sue Feder Award for Historical Mystery, and is the WINNER of the Mystery & Mayhem Award for Historical Mystery and the Colorado Gold for Best Mystery.

Jennifer grew up in Southern California, but has traveled to such places as Nicaragua, Ethiopia, and Papua New Guinea. She’s been a block layer, a nurse’s aid, a fragrance model, and on the research faculty at UCLA, where she spent 11 years conducting studies to inform health policy. Jennifer currently lives in Denver, Colorado with her husband and two teenagers, two dogs, and a cat. There she conducts research on the jails.

 

 

 

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*What’s a typical day like for you?

 

I’m a corrections researcher, so by day, I’m coding multi-level statistical models and shadowing deputies in the jails. By 6:00 AM I’m at my desk at the Sheriff’s Department. It’s culturally so different from academia, where I came from. After work, I lift weights with my personal trainer in the jail. I’ll go over to a weight machine and someone will have left their gun on the seat. Then I go home, take care of my teenagers,do an interview, arrange a reading in a bookstore, write a little, fall asleep on my laptop.

 

 

*Do you still struggle with Chronic fatigue?

I gave up sugar and that helped me a lot.

 

 

 

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*What do you do to recharge your creative batteries?

Art inspires me. Music inspires me. When readers respond to my work in a positive way, it’s a huge jolt to my creative energies. I love readers.

 

 

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*On your website you state the following, So when I wasn’t writing or conducting research, I was reading every writing book I could get my hands on. I treated it like one more graduate degree. This took a couple of years.”  

 

  • During this time frame name some of the writing books that helped you the most.

I started writing screenplays before I wrote fiction. I sent my first screenplay off to my Oscar-nominated screenwriter x-boyfriend, David, who graciously read it and told me it stank. It did. He recommended three books to me: Story: Substance, Structure, Style and the Principles of Screenwriting, by Robert McKee; The Art Of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives by Lajos Egri; and The Writer’s Journey by Christopher Vogler. They changed my game. Screenwriting books are incredibly instructive for fiction writers because they teach you story structure. Now David is a big Anna Blanc fan (and I know he’d tell me if he wasn’t).

  • Any favorite quotes, tips, techniques?

Give into your voice. Don’t self censor. There’s a Neil Gaiman quote that is right on the money.

 

“Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.”  

  • Were you ever overwhelmed by the amount of information?

I was famished for information. Writing was a fresh discovery for me. I hadn’t known that I could do it or love it so much. And once I made that discovery, it’s all I wanted to do or talk about. So, I was like, ‘bring it!’

 

 

Write Sign, Love for Writing, for writers and authors.

 

 

 

* “I treated it like one more graduate degree…” Tell us more about this and your approach to learning the craft.

 

When I first started writing fiction and screenplays almost ten years ago, I was surprised that I wasn’t good at it.  I thought it would be easier because I was a already a competent non-fiction writer. It wasn’t. Writing fiction or screenplays is a whole different beast and you have to learn the craft. You’ve got to put in your ten thousand hours. I read dozens of screenplays and dissected them. I diagrammed novels. I would read books I loved five times in a row. Each time I’d look for something new. What was the ratio of description to action? What rules did they break? How did the author make me feel so deeply? I would study first paragraphs of novels that were effective and mimic them. When I presented my writers’ group with my first sex scene, they laughed, because it was unintentionally hilarious. So I started reading romance novels–just the dirty parts–to try to figure out what made a good love scene.

And, I wrote. Some days, I wrote for fourteen hours. I’d wake up in the middle of the night and write. I wrote first thing in the morning. I wasn’t working much at the time, so I could do it.

 

 

 

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*With a MPH (I’m guessing it’s a Masters of Public Health–My wife has one of those), a Ph.D, a love of reading, and what you’ve accomplished so far in writing, I’ve assumed the following.

 

-You love to learn new things. Is this true?

Yes, which is why I love corrections research so much. I get to learn a whole new discipline that also ties into my fiction.

 

-You have great self discipline. How did you develop such great character?

Thank you. I don’t know. My mother worked us pretty hard when we were kids, be it doing chores or hiking up mountains, and I’m grateful. Then I traveled extensively in the developing world, so I know about cold showers and picking bugs out of your food. Working hard and pushing through when things are tough is key. But it’s crucial to know where to focus your energies. I let a lot of things slide because they would take me away from writing or time with my kids.

 

-I can also tell you have a sense of humor, which I love in Anna Blanc, The Woman in the Camphor Trunk. Where does your sense of humor come from?

 

Boredom. Childhood used to be filled with boredom. Wonder too, but in the 60s and 70s we had to make our own entertainment. I liked to amuse myself by finding the humor in things. Even now, I’m often giggling behind my hand.

 

 

 

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*How do you utilize research for your novels?

 

I love to use primary sources for my Anna Blanc research. The Los Angeles newspapers from the early 1900s enthrall me. Most of my story lines come straight out of the papers. I steal events from the newspapers, descriptions of technology, prices from advertisements, fashion, entertainment. I love eyewitness accounts. I harvest slang and social morays from novels written in that period — things that Anna Blanc would have read. Text books from the period. Magazines. Photography is my very favorite source I’ve collected thousands of pictures of the 1900s on my Pinterest page. Here’s the link. Prepare to be amazed https://www.pinterest.com/jrobin66/

 

 

 

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*I love Anna Blanc! She’s such a unique character. This sounds weird but, did it take a while to create her?

 

Thank you so much!. I was planning on writing someone else entirely and she forced her way onto the page. She’s maturing a bit, and that takes time. But her voice is in the very first paragraphs of the first draft I wrote. In some ways, Anna is like me at 19 only magnified. I was self-absorbed. She’s even more self-absorbed. I was naive and privileged. She’s sheltered and filthy rich. I was relatively smart and brave. She’s even braver and more brilliant. And, like most women of my generation, I was frequently dismissed. So Anna is dismissed.

 

 

*What’s next in the Anna Blanc series?

 

Book three will be out next Spring. It’s based on a true story and involves a white slavery ring, a murder in Griffith Park, and a mysterious man who comes into Anna’s life and drives Joe Singer crazy. There’s a trip in the Blanc’s luxurious private train car, a brutal trek in the desert, family drama, and lots of skeletons in closets.

 

 

 

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Partners in Crime Podcast Hosts Crime Writer Angela Marsons

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Partners in Crime hosts speak with crime writer Angela Marsons about her bestselling DI Kim Stone novels.

 

 

 

This podcast originally appears on Podbean.com

April 27, 2018 Duration: 49 min.

 

 

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Angela Marsons is the author of the International Bestselling DI Kim Stone series and her books have sold more than 2 million in 2 years.

She lives in the Black Country with her partner, their cheeky Golden Retriever and a swearing parrot.

She first discovered her love of writing at Junior School when actual lessons came second to watching other people and quietly making up her own stories about them. Her report card invariably read “Angela would do well if she minded her own business as well as she minds other people’s”.

After years of writing relationship based stories (The Forgotten Woman and Dear Mother) Angela turned to Crime, fictionally speaking of course, and developed a character that refused to go away.

She is signed to Bookouture.com for a total of 16 books in the Kim Stone series and her books have been translated into more than 27 languages.

Her last three books – Blood Lines, Dead Souls and Broken Bones reached the #1 spot on Amazon on pre-orders alone.

How far would you go to protect your darkest secrets?

When teenager Sadie Winter jumps from the roof of her school, her death is ruled as suicide – a final devastating act from a troubled girl. But then the broken body of a young boy is discovered at the same school and it’s clear to Detective Kim Stone that these deaths are not tragic accidents.

As Kim and her team begin to unravel a dark web of secrets, one of the teachers could hold the key to the truth. Yet just as she is about to break her silence, she is found dead.

With more children’s lives at risk, Kim has to consider the unthinkable – whether a fellow pupil could be responsible for the murders. Investigating the psychology of children that kill brings the detective into contact with her former adversary, Dr Alex Thorne – the sociopath who has made it her life’s work to destroy Kim.

Desperate to catch the killer, Kim finds a link between the recent murders and an initiation prank that happened at the school decades earlier. But saving these innocent lives comes at a cost – and one of Kim’s own might pay the ultimate price.

The utterly addictive new crime thriller from the Number One bestselling author – you will be gripped until the final shocking twist.

How To Write Emotion & Depth Of Character With Becca Puglisi

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People will forget what you said and did, but they won’t forget how you made them feel.” – Maya Angelou

 

Joanna Penn interviews Becca Puglisi on the Creative Penn Podcast

 

This podcast originally appears on The Creative Penn Feb. 12, 2018

Duration: 1 hr 7min

 

 

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“This is far more than a brilliant, thorough, insightful and unique thesaurus, this is the best primer on story — and what REALLY hooks and holds readers– that I have ever read.”  ~ Lisa Cron, bestselling author of Wired For Story & Story Genius

 

 

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Readers connect to characters with depth, ones who have experienced life’s ups and downs. To deliver key players that are both realistic and compelling, writers must know them intimately—not only who they are in the present story, but also what made them that way. Of all the formative experiences in a character’s past, none are more destructive than emotional wounds. The aftershocks of trauma can change who they are, alter what they believe, and sabotage their ability to achieve meaningful goals, all of which will affect the trajectory of your story.

Identifying the backstory wound is crucial to understanding how it will shape your character’s behavior, and The Emotional Wound Thesaurus can help. Inside, you’ll find:

•A database of traumatic situations common to the human experience
•An in-depth study on a wound’s impact, including the fears, lies, personality shifts, and dysfunctional behaviors that can arise from different painful events
•An extensive analysis of character arc and how the wound and any resulting unmet needs fit into it
•Techniques on how to show the past experience to readers in a way that is both engaging and revelatory while avoiding the pitfalls of info dumps and telling
•A showcase of popular characters and how their traumatic experiences reshaped them, leading to very specific story goals
•A Backstory Wound Profile tool that will enable you to document your characters’ negative past experiences and the aftereffects

Root your characters in reality by giving them an authentic wound that causes difficulties and prompts them to strive for inner growth to overcome it. With its easy-to-read format and over 100 entries packed with information, The Emotional Wound Thesaurus is a crash course in psychology for creating characters that feel incredibly real to readers.

 

 

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Becca Puglisi is a YA fantasy and historical fiction writer who enjoys slurping copious amounts of Mountain Dew and snarfing snacks that have no nutritional value. She has always enjoyed contemplating the What if? scenario, which served her well in south Florida during hurricane season and will come in handy now that she’s moved to New York and must somehow survive winter.

Becca Puglisi is a speaker, writing coach, and bestselling author of The Emotion Thesaurus. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers website and via her newest endeavor: One Stop For Writers—a powerhouse online library like no other, filled with description and brain-storming tools to help writers elevate their storytelling. You can find Becca online at both of these spots, as well as on Facebook and Twitter.

 

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Q&A with the Prolific Author Debra Webb

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DEBRA WEBB is the USA Today bestselling author of more than 150 novels, including reader favorites the Shades of Death, the Faces of Evil, the Colby Agency and the Shades of Death series. She is the recipient of the prestigious Romantic Times Career Achievement Award for Romantic Suspense as well as numerous Reviewers Choice Awards. In 2012 Debra was honored as the first recipient of the esteemed L. A. Banks Warrior Woman Award for her courage, strength, and grace in the face of adversity. Recently Debra was awarded the distinguished Centennial Award for having achieved publication of her 100th novel. With this award Debra joined the ranks of a handful of authors like Nora Roberts and Carole Mortimer.

With more than four million books in print in numerous languages and countries, Debra’s love of storytelling goes back to her childhood when, at the age of nine, her mother bought her an old typewriter in a tag sale. Born in Alabama, Debra grew up on a farm. She spent every available hour exploring the world around her and creating her stories. She wrote her first story at age nine and her first romance at thirteen. It wasn’t until she spent three years working for the Commanding General of the US Army in Berlin behind the Iron Curtain and a five-year stint in NASA’s Shuttle Program that she realized her true calling. A collision course between suspense and romance was set. Since then she has expanded her work into some of the darkest places the human psyche dares to go. Visit Debra at http://www.debrawebb.com.

 

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Welcome Deb!

 

*Is it true you’ve written over 150+ books??

It is!

 

*What’s the method to the madness? What’s your superpower?

LOL. I don’t have a superpower. It’s just the way the stories come to me. In BIG chunks rather than small pieces. I had to slow down a few years ago because I was in a terrible accident. I might have reached that 200 mark by now if not for that lol!

 

*After writing so many great books what’s your secret to telling a good story? 

Love the characters. If you’ve in love with the characters the story has to be good!

 

 

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*What’s been your experience writing the Shades of Death series? Will there be more?

Maybe. I never say never. For now, I’m moving on to The Undertaker’s Daughter series and a couple of standalone projects! THERE ONCE WAS A CHILD is what I call one of my fun projects. I just wanted to write it for me.

 

 

There was once a child

 

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A predator recently released from prison is missing…there’s blood on the floor—but there are two blood types. Is he a victim of revenge or has another of Nashville’s children gone missing?

Joseph Fanning stole and abused seventeen children. Recently released after serving his time, now he’s gone missing. Detective Olivia Newhouse and her partner, Walt Duncan, have a duty to do all within their power to find him—just as they would for any other citizen. The first step is to make a list of possible suspects and the logical names to start with are Fanning’s victims. Those seventeen children are now adults and more than one would like to see Joseph Fanning dead.

As Olivia and Walt dig deeper into the case their own lives begin to unravel. The fragile threads of discovery start to twist and tangle until nothing is as it seems.

When the one victim who knows the whole truth is revealed, no one will be the same.

 

 

 

 

CLAP-THRILLER

 

*Is There Once was a Child your first psychological thriller?

Some of my others have been psychological suspense but this is the first one like this.

 

*What are some interesting facts you learned while researching for this book?

How deeply moved I can be by a character, for one thing. The power of denial. We humans have incredible self-defense mechanisms.

 

 

 

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DEBRA WEBB is the USA Today bestselling author of more than 140 novels, including reader favorites the Shades of Death, the Faces of Evil and the Colby Agency series. She is the recipient of the prestigious Romantic Times Career Achievement Award for Romantic Suspense as well as numerous Reviewers Choice Awards. In 2012 Debra was honored as the first recipient of the esteemed L. A. Banks Warrior Woman Award for her courage, strength, and grace in the face of adversity. Recently Debra was awarded the distinguished Centennial Award for having achieved publication of her 100th novel.

With more than four million books in print in numerous languages and countries, Debra’s love of storytelling goes back to her childhood when her mother bought her an old typewriter in a tag sale. Born in Alabama, Debra grew up on a farm. She spent every available hour exploring the world around her and creating her stories. She wrote her first story at age nine and her first romance at thirteen. It wasn’t until she spent three years working for the Commanding General of the US Army in Berlin behind the Iron Curtain and a five-year stint in NASA’s Shuttle Program that she realized her true calling. A collision course between suspense and romance was set. Since then she has expanded her work into some of the darkest places the human psyche dares to go. Visit Debra at www.debrawebb.com or write to her at PO Box 10047, Huntsville, AL, 35801.

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Q&A and Book Recommendations with Sandra Block

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Sandra A. Block graduated from college at Harvard, then returned to her native land of Buffalo, New York for medical training and never left. She is a practicing neurologist and proud Sabres fan, and lives at home with her husband, two children, and impetuous yellow lab Delilah. She has been published in both medical and poetry journals. Her debut of the Zoe Goldman series, “Little Black Lies” was nominated for an International Thriller award. “The Girl Without a Name” is her second and “The Secret Room” the final in the series. Her newest stand-alone thriller called “What Happened That Night” comes out on June 5th, 2018!

 

 

*If you could trade places with any author who would it be?

JK Rowling. Because one, she’s a terrific writer. Two, she delivers some serious burns on Twitter. And three, who wouldn’t want a theme park created for them?

 

 

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*Which top three writing awards do you covet?

I would love an Edgar, an International Thriller award, and/or an Anthony. Preferably all at once. And of course, the Pulitzer 🙂

 

 

 

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*Where are you now in your writing journey?

That’s an interesting question. As I writer, I feel more comfortable with my voice, and I’m more confident in my ability to write. However, I’m less optimistic and more realistic about publishing in general.

 

 

 

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*How do you recharge yourself so you’re fresh creatively?

I recharge myself with vacation. There’s nothing like a romp on the beach to get my neurons firing again.

 

 

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*Can you tell us a little about your new book coming out?

My book coming out in June is called What Happened That Night, about a woman who is attacked in college with limited memory of the event. When a video emerges of the assault a few years later, she now knows every single person involved. And she decides to get justice. I think of it as a revenge-love story.

 

 

What Happened that night Sandra block

 

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One moment Dahlia is a successful Harvard student. The next, she wakes up from a party, the victim of a brutal assault. Her life veers into a tailspin, and what’s worse, her memory of the attack has been ripped away, leaving a cold rage in its wake.

Now, years later, Dahlia is a tattooed paralegal suffering from PTSD, still haunted by that night. Until one day, a video surfaces online, and Dahlia sees her attack for the first time. Now she knows what happened to her. And she knows who to blame. Her rage is no longer cold, but burning, red hot.

And she is about to make everyone pay.

 

 

 

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*Do you approach each book the same, or differently?

For the Zoe Goldman series, I had a similar approach for each book. I made a detailed outline and followed it, with the ending clearly in mind. In What Happened That Night, I actually did not know how it would end until I was almost finished with it. And strangely, the ending turned out to be perfect!

 

 

*What are the best books you’ve read this year?

Best psychological suspense was The Darkest Secret by Alex Marwood. The ending completely threw me. It’s the kind of book where you think you hit the final twist, and realize on the last page that you were wrong. I think it takes a special kind of skill to pull that off. I also greatly enjoyed THE BLACKBIRD SEASON by Katie Moretti. Well-written with a spooky, rural, small-town setting.

 

 

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The latest gripping psychological thriller from Edgar Award winner Alex Marwood

When a child goes missing at an opulent house party, it makes international news. But what really happened behind those closed doors?

Twelve years ago, Mila Jackson’s three-year-old half-sister Coco disappeared during their father’s fiftieth birthday celebration, leaving behind her identical twin Ruby as the only witness. The girls’ father, Sean, was wealthy and influential, as were the friends gathered at their seaside vacation home for the weekend’s debauchery. The case ignited a media frenzy and forever changed the lives of everyone involved.

Now, Sean Jackson is dead, and the people who were present that terrible night must gather once more for a funeral that will reveal that the secrets of the past can never stay hidden. Perfectly paced all the way through its devastating conclusion, The Darkest Secret is one that fans of Gillian Flynn and Liane Moriarty won’t be able to put down.

 

 

 

The Blackbird Season

 

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In a quiet Pennsylvania town, a thousand dead starlings fall onto a high school baseball field, unleashing a horrifying and unexpected chain of events that will rock the close-knit community.

Beloved baseball coach and teacher Nate Winters and his wife, Alecia, are well respected throughout town. That is, until one of the many reporters investigating the bizarre bird phenomenon catches Nate embracing a wayward student, Lucia Hamm, in front of a sleazy motel. Lucia soon buoys the scandal by claiming that she and Nate are engaged in an affair, throwing the town into an uproar…and leaving Alecia to wonder if her husband has a second life.

And when Lucia suddenly disappears, the police only to have one suspect: Nate.

Nate’s coworker and sole supporter, Bridget Harris, Lucia’s creative writing teacher, is determined to prove his innocence. She has Lucia’s class journal, and while some of the entries appear particularly damning to Nate’s case, others just don’t add up. Bridget knows the key to Nate’s exoneration and the truth of Lucia’s disappearance lie within the walls of the school and in the pages of that journal.

Told from the alternating points of view of Alecia, Nate, Lucia, and Bridget, The Blackbird Season is a haunting, psychologically nuanced suspense, filled with Kate Moretti’s signature “chillingly satisfying” (Publishers Weekly) twists and turns.

 

 

 

*Which books are you anticipating reading in 2018?

I can’t wait for IN HER BONES by Katie Moretti and I KNOW YOU KNOW by Heather Gudenkauf.

 

 

 

In Her Bones Kate Moretti

 

 

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Fifteen years ago, Lilith Wade was arrested for the brutal murder of six women. After a death row conviction, media frenzy, and the release of an unauthorized biography, her thirty-year-old daughter Edie Beckett is just trying to survive out of the spotlight. She’s a recovering alcoholic with a dead-end city job and an unhealthy codependent relationship with her brother.

Edie also has a disturbing secret: a growing obsession with the families of Lilith’s victims. She’s desperate to see how they’ve managed—or failed—to move on. While her escalating fixation is a problem, she’s careful to keep her distance. That is, until she crosses a line and a man is found murdered.

Edie quickly becomes the prime suspect—and while she can’t remember everything that happened the night of the murder, she’d surely remember killing someone. With the detective who arrested her mother hot on her trail, Edie goes into hiding. She’s must get to the truth of what happened that night before the police—or the real killer—find her.

Unless, of course, she has more in common with her mother than she’s willing to admit…

Perfect for fans of Ruth Ware, In Her Bones features Moretti’s “riveting and insightful” (Megan Miranda, New York Times bestselling author) prose and “chillingly satisfying” (Publishers Weekly) twists, and will leave you questioning the nature of guilt, obsession, and the toxicity of familial ties.

 

 

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Interview with Author of the Flavia De Luce Mysteries Alan Bradley

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Alan Bradley received the Crime Writers’ Association Debut Dagger Award for The Sweetness at the Bottom of the Pie, his first novel, which went on to win the Agatha Award, the Barry Award, the Dilys Award, the Arthur Ellis Award, the Macavity Award and the Spotted Owl Award. He is the author of many short stories, children’s stories, newspaper columns, and the memoir The Shoebox Bible. He co-authored Ms. Holmes of Baker Street with the late William A.S. Sarjeant. Bradley lives in Malta with his wife and two calculating cats. His seventh Flavia de Luce mystery, “As Chimney Sweepers Come to Dust” will be published in the US and Canada on January 6, 2015, and in the UK on April 23.

The first-ever Flavia short story, “The Curious Case of the Copper Corpse” has recently been published in eBook format, as has his 2006 memoir, “The Shoebox Bible”.

 

 

 

 

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This is your 9th Flavia de Luce novel. What stuck out to you as you were writing this one?

Flavia’s always buoyant enthusiasm and (dare I say it?) lust for life always impresses me. She goes on from strength to strength no matter what. Even though she’s growing older, her irrepressible spirit is never quenched. I think there might be a message in it somewhere.

 

I love the titles of all your books. Describe how you came up with this one.

Most of the books’ titles reflect Flavia’s enthusiasm for tombs and graves, and what lies within. This one, of course, came from one of my favourite poets, Andrew Marvell. “The grave’s a fine and private place, But none, I think, do there embrace”. What else is there to say?

 

 

 

The Grave's a fine and private place

 

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During this book, what motivates Flavia at this point in her life?

Flavia is motivated primarily by Chemistry, and the knowledge of what it can achieve, including power. She is beginning to think about her future, too, and what lies beyond Buckshaw.

 

As your 9th Flavia de Luce novel what’s it like to write about her as a person?

I am in awe of Flavia. She is a constant surprise and delight. It is a great honour and a privilege to be allowed to sit quietly in her presence and write down what she’s thinking and doing. Does she frighten me? Yes, definitely. Those around her are not really aware of how dangerous she is – or could be.

 

If you were to meet Flavia in person what would you say to her?

“Thank you, Flavia.”

 

 

 

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Tell us a little about the setting where the story takes place.

The setting is a crumbling country house somewhere in England a few years after the end of WWII. Buckshaw has been handed down in the de Luce family for many generations, and contains echoes and memories of everyone who has ever lived in it. For most of its occupants, the past coexists with the present, and sometimes, the only reality is Death. Nearby is the village of Bishop’s Lacey, which provides almost everything that one could ever want in life, including a ready supply of victims.

 

 

Can’t wait for the audiobook! What is your role in the audiobook process?

The lovely folks at Random House Audio are always kind enough to allow me to point them towards interpretations which might be somewhat obscure in today’s world. We always have a lively exchange before and during the production of every audiobook. I must say that it was only recently that I had the opportunity to speak, live, to Jayne Entwistle, and I think both of us were in tears to discover the commonality of writing and becoming Flavia de Luce. We could have, as the saying goes, talked all night.

 

 

 

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NEW YORK TIMES BESTSELLER • “The world’s greatest adolescent British chemist/busybody/sleuth” (The Seattle Times), Flavia de Luce, returns in a twisty mystery novel from award-winning author Alan Bradley.

In the wake of an unthinkable family tragedy, twelve-year-old Flavia de Luce is struggling to fill her empty days. For a needed escape, Dogger, the loyal family servant, suggests a boating trip for Flavia and her two older sisters. As their punt drifts past the church where a notorious vicar had recently dispatched three of his female parishioners by spiking their communion wine with cyanide, Flavia, an expert chemist with a passion for poisons, is ecstatic. Suddenly something grazes her fingers as she dangles them in the water. She clamps down on the object, imagining herself Ernest Hemingway battling a marlin, and pulls up what she expects will be a giant fish. But in Flavia’s grip is something far better: a human head, attached to a human body. If anything could take Flavia’s mind off sorrow, it is solving a murder—although one that may lead the young sleuth to an early grave.

 

Audible

 

 

 

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Author Interview with Matthew Mather

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Please welcome Matthew Mather million-copy bestselling author of technothrillers Cyberstorm and Darknet, and hit series Nomad and Atopia Chronicles.

 

 

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Matthew Mather

 

 

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In just four years, Matthew Mather’s books have sold over a million copies, been translated into 18 languages, published in 23 countries, and optioned for multiple movie and television contracts. He began his career as a researcher at the McGill Center for Intelligent Machines before starting several high-tech ventures, everything from computational nanotechnology to weather prediction systems, to even designing an award-winning brain-training video game. He now works as a full-time author of speculative fiction.

 

 

 

 

Interview Microphone Cord Wire Word Radio Podcast Discussion

 

 

 

 

*Name at least 3 things early in life that made you a writer today. 

I only became a writer in the middle of my life, but I think the earliest spark for the idea came when I was quite young. I vividly remember reading and re-reading C.S Lewis’s Chronicles of Narnia, and then Lord of the Rings. The stories and worlds inspired me to dream about my own stories. My grandmother nicknamed me “Dreamboat” and not because I was a good-looking kid, but more because I was always daydreaming. Later on, in high school, I had a teacher who took a particular interest in me and helped me engage in all sorts of interesting projects that were “off curriculum”. Finally, my family was a great inspiration—caring and engaged, it made me feel like sharing more with the world.

 

 

*Who are your favorite Science fiction authors?

I’m definitely an old-school sci-fi guy—so Asimov, Philip K. Dick, Vernor Vinge. When I was a teenager I would hang around bookstores and stare at the covers—I would love anything with an amazing-looking spaceship on the front. Which, now thinking on it, I should start writing some good-old-fashioned space exploring type stuff next!

 

*What do you appreciate about the Science Fiction genre?

I view science fiction as a tool we can use as a mirror to hold up to view ourselves—but from fresh perspectives. What would happen if we were stranded alone on Mars? How would the human spirit hold up, and how would the rest of humanity respond? What if we could switch gender and identity fluidly? How would that change society? The list goes on and on—I find that the most compelling dimension to science fiction. Of course, there is the pure adventure side of it as well, creating compelling new worlds and possible realities, but in the end, what interests us is how the characters respond to these new situations and react with each other within them.

 

 

 

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*What are your thoughts on the singularity? 

I’ve actually written a whole series of books on the topic—check out my Atopia trilogy to get my take on what it would feel like to live through and singularity, and for one character to survive through to the other side. Regarding an actual “technological singularity” where technology keeps speeding up exponentially and thus eventually reaches a point of infinite rate of change…I think this is a nice construct, but, like Moore’s Law, will eventually break down. However, for individuals and small groups, I believe that we will witness small break-away groups that will undergo rapid and inexplicable—to outsiders—bursts of evolution. Whether these evolved organisms, biological or digital, react “nicely” with the rest of us—this is to be seen. All I can say is that it will be interesting. I already feel like I’m living in a science fiction novel, when news headlines talk about the fusion of artificial intelligence and industry and whose corporate AI will win out, and which private space launch company will dominate.

 

 

*How do you determine if an idea is good enough for an entire novel?

I usually get the seeds of ideas when I’m daydreaming, often when I’m traveling, and when I do, I just let the idea take shape and the narrative to take form. I scribble down all the ideas and the best ones I organize into electronic and physical folders. I usually have about 20+ book ideas on the go at any one point in time, and sometimes combine two or three ideas into one integrated whole. When it comes time to start a new book, I spread out all these 20+ ideas on a table and let my mind wander and see which idea gets me the most excited…whichever one seems to stimulate my imagination the most gets to be the next book.

 

 

 

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*How do you research for your books?

I start by doing research on the web and reading books on the topics that might be connected. I often like to have exotic settings for my books—like doing the end of the world from the perspective of a family traveling in Tuscany in my Nomad series—so I like to travel to the places I write about. The final leg is doing primary research, for instance, when I include the Mohawk tribes in my Darknet book, I actually called the elders of the Mohawk tribe and interviewed them, and even went to their summer Pow-wow events to interact and spend time with the community.

 

 

*In another interview you mentioned, “I always recommend new authors to use the serialized approach…It seems to work.” This was in relation to writing the Atopia Chronicles. Do you still recommend this approach for new authors?

It’s been about five years since I propelled myself into the self-publishing world, and I’ve noticed that it’s become much more difficult to the point of being hyper-competitive—so I’m not sure that the strategies that I used back then are still applicable to getting into the market today. Back then, the established publishers wouldn’t price their books in the low echelons, so the self-published authors had the space all to themselves, but now it’s become a free for all with competition coming from all angles and with a much more sophisticated audience. All that being said, the “momentum” strategy seems to work the best, by which I mean, publish often, one after the other. If I was starting out, I would still aim to create a six-part series that I would write ahead of time, and then publish each new installment once a month and use the Kindle Select tools to boost…so yes, I’d still recommend the same strategy.

 

 

 

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*What new technologies are you excited about?

I think that self-driving cars will radically alter human society in the 21st Century in ways that we can’t fully imagine yet, the same way that horseless carriages totally changed the urban and societal landscape of the 20th Century. Basically these are just robots that we get inside—in a few years I doubt they will look much like cars, but will take on all kinds of shapes and locomotion strategies including flying. Artificial intelligence is already making a massive impact, and will continue to evolve in surprising ways, including merging with human intelligence (a process that is already underway). One thing I’m really excited about is the prospect of room-temperature superconductors—added with other technologies (like AIs and advanced robotics) it will allow for super-powerful electric motors, tiny-but-massively-powerful batteries, lossless energy transmission and more. It would make possible a whole range of capabilities we can’t even imagine today, and may just be a tiny breakthrough away.

 

 

*If you had to pick one setting to survive in which one would you pick? Cyberstorm or Nomad?

Definitely CyberStorm! At the end of that books, the world basically goes back to normal—if a bit wiser. In Nomad, I literally destroy the entire solar system, and almost obliterate the Earth not just once, but twice!

 

 

Cyberstorm

 

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*What next for you?

I’m writing a near-future detective series called The Lacuna Cases. The first book, The Dreaming Tree, will be out in hardcover and e-book this summer!

 

 

 

 

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