Percivious Insomnia by J.J. Cook & A.J. Cook MD

An insomnia pandemic is sweeping the globe, leaving people unable to function and society on the brink of collapse…

Dr. Cooper Delaney believes he has the answer: Noctural, a new sleep-aid—one with absolutely no side-effects—which in early testing shows 100% effectiveness.

The only problem is, it doesn’t work. With no warning. No explanation.

Unable to accept the drug’s inexplicable failure and unwilling to concede to the competition, lines are crossed, ethical boundaries are pushed to the breaking point, and disturbing realizations come to light that could completely unravel civilization as we know it… and throw into question humanity’s place in the universe.

A jetset medical thriller meets sci-fi adventure with an unforgettable cast of characters, Percivious Insomnia presents an alternate history so compelling that it could possibly be true. The first book in the Percivious Trilogy from husband-wife author duo JJ Cook & AJ Cook, MD, Percivious Insomnia sets a unique and original course for fiction of the future, and paints a timely, prescient portrait of today’s globalized society… and what may exist beyond the realm of our current understanding.

 

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AUTHOR INTERVIEW

J.J. Cook & A.J. Cook

 

Behind the plot of Percivious Insomnia was a singular idea or more specifically a question. What would happen if someone or something could exploit your sleep hours for their own benefit? This question blossomed in a separate direction for each of us, likely from the beginning. For AJ Cook, the story was based in science fiction and for JJ Cook it involved exploring an idea never considered before and how it would impact people individually and society as a whole. In the first chapter the reader meets Dr. Cooper Delaney, a talented star at a leading pharmaceutical company. His place at the beginning of the novel is critical and his role is what fostered our first discussions about the storyline. What was at first a collection of ideas captured on paper, eventually became sentences, which were then fashioned into paragraphs, chapters and finally the novel itself.

 

Medical research is at the heart of the novel. AJ Cook’s expertise brought plausible medical science to life in what would otherwise be a story of strictly fiction. Both of us are life-long learners, always curious about the why behind the what, and the depth of the characters echoes this sentiment throughout this first book in the trilogy. Elements of science were added specifically to provide believable explanations for key elements such as the description of our ancient humanoid cousins as well as the plateau of our own evolution referred to as human pinnacle theory in the novel. As the story unfolded, the science gathered through our research continually lead and supported the story to the point where it became eerie as we found ourselves launching a novel about a pandemic in the midst of a real one.

 

Writing with a spouse, quite literally, is a double-edged sword; pushing for the very best from each other and simultaneously disagreeing about major facets of the plot certainly make for an interesting dialogue on many nights. What keeps us balanced is a genuine love for this story, the anticipation of where it will lead next and the exhilaration we both experience when making breakthroughs with the plot, the characters and the marriage of science and fiction. Nothing is more rewarding than creating paragraphs that scream to be believed despite not being true. Authoring something that could be possible is second only to writing those few sentences that refuse to be forgotten. The ones that stay in your head long after you have finished reading them, or writing them in our case. It is important to us both that we keep up the momentum in this next novel, the second in the trilogy, Percivious Origins. We want the reader to fall in love with a new cast of characters, a new setting and quite literally a new world that will be required to reach the depths of this story. The base line of the first novel was that question we mentioned – what if someone or something could exploit our sleep hours? In the second novel, the entire premise revolves around the exploitation of a prehistoric plant and how it changed the course history and the destiny of our ancient humanoid cousins. Percivious Origins will amplify our place within the environment and the importance of respect and stability between Homosapiens and nature.

The overarching theme of the trilogy remains intact, the definition of Percivious – the ultimate in altruism. Self-sacrifice in order to benefit others with no regard to reward or reciprocity. This is the soul of all three novels and is the true reason we as a couple are so dedicated and passionate about this adventure – about writing together. We quite literally could not have penned this novel without one another. Finishing each other’s thoughts and sentences have quite literally become, in our case – not only possible…but a dream come true.

 

www.perciviousinsomnia.com

Steven James Hosts Author Alex Segura On The Story Blender Podcast

The Story Blender: Posted November 6th, 2020 with host Steven James

Duration: 40 min 26s.



Alex Segura is a novelist and comic book and podcast writer. He is the author of the Anthony Award-nominated Pete Fernandez Miami Mystery series, which includes SILENT CITY, DOWN THE DARKEST STREET, DANGEROUS ENDS, BLACKOUT, and the upcoming MIAMI MIDNIGHT, all via Polis Books. He has also written a number of comic books, including the best-selling and critically acclaimed ARCHIE MEETS KISS storyline, the “Occupy Riverdale” story, ARCHIE MEETS RAMONES and THE ARCHIES one-shot and monthly series. He also co-created and co-wrote the LETHAL LIT podcast for Einhorn’s Epic Productions and iHeart Radio, which was named one of the Five Best Podcasts of 2018 by The New York Times. He lives in New York with his wife and son. He is a Miami native.

 

www.alexsegura.com

 


Steven James is a national bestselling novelist whose award-winning, pulse-pounding thrillers continue to gain wide critical acclaim and a growing fan base.

His latest novel, SYNAPSE, a near-future thriller, is set to release on October 8, 2019.

Suspense Magazine, who named Steven’s book EVERY WICKED MAN one of their “Best Books of 2018,” says that he “sets the new standard in suspense writing.” Publishers Weekly calls him a “master storyteller at the peak of his game,” and RT Book Reviews promises that “the nail-biting suspense will rivet you.”

Steven deftly weaves intense stories of psychological suspense with deep philosophical insights. As critically-acclaimed novelist Ann Tatlock put it, “Steven James gives us a captivating look at the fine line between good and evil in the human heart.”

Equipped with a unique Master’s Degree in Storytelling, he has taught writing and storytelling on four continents over the past two decades and has spoken more than two thousand times at events spanning the globe.

Steven’s groundbreaking books on the art of fiction writing, STORY TRUMPS STRUCTURE and TROUBLESHOOTING YOUR NOVEL, have both won Storytelling World Awards. Widely recognized for his story-crafting expertise, he teaches regularly as a Master Class instructor at ThrillerFest, North America’s premier training event for suspense writers. He also hosts the biweekly podcast, The Story Blender.

When Steven isn’t writing or speaking, you’ll find him trail running, rock climbing, or drinking dark roast coffee near his home in East Tennessee.

 

Audiobook Blog Tour: Emma Griffin #1: The Girl In Cabin 13 by A.J. Rivers



About Audiobook #1

Author: A.J. Rivers

Narrator: Claire Duncan

Length: 7 hours 32 minutes

Publisher: Altered Path⎮2020

Genre:  Thriller

Series: Emma Griffin FBI, Book 1

Release date: Aug. 15, 2020

Synopsis: Knock…knock…

 

 

When Emma finds a dead body on her porch with her name written on the dead man’s hand, she uncovers a sinister clue to the mystery that has haunted her since childhood.

FBI Agent Emma Griffin is sent undercover to the small sleepy town of Feathered Nest to uncover the truth behind the strings of disappearances that has left the town terrified.

To Emma, there is nothing that can lay buried forever. Even though her own childhood has been plagued by deaths and disappearances. Her mother’s death, her father’s disappearance, and her boyfriend’s disappearance. The only cases that she hasn’t solved. Her obsession with finding out the truth behind her past was what led her to join the FBI.

Now, she must face what may be her biggest case. In cabin 13, there lies an uneasy feeling. The feeling of her movements being watched. When a knock on her door revealed a body on her porch and her name written on a piece of paper in the dead man’s hand. Suddenly, her worlds collide.

With the past still haunting her, Emma must fight past her own demons to stop the body count from rising.

The woods have secrets. And this idyllic town has dark and murderous ones. Either, she reveals them or risk them claiming her, too.

In Feathered Nest, nothing is what it seems. 

The girl in cabin 13 is about to find out that the dead may have secrets of their own.

 

Buy Links for Audiobook #1

Buy on Audible

I’m always a sucker for FBI books. Insert The Girl in Cabin 13! It’s a good mystery with great suspense that’ll keep you turning the pages to find out what happens next. Told in first person point of view, author A.J. Rivers takes you deep into the mindset of embattled FBI Agent Emma Griffin. Good plot, characters that jump off the page, and a narrator that delivers a solid audiobook. Recommended! 

AUTHOR INTERVIEW

 

How did you celebrate after finishing this novel? 

I am a major coffee lover, so I really enjoy celebrating wrapping up a book by getting out of my writing room and relaxing with a good cup of flavored coffee. I drink my coffee black all the time, and I’m usually drinking very dark, robust blends. My favorite is actually called Death Wish. So when it’s time to relax and “indulge” a little, it’s with a cup of still black, but flavored coffee. My current choice is S’mores, but we’re getting close to pumpkin season. Since the end of books is always the most intense when it comes to writing, I also love to let off steam when I’m done by bringing my dog Daisy out for a long walk and enjoying the fresh air. 

 

In your opinion, what are the pros and cons of writing a stand-alone novel vs. writing a series? 

There is definitely a time and place for both. A stand-alone novel is a great opportunity to tell one focused, explosive story that doesn’t have to rely on any previous world-building or leave room for other books. It’s a shooting star situation. One bright moment that is contained within itself. Stand-alone is also great for much longer works. A series is all about creating a world for readers to live in. They get to know the characters like friends and family, and go on these adventures with them. It’s a blast to be able to revisit the same places, get to know the people, businesses, and little quirks, and keep up with them as time passes. It makes you want to keep coming back, so you keep reading the books. A series lets you explore big story arcs and delve deeper into the characters. But it also requires organization and attention to detail. You have to be able to come up with layered people and realistic places that readers will care about, as well as complex stories that can unfold a little at a time. 

 

What’s your favorite:

  • Food

I don’t have one set favorite, but I love Indian food. Chana masala is my go-to. I am always in the mood for raw vegetables or fruit salad.

  •  Song

Thriller, by Michael Jackson. 

  •  Book

Dream Boy, by Jim Grimsley 

  • Television show 

Murder investigation shows, Matlock, Murder, She Wrote, Golden Girls, and in the spirit of full disclosure, my guilty pleasure shows include Catfish and anything having to do with Halloween through holiday cooking or baking

  • Movie

The Ghost and Mr. Chicken, Dirty Dancing, Ghostbusters, Nightmare Before Christmas

  •  Band

Beatles. Michael Jackson is my favorite musician, I love girl groups from the 50s and 60s, disco, and 80s music

  •  Sports team

Chicago Cubs

  • City

Richmond, Virginia

 

Are any of those things referenced in appearance in your work? 

All the time. Because I have some pretty obscure tastes in some ways, I sometimes find myself having my characters reference things or make jokes and cultural references I then wonder if the readers will even get, so I have to go back and replace them with something easier to recognize. Especially when it comes to music and movies. I’m not a huge movie person and the ones I particularly love are pretty old school, so when I whip out references to Luther Heggs, I have to remind myself that probably isn’t going to ring a ton of bells. 

 

What bits of advice would you give to aspiring authors?

I’ll repeat the same thing that’s been said over and over, but that is so true. Write. Write. Write. Write all the time. Don’t just rely on your computer. Bring a notebook and pen around with you and write things down. You never know when you’re going to hear a phrase that inspires you, or get an idea, or even just hear a name that you like. Write it down. I also highly recommend talking through dialogue out loud. It can feel awkward at first, but the natural, believable conversations and thoughts are key to really enjoyable books. They make the characters more relatable and the action smoother. The best way to make that happen is to carry on the conversation. If you have a voice-to-text program on your computer, put it on and just talk through the conversation like you are the characters. Don’t worry about the spelling, punctuation, or accuracy at this point. Just talk it through as naturally as you can and let it come out. You can then take what you said and write it out in your draft with proper tags and action. 

I’d also tell aspiring authors to take their writing seriously. There can be a lot of pressure to only seeing writing as art and something that can only be done in the right mood or situation. There is definitely art to good writing and crafting a book, and it’s always easier when the mood and inspiration are right, but if you are going to consistently create strong, enjoyable books, you have to see it as work. You have to work hard, get the words out even when they aren’t flowing smoothly, and be willing to edit mercilessly. The best advice I ever got was from my college professor who told me to kill my darlings. You have to be willing to not see every word you write as precious, but also fight for your voice and your vision when it’s important. 

 

 

About the Author: A.J. Rivers

 

A.J. Rivers loves all things mystery and thriller. Growing up in a sleepy small town, A.J. spent her days enthralled in crime solving novels and movies. She started creating stories at a young age to escape and create adventures for herself. As a child she dreamed of solving crimes and becoming a crime fighter. She dreamed of being as great as her favorite crime solving character Sherlock Holmes. While in college she realized that leading a crime fighting life might be more gruesome than she could stomach. She decided that the best course of action would be to fuse her love of writing with her love of thrilling mysteries together.

She finds inspiration from researching true crimes and is passionate about writing suspenseful novels with crazy twists. Twists that you’ll never see coming. The inspiration for her first novel came when she read a news article about a missing young woman in a small town that was never found. Her question on who, what, and why brought her to her journal to discovering the dark twisted story behind the disappearance and to seek justice for the victim through her writing.

Her thriller novels have elements of mystery, suspense, and romance.

When she’s not absorbed in a novel or working on her next thriller mystery, her favorite past time is spent with her husky. She finds great inspiration while going on hikes with her dog.

 

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About the Narrator: Claire Duncan

 

Claire Duncan is a multi-award winning actress living in NYC.  She has performed Off-Broadway, regionally, and in national tours, and appeared in the Drama Desk nominated revival of The Threepenny Opera. She has played the lead in a dozen films, and received a Best Actress Award for her work as Rosetta in the dark comedy Rosetta’s Blues, which debuted at Cannes. As a singer, she had the honor of performing at Carnegie Hall and Lincoln Center, and toured the country as a travel host with Visit The USA.

Claire’s broad career has shaped her into an exceptional and flexible voice artist. You can hear her on Nickelodeon and Comedy Central, in hundreds of national commercials, and in over thirty audiobooks. 

“Claire Duncan was a dynamo”  – New York Stage Review

 “Simply side-splitting… a terrific comedic actress” – Show Business Weekly

Proud member of SAG-AFTRA and AEA.

 

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The Don of Siracusa Blog Tour: By Sean Rea

 

 

Don of Siracusa

 

 

Stefano Caruso always does things the right way. With a grandfather who was forced to flee the venal Sicilian mafia and start life anew in America, Stefano now heads the corporation his father and grandfather built. Handsome and successful, he’s on top of the world…until one day he has an unexpected visitor and gets shocking news. Stefano is being cheated and lied to, and the company his family built from the ground up is in mortal jeopardy. That’s when Benito Cuggi, the face of the modern-day mafia, comes into his life. Cuggi appears to live by a strict code of morals that the laws of Western society cannot enforce. Loyalty and trust are rewarded, while betrayal is punished. Now Stefano faces a difficult choice. Can he ally himself with what he’s been taught to hate and fear? Or should he let what generations of his family built be stolen out from under him?

Fraught with moral complexity, Siracusa is a fast-paced, exciting crime thriller that pits good against evil and righteousness versus deception, while asking whether good men should sometimes do bad things to punish evil….

 

Amazon | Goodreads | B&N

 

 

The Don of Siracusa Book Trailer

 

 

 

 

About the Author

 

Sean Rea author

 

Sean Rea studied at Wilfrid Laurier University in Waterloo, Ontario, majoring in communications and minoring in management. He has travelled much of America and nearly all of Italy. Like his protagonist, Stefano, from a young age Sean was exposed to the world of big business through his father and nonno, and he drew on much of this in crafting the business aspects of Siracusa. Sean is a long-time fan of the crime-fiction genre and all things mafia-related. THE DON OF SIRACUSA is his first novel. ​

 

 

 

Word Q AND A made with wood building blocks

 

 

 

Q&A Mystery Thriller Week

Author: Sean Rea

Title: “The Don of Siracusa”

 

 

 

  • What was it like writing your first book?

 

Challenging, rewarding, infuriating, and fun. I started writing “The Don of Siracusa” when I was right in the middle of pursuing my degree, so I didn’t have too much time to devote to writing. When I finally did get a “finished” manuscript together the first thing I did was ask friends and family what they thought, and they confirmed what I basically already knew – the book was a mess!

 

Back to the drawing board I went, and when I had actually completed university, I decided that enough was enough. I poured everything I had into fixing the scattered manuscript and after much trial and error, and some help from a few close friends that edited and made suggestions, I had something I was proud of.

I learned so much in the process of writing this first one, and although it was infuriating sometimes, I can’t wait to get to work on my second novel. Whether that will be “The Don of Siracusa 2” or another idea I’m fleshing out is yet to be seen.

 

 

“Stay faithful to the stories in your head” – Paula Hawkins 

 

 

 

  • What was the most challenging aspect of writing?

 

Many writers complain about lacking motivation to write, or hitting a writer’s block, but I rarely seemed to run into that issue. Something I’ve always been good at is pouring my thoughts onto a page relatively unrestricted and incredibly quick. Unfortunately for me, that style of writing is what creates the challenge for me. I abhor editing my own work, though I realize the importance of it. For me, my often “planless” writing leads me down roads I don’t know my way back from. This results in a ton of deleted content, and plenty of hours trying to piece together scenes, dialogues, or plot points that don’t quite make sense.

The other challenge for me is being such a heavy critic of myself. There are times when I may feel like the quality of my writing isn’t quite up to snuff. I always want to be improving as a writer, and critiquing my own work so harshly allows me to improve, but it can also hold me back. It’s about finding a balance between not getting complacent when writing, but also not criticizing yourself into a standstill.

 

 

 

Arrows hard decision

 

 

 

  • What was the most rewarding? 

 

The most rewarding aspect of writing, to follow up on the previous question, is when it all comes together. I am definitely quite hard on myself when it comes to my writing, but that’s not to say there aren’t times where I go, “Damn, maybe I’m actually pretty good at this thing.”

I really love the English language and writing in general. I have such an appreciation for when words come together to make you feel something, and I’m always looking for the best way to put words together. So, when I craft a great monologue, or write a scene that gets your heart to race or ache – that is what it’s all about.

As for the most rewarding moment, walking into Chapters and seeing my book on a shelf… that was a pretty insane experience. 

 

 

 

Rewards Green Road Sign Against Clouds and Sunburst.

 

 

 

  • What elements make a good crime thriller?

 

This may be a somewhat subjective answer, but for me a great read has to be visceral. I want to feel what the character feels, I want to be emotionally invested in characters, and of course I want to be engaged in the journey they’re on. 

Dialogue, to me, is something that many writers struggle with, and clunky or non-realistic dialogue is an immediate immersion breaker for me.

I think characters are always at the heart of a novel, because I’ve read some great books with mediocre or seemingly uninteresting plots, but never a great book with poorly written characters. 

Everything else comes about as a result of a great character, because once the reader cares, they’ll follow that character down whatever path you take them. The same goes for me when I read a book – what really gets me to fly through the pages is when I need to know what happens to a character. 

And it never hurts to sprinkle in a generous serving of sex, violence, and depravity to keep a reader interested…

 

 

 

Bestseller neon sign on brick wall background.

 

 

 

  • Who are your favorite crime writers?

 

I love both true and fictional crime stories, and I’ll read most any crime story out there. 

My obvious favorite crime writers would be Mario Puzo and Nicholas Pileggi. Mafia fiction, in both book and film form, is my favourite genre. But I also happen to really enjoy John Grisham, Dan Brown’s earlier novels, and I’ve recently begun, and fallen in love with, Truman Capote’s works. And of course, I used to be obsessed with Sherlock Holmes and the Hardy Boys, perhaps that’s where this all started!

However, the obsession doesn’t stop at reading… when I’m not reading or writing I’m usually watching some true crime documentary, or some crime thriller film/tv series. Most recently I binge watched the entirety of the Mindhunter Netflix series on serial killers, promptly ordering and binge-reading the novel written by the main character’s real-life counterpart.

As for me, I would love to attempt writing something Grisham or Baldacci-esque, although I am also tempted to stray from the crime fiction niche and try my hand at something more classic. Regardless, the world of crime fiction has been very good to me, and I take so much inspiration from all the writers listed above.

 

www.seanrea.com

 

 

 

 

Interview with Paco Chierici author of Lions of the Sky

 

paco headshot v2

 

 

Interview with Paco Chierici author of Lions of the Sky

 

What motivated you to write a novel? 

I have always aspired to write a novel, ever since I was a child.  As a first timer I had a sense of how difficult it would be, and still I underestimated by a lot.  Lions of the Sky was motivated by my desire to share the inherent drama of naval aviation while telling a thrilling story.  It’s such a fantastic world, filled with wildly interesting people and daily craziness. And when you add the peril of actual military action to the mix, it elevates the stakes even further.

 

 

In learning how to write fiction what helped you the most?

I love reading fiction.  I’m a voracious consumer of books.  I took note of how my favorite authors crafted their stories and did my best to write with purpose.  I love characters, so I took great care to create fully developed, real people who would react in a natural manner to the circumstances I threw them into.  I also love the details of flying jets from aircraft carriers and wanted to share the intricacies with the reader in a manner that pulled them into the cockpit as a participant without overwhelming them with minutia.  Lastly, I have always enjoyed explaining how the high level global maneuvering of governments affect the individuals at the pointy end of the spear. When you read the news about “The Chinese” aggressively building up their military presence in the South China Sea, and “The Americans” sending ships to sail through the islands asserting freedom of navigation, there are actual humans representing those nations who are put at risk.  I tell stories where the global tensions build on a macro scale, but the reader gets to focus on how those tensions affect the individuals at the points of contact.

 

 

How did you come up with the title Lions of the Sky?

I must say that coming up with a good title was almost as challenging as writing the book itself.  I was in the Blacklions squadron myself, so I am partial to that squadron name. My characters end up in the Blacklions as well, once the trials of their training are complete, and are then sent to face the threat in the South China Sea.  I liked the simplicity and allusion of Lions of the Sky.  

 

 

How competitive are fighter pilots?

The short answer is, massively competitive.  Every aspect of being a fighter pilot is a competition.  From the moment we decide we aspire to be fighter pilots we are put into a pool of applicants that far exceeds the number required.  I don’t know the exact numbers, but say thousands per year for just a couple hundred slots at the far end of the funnel. Every academic test, every flight, every physical fitness test, every medical exam, is an opportunity to fail and be removed.  Over the course of our 18 months of flight training we fly hundreds of flights, each graded. If one fails too many flights, you are washed out. Once we finish flight school and get to the Fleet the competition changes gears. Each aircraft carrier landing is graded and all the grades are posted in each squadron’s Ready Room for all to see.  

It is such a competitive environment that when we dogfight against each other, before each flight we recite the Training Rules in an almost religious manner.  They are strict guidelines designed to reign in our natural desire to win every fight so that we preserve a measure of safety while practicing aerial combat.  

So yes, fighter pilots are extremely competitive.

 

 

As the instructor what role does Sam Richardson play in shaping the younger pilots?

Sam’s role is to make sure that the students he greets at their arrival to the F/A-18 training squadron are transformed from excited young bucks eager to play with their new toy into men and women who are prepared to go into combat the day after they graduate nine months later.  He sets the tone with his example and experience but he’s also approachable in that he’s only four years older than his students.  

 

 

What drives Keely Silvers to achieve her lifelong dream? 

Keely is driven by the belief that the cockpit of a fighter is absolutely where she belongs. She is surprised at first that there would be any opposition to her becoming a fighter pilot based on her gender, then annoyed, then angry at constantly having to defend herself.  Her crisis of confidence is especially powerful because it seems to validate the external beliefs she has been battling. And its resolution is particularly poignant as well, not to give away too much. 

 

 

Does Lions of the Sky employ any themes?

Lions explores a number of classic themes including love, war, death, survival, prejudice, and in a manner particular to being a fighter pilot, coming of age. 

 

 

Who are your favorite authors?

My current favorites are Daniel Silva (Gabriel Allon series) and Michael Connelly (Harry Bosch series).  They both write character-centric thrillers and are masters at building tension while still writing beautifully. I aspire to their level of craftsmanship. 

I have always loved Hemingway, Le Carré, and Elmore Leonard for much the same reason. They have the ability to tell beautiful stories that have a tremendous amount of tension and fantastic, rich characters. 

 

Are you excited about the new Top Gun movie?

I am.  The first was such a cultural event that has had amazing staying power.  I have some friends still in the Navy that worked on the new film as liaisons and they assure me it’s going to be a good movie.  I’m hopeful that the new movie will be just as fun and fix some of the cheesier parts.  

 

What’s next for you?

I’m four chapters into the sequel to Lions, titled The Dragon.  We join Slammer Richardson on his next adventure, which is completely different from Lions.  It’s Slammer, this time, who is in crisis.  Shot down, stuck behind enemy lines, rescued and captured.  He’s got to find a way to make it back to the carrier so he can save the woman who helped him and stop an imminent war based on false pretenses. 

 

 

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In the world of fighter pilots, the most alpha of the alpha, competition is everything and the stakes are impossibly high. A Top Gun for the new millennium, LIONS OF THE SKY propels us into a realm in which friendship, loyalty, and skill are tested, battles won and lost in an instant, and lives irrevocably changed in the time it takes to plug in your afterburners.

 

AmazonGoodreads | Website

 

 

 

Fighter Jet Head-On View

 

 

 

About the Author

 

During his active duty career in the U.S. Navy, Francesco “Paco” Chierici flew A-6E Intruders and F-14A Tomcats, deployed to conflict zones from Somalia to Iraq and was stationed aboard carriers including the USS Ranger, Nimitz and Kitty Hawk. Unable to give up dogfighting, he flew the F-5 Tiger II for a further ten years as a Bandit. Throughout his military career, Paco accumulated 3,000 tactical hours, 400 carrier landings, a Southwest Asia Service Medal with Bronze Star and three Strike/Flight Air Medals.

Prior to writing Lions in the Sky, Paco published extensively in Aviation Classics Magazine, AOPA Magazine, and Fighter Sweep, as well as creating and producing the award winning naval aviation documentary Speed and Angels.

Currently a 737 captain, Paco can often be found in the skies above California flying a Yak-50 with a group of likeminded G-hounds to get his dogfighting fix. A graduate of Boston University, Paco lives in Northern California with his wife Hillary, and two children.

 

www.lionsofthesky.com

 

 

 

 

Audiobook Blog Tour: Beyond The Gates by Jason D. Morrow

 

Beyond the Gates Banner

 

 

 

Beyond the gates audiobook image

 

 

 

About the Audiobook

Author: Jason D. Morrow

Narrator: Stacy Gonzalez

Length: 8 hours 39 minutes

Publisher: Jason D. Morrow⎮2019

Genre: Post-Apocalyptic; Science Fiction

Series: The Starborn Redemption, Book 1

Release date: April 20, 2019

 

Synopsis: The Containment Zone is a 500-mile radius surrounded by mountains and closed in by gates. No one can leave, and anyone who tries will die. Within are lawless bandits, corrupt soldiers, and once-human greyskins that hunt down people to spread the virus. Some say the Containment Zone is where the greyskin virus originated. Others say the people inside are little more than lab rats being studied by the nefarious Screven government.

When 12-year-old Skylar and her father, Liam, are caught trying to escape, they are taken to Vulture Hill, a government prison camp no one has ever left alive. Inside the prison, Skylar learns that the facility is little more than a testing site for finding people of a certain bloodline – the Starborn. These are people with special powers that manifests in various spectacular ways, and Screven wants to exploit them.

Skylar has always known there was something special about her family. For years, her father has had the ability to completely numb pain with just a thought. Lacerated skin, broken bones, they can all be ignored with enough concentration. Learning that her father is a Starborn means Skylar is probably one too, placing them both in extreme danger.

Now, father and daughter must do the impossible and break out of a prison known for killing so many. But Liam has leverage the government may be willing to buy – the cure for the greyskin virus.

The first two books of The Starborn Redemption are set 40 years after The Starborn Ascension and 17 years before The Starborn Uprising. Each Series can be listened to independently.

 

Buy Links

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This book was BETTER than expected. Don’t you love it when that happens? YES. Author Jason D. Morrow does an excellent job ushering you into the point of view of the main characters; Father and daughter tandem Liam and Skylar as they navigate prison Vulture’s Hill. I was impressed with narrator Stacy Gonzalez with her ability to breath life into the characters.

 

 

 

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Interview with Beyond The Gates narrator Stacy Gonzalez

 

 

What are the first things you do as you prepare to narrate a book?

Very first–read the book. A lot of people ask that question, and, yes, I read the book. After reading it, I try to think through the characters. I put either a person I know or a celebrity as sort of the touchstone for each character. Beyond that, I don’t really do too much. I like to jump into the narration once I’ve read the story and thought through the characters.

 

 

Does the author help you with voice creation, or is it up to the narrator?

I usually do it all myself, unless I have any specific questions. Or unless an author has something very specific in mind. However, in most cases, the narrator is left to create their own artistic take on the characters.

 

 

How do you keep the characters straight in your head as you read through the text? 

I usually keep a little mp3 with a snippet of that character voice. Sometimes, there’s a word or phrase that I have to say to key me in to that character. There was a character in a book I did under my romance pseudonym where I had to pause the recording and say a really angry “F**K” to get in to that character. He was an angsty sort of neo-nazi. 

 

 

Do you have a method for characterizing, or portraying each character?

Once I get the voice down, I just let the story guide me. My method is just to let the author’s words tell the story.

 

 

How do you feel about being a medium through which readers can access a story?

I just love doing this. As an avid listener myself, there is nothing better than the feeling of not being able to stop listening. I hope that I can give listeners that feeling. I love when I’m listening to a book while running or cleaning–both of which, for me, can be activities that are hard to keep on doing past a certain point–and I HAVE TO run or clean longer because I just cannot turn the book off.

 

 

What do you want readers to know about narrating audiobooks? 

I hear a lot of non-listeners say that they like to hear the story how they hear it in their own heads. I would just want to say that listening to the book does not take away from that experience. You still use your imagination as a listener in a very similar way that you would as a straight-up reader. And listening can enhance the experience in different ways.

 

 

 

Concept of listening to audiobooks

 

 

 

About the Author: Jason D. Morrow

Jason D. Morrow is the author of more than 15 books in the Science Fiction and Fantasy genres, including The Starborn Uprising, The Starborn Ascension, The Starborn Redemption and Prototype D.

 

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Narrator Stacy Gonzalez

 

 

 

About the Narrator: Stacy Gonzalez

Stacy Gonzalez is a Chicago based narrator and commercial voice actor. She is feisty, bright and expressive. Stacy specializes in YA, self-help and romance, especially when the narration calls for a good handle on comedy, wit and sass. Audiofile Magazine has praised her pace and her ability to create bold characters. Stacy, who is half Colombian, speaks conversational Spanish. She has a great love for Old Hollywood—watching the movies and listening to audiobooks about any and every aspect of it! Follow her on Twitter at @stacygonzalezvo or visit her website at stacygonzalezvo.com.

 

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Audiobook Blog Tour Series: Brass In Pocket Inspector Drake #1 by Stephen Puleston

 

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Brass in Pocket Puleston audio

 

 

About Audiobook #1

Author: Stephen Puleston

Narrator: Richard Elfyn

Length: 10 hours 10 minutes

Publisher: Stephen Puleston⎮2018

Genre: Modern Detective

Series: Inspector Drake Mysteries, Book 1

Release date: Oct. 26, 2018

 

 

 

 

Synopsis: It is the middle of the night….

The road is deserted….

A killer is waiting….

Two traffic officers are killed on an isolated mountain pass in North Wales. Inspector Drake is called to the scene and quickly discovers a message left by the killer – traffic cones in the shape of a number four. The killer starts sending the Wales Police Service lyrics from famous rock songs. Are they messages, or is there some hidden meaning in them? Does it all mean more killings are likely? 

When a politician is killed, Drake has his answer. And then the killer sends more song lyrics. Now Drake has to face the possibility of more deaths, but with numbers dominating the case, Drake has to face his own rituals and obsessions. Finally, when the killer threatens Drake and his family, he faces his greatest challenge in finding the killer before he strikes again.

 

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If you read a book by Stephen Puleston you’re going to get a solid story. Brass in Pocket is a traditional detective mystery, and excellent British crime thriller starring Inspector Ian Drake. I haven’t digested a British crime book in a while, so this was quite refreshing. The audiobook production, sound quality, narration by Richard Elfyn were nothing less than spectacular. Now I’m on to book #2! WORSE THAN DEAD.

 

 

Five stars in the dark. Customer experience and satisfaction concept.

 

 

 

 

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*What do you enjoy most about writing crime fiction?

As I write a series involving Inspector Drake I enjoy developing his character and family life alongside the hurdles he faces day to day with the challenging and changing world of fighting crime. Crime fiction also gives me the opportunity to develop current themes faced in society today.

 

 

*What were your inspirations for creating Detective Ian Drake?

I’ve read a lot of the years and there isn’t one thing that inspired me other than a love of crime/mystery fiction and a desire to write a good story. I have a background in the law so I draw a lot on my work in the criminal courts and doing divorce work for inspiration. My home country Wales also gives me great inspiration for the background and setting of the books. 

 

 

*Who are your favorite detectives?

I enjoy a wide ranging and varied writers. Philip Marlowe must rank as one of the great fictional creations as the classic hard-boiled detective. I am a great fan of Michael Connelly’s Harry Bosch too. In the UK I would have to say that John Rebus by Ian Rankin is one of my favourites – grumpy and irascible but determined too. And for great detective drama I think Spiral from France and Craith/Hidden from Wales are top class.

 

 

*What was the best feedback you’ve received from readers?

The feedback I most enjoyed was from a reader in the outback of Australia who lives in a remote location and loved being able to learn about Wales from reading my books.

 

 

*What was it like preparing for an audiobook production? 

Great fun! I enjoyed preparing the spreadsheet of characters with various accents for the narrator and coordinating all the arrangements for the production with the studio.

 

 

*What do you think about experiencing audiobooks as a different medium than paperbacks, or ebooks?

In many ways audiobooks complement ebooks – using Amazon’s whisper sync technology allows you to move from ebook to audiobook without loosing your place. And that should encourage reading, which can only be a good thing. And audio books are a performance in themselves which make them a different sort of experience altogether.

 

 

Author Stephen Puleston

 

 

 

About the Author: Stephen Puleston

I write crime fiction based in Wales and about Wales. The rural landscape of north Wales provides the backdrop to the Inspector Drake novels. And Cardiff, the capital of Wales, provides the setting for the Inspector Marco novels set in a modern urban environment.

I love the novels of Raymond Chandler, Ian Rankin, Mark Billingham, Henning Mankell, Val McDermid – the list could go on! And I enjoy watching detective series on the television the recent Hinterland series based near Aberystwyth in Wales was great. One of my favourites is the French series Spiral but The Bridge and Broadchurch and the Rebus series with Ken Stott and Kenneth Branagh in Wallander are great too.

I was born in Anglesey an island off the north Wales coast and after leaving school in Holyhead I went to University in London before training as a solicitor/lawyer. I practised in a small family business doing criminal work in the magistrates and crown courts, divorce and family work.

I still live on Anglesey, North Wales near the beach and the mountains of Snowdonia.

 

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Narrator Richard E

 

 

About the Narrator: Richard Elfyn

Richard Elfyn is a hugely experienced and talented actor with film credits including APOSTLE, MARIAH MUNDI AND THE MIDAS BOX, THE KILLER ELITE and THE DARK. TV credits include THE CROWN, KEEPING FAITH, HINTERLAND, EMMERDALE and STELLA and numerous leading regular roles for S4C including political drama BYW CELWYDD. Richard is regularly heard on BBC Radio 4 dramas and is a highly skilled voice over artist. He has re-voiced many Welsh language versions of popular animations including FIREMAN SAM, BEN 10 and SPONGEBOB SQUAREPANTS.

 

 

 

 

 

 

 

 

The Evolution and Development of the Jonathan Quinn Series with Author Brett Battles

 

The Damaged Jonathan Quinn image

 

 

Jonathan Quinn is the best at what he does: making bodies disappear. Within the espionage world, his reputation is impeccable.

There was a time, though, when that reputation was still being built under his mentor, Durrie. A time when the very man who had taught Quinn all he knew could have derailed the young cleaner’s future.

Fifteen years ago, Quinn was offered a job. On the surface, a straightforward mission to stop a terrorist. But the client gave Quinn the additional task of taking on Durrie as his number two, as a last chance for the veteran agent to be rehabilitated.

Durrie had been on a downward spiral, going from being a highly respected operative to an unreliable has-been. These changes threatened to destroy everything—not only in Quinn’s life, but Orlando’s, too. She was Durrie’s girlfriend, and Quinn’s best friend.

Both she and Quinn were desperate to help Durrie return to the person he once was.
They hoped this job would be the answer.

 

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Interview with microphone

 

 

 

Discuss the evolution of freelance operative and professional “cleaner,” Jonathan Quinn.

When Quinn shows up in The Cleaner, the first book of the series, he’s been in the business for, I think, just under fifteen years. His first five years were spent as an apprentice, then, after being on his own, he becomes one of the best body removal specialist in the espionage world. To be clear, he’s not an assassin, though if he needs to act, he will. He’s the guy you hire to “clean” the scene of an operation so that it looks like nothing happened. This includes making whatever bodies have been left behind disappear forever. With the exception of his apprentice, Nate, from the first time we see Quinn, he’s basically a loner. But, over the course of the series (twelve novels, several short stories and a novella, so far), he reunites with Orlando, the woman he has secretly loved for years. With her and Nate, they become a team that only gets better and better at what they do. 

 

 

 

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How did the relationship between Quinn and Orlando originate?

Quinn and Orlando started off as apprentices at the same time, for mentors where friends. So, they often worked together. Quinn found himself drawn to her from the very start. But his mentor, Durrie, made the first move, beginning a relationship with Orlando that left Quinn out in the cold. Five years later, after a tragedy that threatened to divide Quinn and Orlando forever, Quinn has little choice but to go to her for help. From that moment, their relationship begins to mend until it becomes something even more than Quinn could have ever hoped.

 

 

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Who are the members of Quinn’s team?

Orlando, of course, who is both a badass in the field and pretty handy with computers. Nate, who is Quinn’s apprentice in the first several books, and partner in those that come after. Daeng, a former Thai monk who is pretty chill even in highly stressful situations. And, most recently, Jar, (my current favorite character) a young Thai woman who is on the autism spectrum, and is even better at all things cyber than Orlando. She’s also getting better at working in the field, too. There are other operatives who make occasional appearances, but these are the core members of the team.

 

 

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Discuss the development of the series featuring Nate in Night Man.

It wasn’t too long into the Quinn series that I began to think about featuring his apprentice Nate in his own stories. The problem was coming up with an angle that would set his books apart from Quinn’s. A few novels ago, an event happened in the Quinn novels that opened up an avenue I hadn’t even considered before. And from that came Night Man. I’ve also been able to set up up so that these “personal missions” of Nates come between jobs he does with Quinn, allowing him to continue on in the Quinn books, too. I’d tell you more but, you know…spoilers.

 

 

 

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Did anything stand out in your writing process during Night Man?

A few things. The Night Man books—well, book at the moment—will all be more crime based thrillers as opposed to spy thrillers like Quinn. This have given me a whole new area to dive into, which is exciting. I love that Nate is driven to fight for those who can’t fight for themselves by…let’s just call it…a voice in his head that he can’t say no to. The stories are also told in first person by Nate, which is different than the Quinn books, too. I absolutely love writing in first person. Finally, Night Man was a blast to write.  I’m not saying my other novels weren’t fun, too. It’s just that Night Man was enjoyable from beginning to end.

 

“Stay faithful to the stories in your head” – Paula Hawkins

 

 

In addition to the recently released NIGHT MAN, Battles has just published THE DAMAGED, another novel in his Jonathan Quinn spy thriller series. This time the story takes place fifteen years ago, when Quinn was still establishing himself as a cleaner—the person who makes bodies disappear—and centers around his deteriorating relationship with his mentor, who may or may not be going mad. A dangerous thing in a world full of guns and secrets and death.

 

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Brett Battles is a Barry Award-winning author of over thirty novels, including Rewinder, the Jonathan Quinn series, the Logan Harper series, and the Project Eden series. He’s also the coauthor, with Robert Gregory Browne, of the Alexandra Poe series. You can learn more at his website:

BrettBattles.com

 

 

 

 

Interview with Robert McCaw Author of Off The Grid

 

Off the Grid Koa Kane

 

 

A scrap of cloth fluttering in the wind leads Hilo police Chief Detective Koa Kāne to the tortured remains of an unfortunate soul, left to burn in the path of an advancing lava flow. For Koa, it’s the second gruesome homicide of the day, and he soon discovers the murders are linked. These grisly crimes on Hawaiʻi’s Big Island could rewrite history―or cost Chief Detective Koa Kāne his career.

The dead, a reclusive couple living off the grid, turn out to be mysterious fugitives. The CIA, the Chinese government, and the Defense Intelligence Agency, attempt to thwart Koa’s investigation and obscure the victims’ true identities. Undeterred by mounting political pressure, Koa pursues the truth only to find himself drawn into a web of international intrigue.

While Koa investigates, the Big Island scrambles to prepare for the biggest and most explosive political rally in its history. Despite police resources stretched to the breaking point, Koa uncovers a government conspiracy so shocking its exposure topples senior officials far beyond Hawaii’s shores.

 

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Author Interview

 

How did the idea for Off the Grid begin?

Three disparate threads came together to inspire Off The Grid. First, my wife and I bought a painting from an artist who lived in a ramshackle house deep in the forest near the nearly off the grid village of Volcano, Hawaii. Visiting her home, stuffed with all manner of eclectic objects of dubious aesthetics, made me think I’d stumbled into a writer’s dream. That the artist’s husband had some kind of clandestine military background only further sparked my interest.

Second, one night my wife and I drove up to our favorite local restaurant in Hawi, a small town on the northwest coast of the Big Island, only to find it permanently closed because law enforcement authorities had arrested the proprietor as a fugitive from justice. My subsequent research established that he was far from the only wanted man to have been caught hiding out on the Big Island.

Lastly, I am an avid reader of the international press and had become fascinated by one of the most bizarre, unexplained misadventures in contemporary military history. No spoilers here. So voila! I had fugitives from a bizarre international incident living off the grid in rural Hawaii. All I had to do was find a unique way to imagine their deaths and unleash my chief detective on the case.

 

 

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What was your process for creating characters such as detective Koa Kāne?

Creating Koa Kāne involved an iterative process. Given my legal background and expertise, I wanted a character who would work with a prosecutor. Thus, Koa became a police detective. The story is set in Hawaii and draws on Hawaiian history, culture, and language. To effectively relate the culture and language, I wanted Koa to be Hawaiian. Like all good protagonists, he had to have a compelling backstory—one that drove his passion for justice. As a criminal lawyer, I have long been fascinated with the ways that people’s secret criminal acts shape their behavior. Regret, fear, guilt are powerful emotions that drive people to both good and bad ends. A cop with a deadly secret in his past provided lots of interesting hooks for a murder mystery. Thus, Koa became the killer turned cop with a potent passion to extract justice.

 

 

 

Investigations on Office Binder. Toned Image. 3D.

 

 

 

If you were to describe him, what are some of his characteristics?

Koa is smart and tenacious, but driven by remorse and guilt for having killed a man. Having escaped punishment for his crime, he is highly suspicious and paranoid about being conned, the way he deceived the police who investigated his crime. He is Hawaiian to the core, with a deep knowledge and appreciation of Hawaiian history and culture, but also worldly because of his military service. Viewing most politicians as disingenuous, he avoids getting involved in politics wherever possible, although he doesn’t fear confrontation when politicians attempt to impede his work. As the oldest living Kāne male, he is devoted to his family, especially his mother and sister, but deeply troubled by the disturbed and criminal behavior of his youngest brother. A loyal friend, his relationships with people run deep as exemplified by his bond with his giant fisherman buddy Hook Hao. He inspires loyalty in others, particularly Zeke Brown, the Hawaii county prosecutor. Ever playful with his girlfriend Nālani, he is proud of her expertise and accomplishments as a biologist and national park ranger.

 

 

 

Was it difficult writing about a police procedural?

Writing a police procedural required much research, but involved much fun. There are many tools available to writers. In my professional life, I had considerable experience with the legal side of criminal procedure, including warrants, searches, interrogations, prosecutors, grand juries, indictments, trials, and incarceration. I have used forensic text books, police equipment catalogues, and interviews with police officers to learn the more nitty-gritty side of police work. In this respect the annual Writer’s Police Academy, where federal, state, and local law enforcement officers teach police procedures was invaluable. 

 

 

 

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What kind of political pressure does Koa Kane face when he begins to uncover the truth?

Although Hilo is a small town, it has a political elite that cherishes and nurtures power. Koa, on the other hand, grew up dirt poor and pulled himself up through tenacious hard work, and is driven by remorse and guilt to find justice for the victims of crime. He has little patience for politics and believes that the rich and famous commit just as many crimes as the poor and downtrodden. These differing perspectives create conflicts when Koa’s investigations touch on the political powerful or their wealthy constituents, especially because his police chief is close to, and protective of, the mayor.

 

 

 

What was your experience coming up with the plot for Off the Grid?

I knew from the outset how I wanted to begin Off The Grid and I also knew the general shape of the ending. I’ve heard other authors say that it’s the middle part of a novel where you find out if you really have an interesting story. So it was with Off The Grid. I also wanted to fashion a multi-layered mystery, and so Koa first follows a string of clues to the identity of the initially unidentified victims. As he solves that mystery, he must discover and pursue the killers, yet that too leads to yet another question—who is the mastermind behind it all. And why?

 

 

 

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Why did you pick Hawaii for the setting?

I first went to the Big Island of Hawaii in 1986 and fell in love with the mountains and incredibly varied landscapes and climates. When most people think of Hawaii, its beaches and palm trees come to mind, but the Big Island has much more—rain forests, cattle ranches, and alpine climates to name but a few of its charms. Mauna Kea reaches 14,000 feet above sea level and was once glaciated during the ice ages. It still collects several feet of snow most winters. The day atop the mountain arise before sunlight touches the rest of the island and the sun set on the land below before it fades from the mountain top. If the weather is right you can stand on the beach, looking up through the palm trees to see the snow-capped peak of Mauna Kea turn red at sunset.

I was lucky enough to meet real Hawaiians who shared their knowledge of this most special island. The land, its unique history, the culture of its people, and their language fascinated me. I quickly learned that there are two Hawaiis—the “tourist” Hawaii, largely manufactured by a sophisticated PR machine, and the real Hawaii, largely hidden from the tourists. In many ways, Hawaii itself, the real Hawaii, became one of the most important characters in Off The Grid.

 

 

 

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What are some interesting facts you discovered in your research?

The ancient Hawaiians were great environmentalist. They imposed taboos restricting certain kinds of fishing during certain times of the year. They also created substantial aquaculture projects, raising fish in salt water ponds connected to the ocean. Their dry land farming systems produced surplus crops.

Lacking a written language, the ancient Hawaiians became great story tellers, not unlike the great epic poets of Greek and Roman antiquity, capturing their genealogical history in long poems, memorizing navigational information in chants, and explaining natural phenomena through legendary gods and goddesses.

Western businessmen—mostly sugar, pineapple, and cattle barons—spent years undermining the Hawaiian monarchy, whose sovereignty was recognized by the United States and many other nations, before these ruthless entrepreneurs staged a coup d’état, resulting in the expropriation of the Hawaiian Islands by the United States. For almost a hundred years thereafter, Hawaiians were forbidden to speak their native language in schools or government.

 

 

 

What were some challenges you faced while writing this book?

The biggest challenge that I faced, and the biggest challenge for most emerging authors, was finding a publisher. In today’s post-Amazon, super competitive publishing world, that is a tremendous obstacle for most emerging authors. I was extraordinarily fortunate to find Mel Parker, of Mel Parker Books, LLC, who became my agent and found a great publisher, Oceanview Publishing, for my book. Connecting with Oceanview Publishing has offered a second huge benefit. They have contracted to publish my third book—Fire and Vengeance—in 2020.

 

 

 

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What’s the best thing about being a writer?

As a lawyer I was always more or less constrained by the provable facts. A novelist’s freedom to invent stories and modify facts gets the creative juices flowing. Good review are also nice! But perhaps the most rewarding aspect of being a writer is to encounter the individual reader who says “I really liked your story!”

 

 

What kind of advice would you give to a new writer?

First, write what you know and love. Never attempt to jump on a “trend.” By the time your book gets written, edited, and published, the “trend” you sought to emulate will have passed into the dustbin. Second, find a good editor, one who will look at the substance of your story as well as the grammar and spelling. The exchange of ideas with a skillful editor will improve your work a hundred fold.

 

 

 

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Do you have any favorite quotes?

I will share four of my favorites quotes about truth.

“Truth never damages a cause that is just.” ― Mahatma Gandhi

“In a room where people unanimously maintain a conspiracy of silence, one word of truth
sounds like a pistol shot.” ― Czesław Miłosz

“It takes two to speak the truth—one to speak, and another to hear.” Thoreau: A Week on the Concord and Marrimack Rivers

“History warns us that it is the customary fate of a new truths to begin as heresies and to end as superstitions.” T. H. Huxley: The Coming of Age of “The Origins of Species”

 

 

 

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Robert B. McCaw, a seasoned attorney and veteran of many headline-grabbing cases, blends his decades-old passion for Hawaiian history with a life-long enthusiasm for crime fiction to create the compelling protagonist, Chief Detective Koa Kāne, in Death of a Messenger. A former US Army officer and judicial clerk at the US Supreme Court, McCaw’s firsthand military experience, legal expertise, and immersion in all things Hawaiian lend the characters in this richly layered thriller unparalleled authenticity. An avid photographer and part-time resident of the Big Island since the 1990s, he and his wife split their time between New York and Hawaii.

Death of a Messenger is the first novel of the Koa Kāne Hawaiian Mystery series.

 

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Cozy Mystery Blog Tour: A Death in Duck by Mindy Quigley

 

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A Death in Duck Lindsay Harding

 

 

About Audiobook #2

Author: Mindy Quigley

Narrator: Holly Adams

Length: 9 hours 13 minutes

Publisher: Mindy Quigley⎮2015

Genre: Cozy Mystery

Series: Lindsay Harding Mysteries, Book 2

Release date: Dec. 22, 2015

 

 

 

 

Synopsis: With the new year approaching, hospital chaplain Lindsay Harding heads for a much-needed break in the peaceful resort town of Duck on North Carolina’s outer banks. Her plan to attend the wedding of her friend, Anna, runs aground when a boatload of trouble washes ashore, and as the old year ticks down, the body count goes up. Thrust into the path of an increasingly desperate killer, Lindsay must uncover a sinister secret before she winds up swimming with the fishes.

 

Old family scandals, sunken World War II U-boats, obscene desserts, and a stolen Doberman all guarantee a far from restful break for the irreverent reverend, who makes her second appearance in this lively mystery.

 

Buy Links for Audiobook #2

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Time For Review, the phrase is written on multi-colored stickers, on a brown wooden background. Business concept, strategy, plan, planning.

 

 

 

Author Mindy Quigley can tell a really good story. Between the first book and this one, A Death in Duck, is the stronger story in my opinion. More cohesive, strong motivations, multiple layers of conflict, subplots, tension, family drama and a good villain. Or, you could sum it all up in a few words—Good storytelling. Great, storytelling actually.

 

 

 

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Author Interview

 

How closely did you work with your narrator before and during the recording process? Did you give them any pronunciation tips or special insight into the characters? 

In my second book, A Death in Duck, there are a few characters who speak with an Outer Banks (of North Carolina) accent. That accent is a trip! It sounds like an Irish accent and a Southern accent had a baby, and that baby was born with a mouth full of marbles. 🙂 Holly and I talked a lot about how to render it accurately, but still make it understandable for the purposes of the recording.

 

 

Are you an audiobook listener? What about the audiobook format appeals to you? 

I know this is cliche, but OMG the Harry Potter audiobooks narrated by Jim Dale are THE BEST. I also quite liked Eddie Izzard’s reading of Great Expectations. I knew Izzard as a quirky comedian who often performed in drag, so I was extra impressed by his skill as a narrator.

For me, a good audiobook is all about the sharpness of the characterizations. With the Dale and Izzard readings, you can tell who’s speaking almost as if you were listening to dozens of actors rather than just one.

 

 

If you had the power to time travel, would you use it? If yes, when and where would you go? 

I’ve seen enough sci-fi movies and TV shows to know that time travel always ends badly. I’ll have to be content with time traveling through books and movies, because I sure as heck am not going to be the one responsible for setting off a catastrophic chain of events by accidentally stepping on a butterfly in 1722.

 

 

What do you say to those who view listening to audiobooks as “cheating” or as inferior to “real reading”?

That question is best answered by punching those dumb-dumbs in the face. Seriously, though, whatever way someone chooses to inject narrative content into their brains is okay by me. Some people have long commutes, and audiobooks provide a great companion. Some people, like my grandmother, have vision impairments that prevent them from reading. Audiobooks are her lifeline. Personally, I love reading, listening to audiobooks, and watching movies and TV shows. I even like hearing storytellers at events and festivals. A great story is a great story, no matter how it gets from one person to another.

 

 

How did you celebrate after finishing this novel?

I never really feel like writing projects are finished, so I don’t celebrate. I mean, are you supposed to celebrate when you finish the draft? The corrections? Submit it to your agent? Return the page proofs? See it in print? Register your first sale? Get your first review? I’d be hungover for months, if not years!

I just finished a full draft of a middle-grade novel I’m working on, and I’ll tell you exactly how I celebrated. I went into the bathroom, where my husband was brushing his teeth and said, “Well, I think I’m done with that book I’ve been working on for three years.” We high-fived and then went to bed. 

 

 

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About the Author: Mindy Quigley

 

Mindy Quigley is the author of the Mount Moriah cozy mystery series, which is based in part on her time working with the chaplains at Duke University Medical Center. Her short stories have won awards including the 2013 Bloody Scotland Short Story Competition and the 2018 Artemis Journal/Lightbringer Prize. Her non-writing career has been stranger than fiction, taking her from the US to the UK, where she worked as the personal assistant to the scientist who cloned Dolly the sheep, and as project manager for a research clinic founded by the author J.K. Rowling.

She now lives in Blacksburg, Virginia, with her Civil War history professor husband, their children, and their idiosyncratic miniature Schnauzer. 

 

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About the Narrator: Holly Adams

An actress and physical theatre performer for many years before becoming a Voice Actor, Holly continues to divide her time between stage, screen, circus, and audiobook narration. 

Holly began her VO career doing radioplays and audiobook characters with the amazing Full Cast Audio company. Since then, Holly has voiced radio and web commercials, various e-learning projects, documentary shorts. . . and of course, audiobooks! She has been nominated for Best Fiction and Best Female Narrator.  Holly has conservatory training; her attention to tone, energy and rhythm make her work personal and dynamic. Holly’s performance projects abroad (Italy, Afghanistan, Haiti, Russia, the UK, France, and the Middle East!) support her training and skill with dialects and languages.

 Holly records for Audible, Deyan Audio, Christian Audiobooks, Tantor, and more. Holly loves telling stories!

When she’s not in the recording studio, she is on stage or screen; favorite projects include Richard II, A Midsummer Night’s Dream, As You Like It, the films “Here Alone”, “Gotham Blue” and “Your Loving, Virginia”, working with girls in Kabul for the Afghan Children’s Circus and with  performers in Balan, Haiti, as well as with her ‘home circus’ Circus Culture. Holly is a SAG-AFTRA performer, a graduate of the International Dell ‘Arte School, and holds a Master’s in Theatre, Education and Social Change. Https://shearwaterproductions.com/voice-actor and on IMDb as Holly Adams III.