How To Write Emotion & Depth Of Character With Becca Puglisi

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People will forget what you said and did, but they won’t forget how you made them feel.” – Maya Angelou

 

Joanna Penn interviews Becca Puglisi on the Creative Penn Podcast

 

This podcast originally appears on The Creative Penn Feb. 12, 2018

Duration: 1 hr 7min

 

 

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“This is far more than a brilliant, thorough, insightful and unique thesaurus, this is the best primer on story — and what REALLY hooks and holds readers– that I have ever read.”  ~ Lisa Cron, bestselling author of Wired For Story & Story Genius

 

 

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Readers connect to characters with depth, ones who have experienced life’s ups and downs. To deliver key players that are both realistic and compelling, writers must know them intimately—not only who they are in the present story, but also what made them that way. Of all the formative experiences in a character’s past, none are more destructive than emotional wounds. The aftershocks of trauma can change who they are, alter what they believe, and sabotage their ability to achieve meaningful goals, all of which will affect the trajectory of your story.

Identifying the backstory wound is crucial to understanding how it will shape your character’s behavior, and The Emotional Wound Thesaurus can help. Inside, you’ll find:

•A database of traumatic situations common to the human experience
•An in-depth study on a wound’s impact, including the fears, lies, personality shifts, and dysfunctional behaviors that can arise from different painful events
•An extensive analysis of character arc and how the wound and any resulting unmet needs fit into it
•Techniques on how to show the past experience to readers in a way that is both engaging and revelatory while avoiding the pitfalls of info dumps and telling
•A showcase of popular characters and how their traumatic experiences reshaped them, leading to very specific story goals
•A Backstory Wound Profile tool that will enable you to document your characters’ negative past experiences and the aftereffects

Root your characters in reality by giving them an authentic wound that causes difficulties and prompts them to strive for inner growth to overcome it. With its easy-to-read format and over 100 entries packed with information, The Emotional Wound Thesaurus is a crash course in psychology for creating characters that feel incredibly real to readers.

 

 

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Becca Puglisi is a YA fantasy and historical fiction writer who enjoys slurping copious amounts of Mountain Dew and snarfing snacks that have no nutritional value. She has always enjoyed contemplating the What if? scenario, which served her well in south Florida during hurricane season and will come in handy now that she’s moved to New York and must somehow survive winter.

Becca Puglisi is a speaker, writing coach, and bestselling author of The Emotion Thesaurus. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers website and via her newest endeavor: One Stop For Writers—a powerhouse online library like no other, filled with description and brain-storming tools to help writers elevate their storytelling. You can find Becca online at both of these spots, as well as on Facebook and Twitter.

 

Goodreads | Website | Twitters | Amazon

 

 

 

 

Getting Twitter To Fly for Authors – With Ian Sutherland

Advanced Twitter for authors

 

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SPF – Self Publishing Podcast 114 – Getting Twitter To Fly for Authors – With Ian Sutherland

 

 

This podcast originally aired on April 13, 2018 – on www.selfpublishing.com Duration: 35 min.

Get the Full Transcript

 

 

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Ian Sutherland was brought up in the Outer Hebrides, idyllic remote islands off the west coast of Scotland. In an effort to escape the monotonous miles of heather, bracken and wild sheep, Ian read avidly, dreaming of one day arriving in a big city like London. And then, at the tender age of 12 he was unexpectedly uprooted to Peckham, an inner city suburb of South-East London. Ian quickly discovered that the real London was a damn sight more gritty and violent than the version in his books and shown on tv. Undeterred, Ian did what he did best, and buried his head in books, dreaming of other places to escape to.

Roll forward some years, and Ian can still be found with his head in a book. Or, given that he enjoyed a successful career in the IT industry, an eBook Reader. And now, having traveled a fair bit of the globe in person and even more of it via the Internet, Ian lives with his wife and two daughters in a small idyllic village, surrounded by green fields, copses and the occasional sheep, yet located just outside of the London he finally came to love.

Here, he writes gritty, violent crime thrillers full of well-rounded characters, set in and around London and its suburbs. His stories also feature the online world that most of us jump into blindly each day, but Ian exposes its underbelly and dramatically illustrates how dangerous the internet can be for the unwary.

 

 

 

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Crime Writing Conferences by Christina Hoag

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Conferences: Where to go? Which to Choose?
By Christina Hoag

 

For crime fiction authors, the good news is that there are plenty of  writing conferences. The bad news is that there are plenty of writing conferences. It can be hard to choose the best investment for your money and time.

I decided not to choose. I just went to a slew of them, although not all by any means. Not only did I have a great time at every one, I found value in all of them. Each offers something different, and from each I took away things I didn’t know before, as well as a host of new friends. Frankly for me, networking is one of the best reasons for attending conferences. I love meeting other writers and discussing writing, publishing, reading. These are my peeps!

The two biggies are Bouchercon, held in a different city every year, and Thrillerfest, held in New York City every year. Both get well over 1,000 attendees. I chose to attend Thrillerfest this year, leaving Bouchercon for 2018. Thrillerfest is the most expensive con of the bunch, plus Manhattan is a pricey destination, which is something to keep in mind. But this is the place for networking and there’s plenty of opportunity to mingle with the biggest names in the business from Lee Child to Lisa Gardner. Thrillerfest also hosts a separate event, Pitchfest, which attracts a ton of top agents and editors, a key advantage to being in the center of the publishing industry.

There are also a host of smaller regional conferences, usually sponsored by local chapters of the Mystery Writers of America and/or Sisters in Crime. These typically attract 200-300 attendees, including published and aspiring authors as well as fans, and cost in the range of $200 to $350. Most offer authors a chance to participate as panelists and to sell and sign their books in the con bookshop. This makes them great promotional vehicles if you’ve got a new book out or are simply seeking exposure.

However, cons have different requirements for panelists so that may affect where you choose to go if promotion is your goal. Sleuthfest, held around Florida, for example, requires panelists to be published by approved publishers. Killer Nashville is friendly to independent and pre-published writers while New England Crimebake in Boston does not allow authors to request panels and selects its own. Magna cum Murder in Indianapolis, California Crime Writers Conference, held biannually in Los Angeles, and Left Coast Crime, offered in a different western city every year, generally offer authors panel spots.

Another factor to look at is the con’s subgenre emphasis. Malice Domestic, held annually in Bethesda, Maryland, is geared to cozies and traditional mysteries while Thrillerfest is as its name suggests.

Finally, you may choose a particular conference simply because it’s in a place you want to visit or where you have friends or family. Whichever conference you choose, you can save by planning well in advance and taking advantage of early bird prices, which usually start the year before. Another cost-cutting tip: you can stay in less expensive hotels, or AirBnBs, or with friends and Uber back and forth. I’m already looking forward to my next conference in 2018!

Christina Hoag is a former journalist for the Miami Herald and Associated Press who’s been threatened by a murderer’s girlfriend, had her laptop searched by Colombian guerrillas and phone tapped in Venezuela, hidden under a car to evade Guatemalan soldiers, posed as a nun to get inside a Caracas jail, interviewed gang members, bank robbers, thieves and thugs in prisons, shantytowns and slums, not to forget billionaires and presidents, some of whom fall into the previous categories. Her noir crime novel Skin of Tattoos (Martin Brown Publishing, 2016) was a finalist for the Silver Falchion Award for suspense, while her thriller Girl on the Brink (Fire and Ice YA, 2016) was named to Suspense Magazine’s Best of 2016 YA list. She also writes nonfiction, co-authoring Peace in the Hood: Working with Gang Members to End the Violence (Turner Publishing, 2014. Christina makes her home in Los Angeles and lives on the web at www.christinahoag.com.

 

Her novel Skin of Tattoos is available at Amazon

 

 

Skin of tattoes

 

 

When Cyco Lokos gang member Magdaleno (Mags) Argueta comes home to Los Angeles after serving prison time for a robbery, he wants nothing more than to start a new life. However, there’s one obstacle he has to overcome first…his old life.

Mags tries to let go of his bitterness–he was framed by Rico, the new leader of the Cyco Lokos–and stay out of gang life for the sake of his Salvadoran immigrant family and his girlfriend Paloma, but trying to integrate into society after a stint in prison doesn’t come easily. Faced with low job prospects and Rico’s demands to help the Cyco Lokos make money, a broke and disillusioned Mags makes the only choice he can. However, Mags soon discovers that loyalties have shifted, including his, and being a part of the Cyco Lokos with Rico in charge is far more dangerous and uncertain than it used to be. With his sister pregnant by a rival gang member and his own relationship with Paloma, his best friend’s sister, a violation of gang code, Mags becomes caught in a web of secrets, revenge, lies, and murder that might ultimately cost him everything.

 

Amazon | Goodreads | My review

 

 

 

 

A Search Engine For Writers by Elizabeth S. Craig

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A Search Engine for Writers

By Elizabeth S. Craig

 

 

When you’re just starting out as a writer, it can be hard to figure out how to improve at your craft. There are an overwhelming number of writing reference books out there. There are courses to take. I tried both of those things, but never really felt as if I was getting the information I needed. That’s when I started combing through writing blogs for craft tips.

 

Before subscribing to writing blogs, I’d discovered that Google wasn’t helpful for delivering writing-related links. For example, a search on POV would return results for a show on American public broadcasting.

 

In frustration, I decided to build my own set of reliable resources to help me improve my craft. In a way, I started collecting writing blogs. I’d find a good one and then frequently found that those blogs linked to other blogs in their sidebars…so I’d hop over to see if those blogs were helpful. Finding these blogs and subscribing to them became a fun rabbit-hole of information.

 

I read a lot of blog posts and found tons of useful information on the writing craft, on promotion, and on the industry itself. That’s when I decided it might be helpful if I shared the posts as I found them. I figured that not only would it create some good karma for me, but it might also help to build my social media presence on Twitter at the same time.

 

 

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Since 2009, I’ve been finding writing and publishing-related articles that serve as resources for writers. I use an RSS feed reader and subscribe to over 1,000 writing blogs. Every day, I scroll through the reader, looking for the best posts to share on Twitter.

 

The only problem was that everything on Twitter seemed really ephemeral. The tweets were useful, and they were being shared. But the tweets weren’t the static resource that I wanted to create. I decided to share each week’s links as a roundup on Sundays on my blog. That helped (especially since not everyone is on Twitter). But there wasn’t really an effective way of searching for specific content.

 

In 2010, software engineer Mike Fleming was reading my blog and read on one of my posts: “I’m sure there’s got to be a better way to do this, but I can’t think of it.” He emailed me his idea: a search engine for the writing links. It could be searchable by topic and writers could find a list of resources for any writing-related questions they might have.

 

In January 2011, a special search engine for writers debuted, developed by Mike. Called the Writer’s Knowledge Base, or WKB, it’s a free resource for writers in conjunction with novel organizer Hiveword. You can search by topic or by category (e.g., business, creativity, promo). You can also sign up to have these posts delivered to you via email (customizable by frequency and category). More information about email delivery in Mike Fleming’s post here.

 

 

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I love that I have a hand in sharing all of the amazing information for writers out there. There are now nearly 45,000 articles in the WKB. If you ever find you need help with the writing craft, figuring out how to start your own writer website, or even researching a blog post, I hope you’ll check into this free resource.

 

 

 

Elizabeth S. Craig--Web (2)

 

 

Elizabeth is the bestselling cozy mystery author of the Southern Quilting mysteries, Memphis Barbeque mysteries, and Myrtle Clover Cozy Mysteries for Penguin Random House, Midnight Ink, and independently.

 

Website | Twitter | Facebook | Amazon | Goodreads

 

 

Series by Elizabeth S. Craig

 

 

 

Free Master Class: Connect with Readers, Build your Platform

Build your platform 2 Gabby

 

 

Monday, April 2nd at 1pm ET

 

In this live broadcast, you’ll learn…

 

  • My go-to technique or identifying your audience, so you can get off the content hamster wheel and connect with your reader authentically and with integrity.

 

  • How to identify your core message as a writer, so your platform has focus and intention.

 

  • Who your ideal reader is so you can envision that person while you write and revise your book, and…

 

  • How to identify actual potential readers because imaginary readers don’t buy books.

 

  • What the Breadcrumb Technique is and how to use it to research your potential readers, so that even if you have no platform, you can “borrow readers from more established writers.

 

 

 

Build your Platform 3 Gabby

 

 

What are you waiting for?

Sign up now and you’ll get a an instant cheat sheet download,
plus email updates about the live broadcast.

When: Monday, April 2nd at 1pm ET

Sign up now

 

 

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Gabby P

 

Gabriela Pereira is the Instigator of DIYMFA.com, the do-it-yourself alternative to a Masters degree in writing. While undercover as an MFA student, she invented a slew of writing tools of her own and developed a new, more effective way for writers to learn their craft. She dubbed it DIY MFA and now her mission is to share it with the world. Teaching at conferences and online, Gabriela has helped hundreds of writers get the MFA experience without going to school. She also hosts DIY MFA Radio, where she recreates the MFA speaker series in podcast form.

Before becoming a writer, Gabriela has done lots of wild and nerdy things like: playing violin at Carnegie Hall, singing madrigals in full Renaissance garb, designing toys for kids ages toddler to tween, and taking applied topology and number theory “just for kicks.” Despite her varied interests, Gabriela’s main passions have always been teaching and design. Now at DIY MFA she can bring these two elements together. Her favorite thing to do is come up with new dastardly plans and innovative resources for writers.

 

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DIY MFA Gabby P

 

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