Percivious Insomnia by J.J. Cook & A.J. Cook MD

An insomnia pandemic is sweeping the globe, leaving people unable to function and society on the brink of collapse…

Dr. Cooper Delaney believes he has the answer: Noctural, a new sleep-aid—one with absolutely no side-effects—which in early testing shows 100% effectiveness.

The only problem is, it doesn’t work. With no warning. No explanation.

Unable to accept the drug’s inexplicable failure and unwilling to concede to the competition, lines are crossed, ethical boundaries are pushed to the breaking point, and disturbing realizations come to light that could completely unravel civilization as we know it… and throw into question humanity’s place in the universe.

A jetset medical thriller meets sci-fi adventure with an unforgettable cast of characters, Percivious Insomnia presents an alternate history so compelling that it could possibly be true. The first book in the Percivious Trilogy from husband-wife author duo JJ Cook & AJ Cook, MD, Percivious Insomnia sets a unique and original course for fiction of the future, and paints a timely, prescient portrait of today’s globalized society… and what may exist beyond the realm of our current understanding.

 

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AUTHOR INTERVIEW

J.J. Cook & A.J. Cook

 

Behind the plot of Percivious Insomnia was a singular idea or more specifically a question. What would happen if someone or something could exploit your sleep hours for their own benefit? This question blossomed in a separate direction for each of us, likely from the beginning. For AJ Cook, the story was based in science fiction and for JJ Cook it involved exploring an idea never considered before and how it would impact people individually and society as a whole. In the first chapter the reader meets Dr. Cooper Delaney, a talented star at a leading pharmaceutical company. His place at the beginning of the novel is critical and his role is what fostered our first discussions about the storyline. What was at first a collection of ideas captured on paper, eventually became sentences, which were then fashioned into paragraphs, chapters and finally the novel itself.

 

Medical research is at the heart of the novel. AJ Cook’s expertise brought plausible medical science to life in what would otherwise be a story of strictly fiction. Both of us are life-long learners, always curious about the why behind the what, and the depth of the characters echoes this sentiment throughout this first book in the trilogy. Elements of science were added specifically to provide believable explanations for key elements such as the description of our ancient humanoid cousins as well as the plateau of our own evolution referred to as human pinnacle theory in the novel. As the story unfolded, the science gathered through our research continually lead and supported the story to the point where it became eerie as we found ourselves launching a novel about a pandemic in the midst of a real one.

 

Writing with a spouse, quite literally, is a double-edged sword; pushing for the very best from each other and simultaneously disagreeing about major facets of the plot certainly make for an interesting dialogue on many nights. What keeps us balanced is a genuine love for this story, the anticipation of where it will lead next and the exhilaration we both experience when making breakthroughs with the plot, the characters and the marriage of science and fiction. Nothing is more rewarding than creating paragraphs that scream to be believed despite not being true. Authoring something that could be possible is second only to writing those few sentences that refuse to be forgotten. The ones that stay in your head long after you have finished reading them, or writing them in our case. It is important to us both that we keep up the momentum in this next novel, the second in the trilogy, Percivious Origins. We want the reader to fall in love with a new cast of characters, a new setting and quite literally a new world that will be required to reach the depths of this story. The base line of the first novel was that question we mentioned – what if someone or something could exploit our sleep hours? In the second novel, the entire premise revolves around the exploitation of a prehistoric plant and how it changed the course history and the destiny of our ancient humanoid cousins. Percivious Origins will amplify our place within the environment and the importance of respect and stability between Homosapiens and nature.

The overarching theme of the trilogy remains intact, the definition of Percivious – the ultimate in altruism. Self-sacrifice in order to benefit others with no regard to reward or reciprocity. This is the soul of all three novels and is the true reason we as a couple are so dedicated and passionate about this adventure – about writing together. We quite literally could not have penned this novel without one another. Finishing each other’s thoughts and sentences have quite literally become, in our case – not only possible…but a dream come true.

 

www.perciviousinsomnia.com

How Do I Kill Thee? By Daniella Bernett

 How Do I Kill Thee?

By Daniella Bernett

 

Murder is a shocking and terrifying taboo. The very word sends an icy frisson slithering down one’s spine. And yet, it is an occupational hazard for a crime writer. On a cerebral level, the taking of a human life is fascinating. It is a serious business, requiring cunning and sangfroid mingled with passion, anger or fear. A certain degree of luck is necessary to pull off a murder without getting caught. The faint of heart would be riddled with remorse and horror at this deadly transgression.  

 

Setting aside the moral considerations, I find it deliciously thrilling to plot a murder. The omnipotent power to kill is a dizzying prospect. Murder is an art form, if one thinks about it. The killer must be creative. But how does an author choose from the plethora of methods available? Your character is the key to unlocking this mystery. Therefore, an author must first delve into the murderer’s psyche to thoroughly understand why he or she came to make the fatal decision. Is he or she an assassin, a spurned lover, a business partner who has been swindled, or an average individual pushed to the brink in an extraordinary situation? Once the author has sketched this character profile, the pieces will fall into place and the story will begin to flow. The author must have absolute trust in the murderer. He or she will guide you down the evil path and determine if the victim expires quickly or suffers a slow, lingering death.

 

In most cases, murder stems from a rupture in an intimate relationship. This personal animus is likely fueled by emotion and an overwhelming thirst for revenge. Consequently, this means inflicting pain. The thrust of a knife into the heart, stomach or between the ribs would do the job nicely. With stabbing, the murderer and victim must be at close range. Generally, stabbing ensures that the killer’s face is the last thing the victim sees in this world, satisfying a desire to mete out punishment. For this reason, the murderer in one of the books in my series featuring journalist Emmeline Kirby and jewel thief/insurance investigator Gregory Longdon slashed the throat of an unscrupulous man, who had derived malicious glee from ruining other people’s lives. 

 

Meanwhile, shooting also would induce pain. With this method, the author has the option of killing someone instantly, forcing the culprit to hastily cover his or her tracks. This provides an opportunity to sprinkle red herrings through the story. Conversely, the dark deed can rattle the murderer to the point that he or she is no longer thinking clearly and makes mistakes. Another possibility is that the gunshot does not kill the victim outright. It may cause a grave wound, presenting the murderer with a chance to finish off the victim another way. Let’s say by poison, for example.

 

Ah, poison. To me, it’s so sinister and tantalizing. I believe I share this view with my hero Agatha Christie, who masterfully eliminated dozens with a soupçon of poison. Some poisons are tasteless and odorless. Then there is cyanide, which smells like bitter almonds, while arsenic, when heated, gives off an odor resembling garlic. Depending on what your story dictates, poison can work instantaneously or the victim can waste away little by little. Russian spies, and Putin in particular as a former head of the KGB, have a penchant for using poison to dispatch enemies, defectors and anyone who dares to oppose them. As a result, poison was my weapon of choice in another novel. The story dealt with a defector who recklessly pitted Putin against Russian mafia boss Igor Bronowski. At the same time, both had unsavory entanglements with a ruthless British entrepreneur. All were obsessed with a flawless blue diamond. I will confess that two victims succumbed to poison in the book. However, poison is not the exclusive domain of the assassin. An author can wield it perfectly well among those who have a personal score to settle. On this point of the professional versus the amateur (for want of a better word) killer, an assassin can employ stabbing or shooting in a pinch for expediency’s sake.

 

A lethal arsenal would not be complete without strangulation, drowning and smothering. But all three may prove troublesome because they require a degree of strength and the victim will most certainly put up a struggle. A murderer wants death to come swiftly with a minimum of fuss to have time to disappear before the body is discovered. On the same token, bludgeoning someone to death with a heavy object could prove messy, since several blows would likely be needed thus causing a good deal of blood to be shed. Of course, an author may want to employ bludgeoning for precisely this reason to set the stage for the murderer’s ultimate undoing. For in the haste to flee, he or she may miss a trace of blood. 

 

Allow these diabolical musings to steep in your mind. After a while, you’ll come to realize that it’s criminally good fun to acquire a literary taste for murder. 

 


Daniella Bernett is a member of the Mystery Writers of America NY Chapter and the International Thriller Writers. She graduated summa cum laude with a B.S. in Journalism from St. John’s University. Lead Me Into Danger, Deadly Legacy, From Beyond The Grave, A Checkered Past and When Blood Runs Cold are the books in the Emmeline Kirby-Gregory Longdon mystery series. She also is the author of two poetry collections, Timeless Allure and Silken Reflections. In her professional life, she is the research manager for a nationally prominent engineering, architectural and construction management firm. Daniella is currently working on Emmeline and Gregory’s next adventure. Visit www.daniellabernett.com or follow her on Facebook or on Goodreads. Old Sins Never Die, the sixth book in her series, was released in September.

Book Review: House Arrest by Mike Lawson Joe DeMarco book 13


In the thirteenth book in Mike Lawson’s celebrated series, Joe DeMarco finds himself on the wrong side of an investigation—in the wake of a political assassination, he’s been framed as the killer.

As the fixer for Congressman John Mahoney in Washington, D.C., Joe DeMarco has had to bend and break the law more than a few times. But when Representative Lyle Canton, House Majority Whip, is found shot dead in his office in the U.S. Capitol and DeMarco is arrested for the murder, DeMarco knows he’s been framed. Locked up in the Alexandria Jail awaiting trial, he calls on his enigmatic friend Emma, an ex-DIA agent, to search for the true killer.

Emma’s investigation leads her to Sebastian Spear, the ruthless and competitive CEO of the multi-billion-dollar Spear Industries. Spear had a motive for killing Lyle Canton: Canton’s wife, Jean, had once been Spear’s high school sweetheart and the one true love of his life—until Canton won her over. Now Jean was dead, killed in a car crash while driving drunk, and Spear blamed Canton for the accident. But the case the F.B.I. has built against DeMarco is airtight, and not a single piece of evidence points to the grieving CEO. Using her cunning and her D.C. connections, Emma sets out to prove that Spear has been using some fixers of his own.

Featuring crimes of passion, corporate corruption, and partisan feuds, House Arrest is a gripping, timely political thriller, and one of Lawson’s best books yet.

BOOK REVIEW

This book was utterly amazing. What took me so long to read a Joe DeMarco thriller! Yes I know, I jumped in at book #13, but it still was amazing. Mike Lawson stands out among the crowded field of thriller writers. His brand of storytelling puts you right into the heart of D.C. political intrigue, corruption, and backdoor maneuvering. This time Joe DeMarco, the fixer for Congressman John Mahoney is completely vulnerable when he’s framed for the murder of U.S. Representative Lyle Canton. The way this book unravels is just a masterpiece. There’s good writing, and then there’s great storytelling that goes above and beyond your expectations. You get hopelessly lost into the story. Exceptional! I’m moving on to Joe DeMarco book #14, House Privilege.


Pen name: M.A Lawson

Michael Lawson was raised in Pueblo, Colorado and attended college at Seattle University, receiving a degree in engineering. On leaving college he went to work for the US Navy as a nuclear engineer, spending approximately thirty years working for the Navy’s nuclear power program. Some of this time was spent in Washington D.C. but most was spent at a large naval shipyard in Bremerton, Washington.

At the shipyard he managed a number of different organizations related to overhauling nuclear powered submarines, cruisers, and aircraft carriers, ending up as a member of the government’s Senior Executive Service

To date he has published 12 books starring Joe DeMarco, a fixer for a corrupt politician and three books in his Kay Hamilton series under the name of M. A. Lawson: He has won the Friend of Mystery Award twice and is a five time nominee for the Barry Award.

He lives in the Pacific Northwest.

MikeLawsonbooks.com

Night Of A Thousand Authors: With Thriller Talk Hosts Ryan Steck & K.J. Howe

Get ready for an event unlike anything you’ve ever seen before.

 

All your favorite authors, one night, five-plus hours of LIVE streaming . . . and it’s all free!

Join us on November 3 for Night of a Thousand Authors, an evening of endless interviews and appearances from some of the biggest names on the thriller and mystery scene today. Co-hosting will be author K.J. Howe (ITW Executive Director) and The Real Book Spy’s Ryan Steck, with special help from The Crew Reviews‘ Michael Houtz, Sean Cameron, and Christopher Albanese.

David Brown, Deputy Director of Publicity at Atria Books and “driver” of the @AtriaMysteryBus twitter feed, has teamed up with the Executive Director of ITW and ThrillerFest, Kimberley Howe and influential book blogger Ryan “The Real Book Spy” Steck to create NIGHT OF A THOUSAND AUTHORS,election day counterprogramming for mystery, thriller and suspense fans to escape from the stress and anxiety of that day.

 

BEGINNING AT 3 PM ET ON TUESDAY, NOVEMBER 3 — STREAMING LIVE BELOW

 

 

 

 

NIGHT OF A THOUSAND AUTHORS is being described as The Jerry Lewis Telethon meets Dick Clark’s Rockin’ New Year’s Eve with the biggest names in crime fiction and NO TALK OF POLITICS.

NIGHT OF A THOUSAND AUTHORS is a marathon of 10 minutes interviews hosted by Howe and Steck—the “special sauce” is that each author will share the first two minutes of their interview on the screen with the previous guest and the last two minutes of their interview with the next guest.

“How often do you get to see this many big name authors in one place over a short period of time?” Howe asked, “The magnitude of star power makes this program unique.”

“This is going to be wild!” Steck said, “Wall to wall and back to back, rapid fire interviews complete with potential odd pairings overlapping and doing it live? It can only go right!”

Bookstores, libraries and review websites will be contacted and encouraged to stream the program from their websites.

Janet Evanovich

Brad Thor

Brad Meltzer

John Connolly

Kyle Mills

Jack Carr

Kathy Reichs

Steve Berry

Karin Slaughter

Peter James

Liv Constantine

Jesse and Jonathan Kellerman

David Morrell

Gregg Hurwitz

J.D. Barker

R.L. Stine

Megan Miranda

Rachel Howzell Hall

Jennifer Hillier

William Kent Krueger

Joel C. Rosenberg

Andrews & Wilson

Christopher Rosow

Gayle Lynds

Anthony Horowitz

James Rollins

 

Mark Greaney

Chris Hauty

Brad Taylor

Mindy Mejia

Ragnar Jonasson

Linwood Barclay

Shari Lapena

Robert Dugoni

Alafair Burke

Tosca Lee

Lisa Scottoline/Francesca Serritella

Megan Collins

Alex Segura

Ruth Ware

 

The star-studded event—which will live stream across a number of platforms—will serve as the show launch for THRILLER TALK, a brand new podcast from Howe and Steck, who’ve teamed up to bring fans of the genre a fresh, innovative new show that’ll cover the thriller genre in a way that’s unlike anything else available on the web.

Night of a Thousand Authors, produced by Jeff Ayers, will feature a pre and post-game show hosted by Mr. Atria Mystery Bus himself, David Brown. The full lineup of writers who’ll appear can be viewed below, though fans will have to tune in live on November 3 to find out more about author pairings and who will appear when.

While additional details (including more participating authors) will be made in the coming days, fans excited to tune in can now go “subscribe” to the THRILLER TALK  YouTube channel here.

Book Review: The Hollow Ones by Guillermo Del Toro

A horrific crime that defies ordinary explanation. A rookie FBI agent in dangerous, uncharted territory. An extraordinary hero for the ages.



Odessa Hardwicke’s life is derailed when she’s forced to turn her gun on her partner, Walt Leppo, a decorated FBI agent who turns suddenly, inexplicably violent while apprehending a rampaging murderer. The shooting, justified by self-defense, shakes the young FBI agent to her core. Devastated, Odessa is placed on desk leave pending a full investigation. But what most troubles Odessa isn’t the tragedy itself-it’s the shadowy presence she thought she saw fleeing the deceased agent’s body after his death. Questioning her future with the FBI and her sanity, Hardwicke accepts a low-level assignment to clear out the belongings of a retired agent in the New York office. What she finds there will put her on the trail of a mysterious figure named John Silence, a man of enormous means who claims to have been alive for centuries, and who is either an unhinged lunatic, or humanity’s best and only defense against unspeakable evil.

 

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**Thanks to Netgalley for the advanced reader copy**

 

This books absolutely begins with a BANG.  A horrific scene that defies all explanation and logic leads you into the basis for the entire story. Admittedly, I was hooked from page one onward until the second act of the book. The basic premise for the story is very intriguing, but I almost lost interest two thirds into it. The last part picks up steam and matching the beginning with aspects of foreshadowing fufilled, climax, etc. Besides that, I thought this book could’ve been much better given the shocking premise. Perhaps, a deepening of the main character Odessa Hardwicke, or tweeking the pacing would’ve helped.

Guillermo del Toro is a Mexican director mostly known for his acclaimed films Pan’s Labyrinth, The Devils Backbone, Crimson Peak and the Hellboy film franchise. His films draw heavily on sources as diverse as weird fiction, fantasy, horror, and war. In 2009, Del Toro released his debut novel, The Strain, co-authored with Chuck Hogan, as the first part of The Strain Trilogy, an apocalyptic horror series featuring vampires. The series continued with The Fall in 2010 and concluded with The Night Eternal in 2011.

Audiobook Blog Tour: Emma Griffin #1: The Girl In Cabin 13 by A.J. Rivers



About Audiobook #1

Author: A.J. Rivers

Narrator: Claire Duncan

Length: 7 hours 32 minutes

Publisher: Altered Path⎮2020

Genre:  Thriller

Series: Emma Griffin FBI, Book 1

Release date: Aug. 15, 2020

Synopsis: Knock…knock…

 

 

When Emma finds a dead body on her porch with her name written on the dead man’s hand, she uncovers a sinister clue to the mystery that has haunted her since childhood.

FBI Agent Emma Griffin is sent undercover to the small sleepy town of Feathered Nest to uncover the truth behind the strings of disappearances that has left the town terrified.

To Emma, there is nothing that can lay buried forever. Even though her own childhood has been plagued by deaths and disappearances. Her mother’s death, her father’s disappearance, and her boyfriend’s disappearance. The only cases that she hasn’t solved. Her obsession with finding out the truth behind her past was what led her to join the FBI.

Now, she must face what may be her biggest case. In cabin 13, there lies an uneasy feeling. The feeling of her movements being watched. When a knock on her door revealed a body on her porch and her name written on a piece of paper in the dead man’s hand. Suddenly, her worlds collide.

With the past still haunting her, Emma must fight past her own demons to stop the body count from rising.

The woods have secrets. And this idyllic town has dark and murderous ones. Either, she reveals them or risk them claiming her, too.

In Feathered Nest, nothing is what it seems. 

The girl in cabin 13 is about to find out that the dead may have secrets of their own.

 

Buy Links for Audiobook #1

Buy on Audible

I’m always a sucker for FBI books. Insert The Girl in Cabin 13! It’s a good mystery with great suspense that’ll keep you turning the pages to find out what happens next. Told in first person point of view, author A.J. Rivers takes you deep into the mindset of embattled FBI Agent Emma Griffin. Good plot, characters that jump off the page, and a narrator that delivers a solid audiobook. Recommended! 

AUTHOR INTERVIEW

 

How did you celebrate after finishing this novel? 

I am a major coffee lover, so I really enjoy celebrating wrapping up a book by getting out of my writing room and relaxing with a good cup of flavored coffee. I drink my coffee black all the time, and I’m usually drinking very dark, robust blends. My favorite is actually called Death Wish. So when it’s time to relax and “indulge” a little, it’s with a cup of still black, but flavored coffee. My current choice is S’mores, but we’re getting close to pumpkin season. Since the end of books is always the most intense when it comes to writing, I also love to let off steam when I’m done by bringing my dog Daisy out for a long walk and enjoying the fresh air. 

 

In your opinion, what are the pros and cons of writing a stand-alone novel vs. writing a series? 

There is definitely a time and place for both. A stand-alone novel is a great opportunity to tell one focused, explosive story that doesn’t have to rely on any previous world-building or leave room for other books. It’s a shooting star situation. One bright moment that is contained within itself. Stand-alone is also great for much longer works. A series is all about creating a world for readers to live in. They get to know the characters like friends and family, and go on these adventures with them. It’s a blast to be able to revisit the same places, get to know the people, businesses, and little quirks, and keep up with them as time passes. It makes you want to keep coming back, so you keep reading the books. A series lets you explore big story arcs and delve deeper into the characters. But it also requires organization and attention to detail. You have to be able to come up with layered people and realistic places that readers will care about, as well as complex stories that can unfold a little at a time. 

 

What’s your favorite:

  • Food

I don’t have one set favorite, but I love Indian food. Chana masala is my go-to. I am always in the mood for raw vegetables or fruit salad.

  •  Song

Thriller, by Michael Jackson. 

  •  Book

Dream Boy, by Jim Grimsley 

  • Television show 

Murder investigation shows, Matlock, Murder, She Wrote, Golden Girls, and in the spirit of full disclosure, my guilty pleasure shows include Catfish and anything having to do with Halloween through holiday cooking or baking

  • Movie

The Ghost and Mr. Chicken, Dirty Dancing, Ghostbusters, Nightmare Before Christmas

  •  Band

Beatles. Michael Jackson is my favorite musician, I love girl groups from the 50s and 60s, disco, and 80s music

  •  Sports team

Chicago Cubs

  • City

Richmond, Virginia

 

Are any of those things referenced in appearance in your work? 

All the time. Because I have some pretty obscure tastes in some ways, I sometimes find myself having my characters reference things or make jokes and cultural references I then wonder if the readers will even get, so I have to go back and replace them with something easier to recognize. Especially when it comes to music and movies. I’m not a huge movie person and the ones I particularly love are pretty old school, so when I whip out references to Luther Heggs, I have to remind myself that probably isn’t going to ring a ton of bells. 

 

What bits of advice would you give to aspiring authors?

I’ll repeat the same thing that’s been said over and over, but that is so true. Write. Write. Write. Write all the time. Don’t just rely on your computer. Bring a notebook and pen around with you and write things down. You never know when you’re going to hear a phrase that inspires you, or get an idea, or even just hear a name that you like. Write it down. I also highly recommend talking through dialogue out loud. It can feel awkward at first, but the natural, believable conversations and thoughts are key to really enjoyable books. They make the characters more relatable and the action smoother. The best way to make that happen is to carry on the conversation. If you have a voice-to-text program on your computer, put it on and just talk through the conversation like you are the characters. Don’t worry about the spelling, punctuation, or accuracy at this point. Just talk it through as naturally as you can and let it come out. You can then take what you said and write it out in your draft with proper tags and action. 

I’d also tell aspiring authors to take their writing seriously. There can be a lot of pressure to only seeing writing as art and something that can only be done in the right mood or situation. There is definitely art to good writing and crafting a book, and it’s always easier when the mood and inspiration are right, but if you are going to consistently create strong, enjoyable books, you have to see it as work. You have to work hard, get the words out even when they aren’t flowing smoothly, and be willing to edit mercilessly. The best advice I ever got was from my college professor who told me to kill my darlings. You have to be willing to not see every word you write as precious, but also fight for your voice and your vision when it’s important. 

 

 

About the Author: A.J. Rivers

 

A.J. Rivers loves all things mystery and thriller. Growing up in a sleepy small town, A.J. spent her days enthralled in crime solving novels and movies. She started creating stories at a young age to escape and create adventures for herself. As a child she dreamed of solving crimes and becoming a crime fighter. She dreamed of being as great as her favorite crime solving character Sherlock Holmes. While in college she realized that leading a crime fighting life might be more gruesome than she could stomach. She decided that the best course of action would be to fuse her love of writing with her love of thrilling mysteries together.

She finds inspiration from researching true crimes and is passionate about writing suspenseful novels with crazy twists. Twists that you’ll never see coming. The inspiration for her first novel came when she read a news article about a missing young woman in a small town that was never found. Her question on who, what, and why brought her to her journal to discovering the dark twisted story behind the disappearance and to seek justice for the victim through her writing.

Her thriller novels have elements of mystery, suspense, and romance.

When she’s not absorbed in a novel or working on her next thriller mystery, her favorite past time is spent with her husky. She finds great inspiration while going on hikes with her dog.

 

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About the Narrator: Claire Duncan

 

Claire Duncan is a multi-award winning actress living in NYC.  She has performed Off-Broadway, regionally, and in national tours, and appeared in the Drama Desk nominated revival of The Threepenny Opera. She has played the lead in a dozen films, and received a Best Actress Award for her work as Rosetta in the dark comedy Rosetta’s Blues, which debuted at Cannes. As a singer, she had the honor of performing at Carnegie Hall and Lincoln Center, and toured the country as a travel host with Visit The USA.

Claire’s broad career has shaped her into an exceptional and flexible voice artist. You can hear her on Nickelodeon and Comedy Central, in hundreds of national commercials, and in over thirty audiobooks. 

“Claire Duncan was a dynamo”  – New York Stage Review

 “Simply side-splitting… a terrific comedic actress” – Show Business Weekly

Proud member of SAG-AFTRA and AEA.

 

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Act Of Revenge: A Doc Brady Mystery by John Bishop MD



Plastic surgeon Lou Edwards’s life is complicated by two major issues.

One, his wife has lupus, possibly due to leaking silicone from breast implants Edwards himself inserted. And two, his malpractice insurance has been canceled, as it has been for many other plastic surgeons, due to the burgeoning breast implant problem.

But it gets worse.

Shortly after Edwards threatens an insurance company president on national TV, the president is found murdered in his penthouse.

Dr. Jim Bob Brady once again finds himself doing a bit of investigating, this time on behalf of a colleague. But how well does he know this colleague? Is the investigation worth the threat to Jim Bob’s own life? Will he discover that it was a burglary gone bad? A lover’s quarrel? Or is this an act of revenge?

 

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AN EXCERPT

 

Act of Revenge: A Medical Thriller
Chapter 2
by John Bishop, MD

 

Excerpted from Act of Revenge: A Doc Brady Mystery. Copyright © 2020 by John Bishop MD. All rights reserved. Published by Mantid Press.

 

Monday, February 10, 1997

 

JIM BOB! Jim Bob? Can you hear me?

I was stunned but not unconscious. My first concern was that I had sustained another head injury. I had been mugged a year and a half ago and had spent ten days in a coma after developing a subdural hematoma, a collection of blood between my brain and skull requiring surgery. The hair on my shaved head had taken seemingly forever to grow back out to a length and texture I could brush. I wasnt prepared to go through all that again.

 

Im okay, I think,I said to Mary Louise. She was kneeling down over me, skis off. Thanks for not being in front of me. I might have hit you, too. Wheres the guy I ran into?

 

Hes up the hill. Ill go check on him.And with that, she headed back up the slope.

 

Since I had landed face down in the snow, I used my corduroy cap to clean off my goggles and face in an attempt to see what was going on. I was partially buried in the foot-high drift, but when I assessed that my extremities were intact and my vision was relatively normal, I managed to turn myself around.

 

I sat up and saw my wife kneeling down over the man I had run into twenty yards behind me. One ski was off, and the other was twisted about 45 degrees, half-buried in the snow. Unfortunately, his leg was still attached to it. My skis had come undone, and God only knew where they had landed. Probably in someones condo.

 

I had heard of a ski accident that occurred on the same slope wherein a crash between two skiers had resulted in a lost ski sailing down the hill and crashing through a picture window into the living room of a residence. No one was hurt, at least in the home, but Im sure it gave them quite a start. And some decent kindling.

 

I abandoned my ski poles, which had still been attached to my wrists with their adjustable loops, and stepped up the hill to join Mary Louise and the unknown assailant. A thought crossed my mind that perhaps I was the unknown assailant. Whatever the situation, I hoped the man had experienced enough of a shock to render him an amnesiac but not unconscious or damaged.

 

Are you okay?Mary Louise was asking him repeatedly as I arrived on the scene. Several other skiers had gathered as well and had already placed their skis in the ground, tips up and crossed, the universal sign of an injury requiring the ski patrols attention.

 

The man was on his side. His eyes were open.

 

Listen,I said, Im a doctor. I need to check your pupils and your arms and legs. Dont be frightened. Okay?

 

He nodded.

His pupils reacted normally to light. I felt his neck.

Any pain here?I asked as I gently moved his cervical spine from side to side. Any numbness? Arms or legs?

He shook his head. My leg . . . killing me.

Im sure. Ill get down there in a minute.

The mans arms, chest, head, spine, and right leg all seemed to be in working order. It was time to address the crucial issue.

Listen,I explained, my name is Jim Brady. Im an orthopedic surgeon from Houston. I need to check out this left leg and try to decide if youve got a fracture in your femur or tibia or if youve got a knee ligament injury. I may not be able to tell, but Id like to try before the ski patrol arrives.Okay?

 

I dont want you to move it. Hurts too bad.

Well, the medic will have to move it to get you onto the stretcher. Your legs kind of twisted out at an angle. If I can figure out whats wrong, I may be able to make you more comfortable by moving it. Let me try.

 

He nodded. I gently felt his femur, the thigh bone, with both hands. No pain. Same with the tibia and fibula, the two bones connecting the knee to the ankle. When I felt his knee, however, even through his bulky, waterproof ski pants, I could feel the enlarged joint. He winced.

 

Its your knee, probably a ligament tear. If I can get your ski off andstraighten out the leg, youll feel a lot better. I want you to hang on for a minute.

 

Man, its killing me! Just leave it alone!

 

I paused, then slid down toward his boot release, had Mary Louise support the ski to minimize the torque, and unsnapped his boot from the binding. He moaned for a second, but I quickly untwisted the leg, brought it parallel to the other, and laid it down.

 

Damn it! I told you not tohuh. Feels better.

See,I said, you should have trusted me.

Sort of hard to trust a guy who runs you over, wouldnt you say?

I assumed amnesia wasnt going to be a problem for him.

Two members of the ski patrol arrived on separate snowmobiles pulling stretchers. One of them had probably been intended for me. I was glad to decline it. I helped the medics get my victim onto the stretcher and bind him down to minimize the shock of the journey to Snowmass Ski Clinic. I felt obligated to accompany them.

 

Are you by yourself? Is there anyone we can notify?Mary Louise asked. Ill be glad to make a call. Whatever you need.

 

Guess you better call my wife, tell her Im hurt. I hate to upset her,though.

 

Where are you staying?she asked him.

Wood Run Condos. Just down the hill. I was headed home.

So were we,Mary Louise said. Why dont I just run by there. Were at the Chamonix. Youre only a block or so away. How would that be?

 

He nodded and sort of smiled. Thatd be real nice, maam. Id appreciate

that.

 

She looked at him for a minute, waiting. I need your name and condo number,she said patiently, like a schoolteacher waiting for a third grader to figure out the times tables.

 

Oh, sure. Sorry. Im Lou Edwards. Her names Mimi. Were in 530 Wood Run. And thanks.

 

Its the least I can do,Mary Louise said, looking at me like she was very glad I was okay, but not happy that I had run over the poor man. I didnt blame her.

 


About the Author:

John Bishop MD is the author of Act of Revenge: A Doc Brady Mystery. Dr. Bishop has practiced orthopedic surgery in Houston, Texas, for 30 years. His Doc Brady medical thriller series is set in the changing environment of medicine in the 1990s. Drawing on his years of experience as a practicing surgeon, Bishop entertains readers using his unique insights into the medical world with all its challenges, intricacies, and complexities, while at the same time revealing the compassion and dedication of health care professionals. Dr. Bishop and his wife, Joan, reside in the Texas Hill Country. For more information, please visit:

John Bishop Author

Flame Tree Live Fall 2020 Programming Debut Crime Writers’ Association VINTAGE CRIME Virtual Launch 

 

 

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FLAME TREE PRESS presents… Flame Tree Live Fall 2020 Programming Debut Crime Writers’ Association VINTAGE CRIME Virtual Launch 

Sunday August 16, 2020 

1pm Eastern Daylight Time / 

6pm British Daylight Time 

Facebook Live @FlameTreePress

 

RSVP Here

 

 

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Vintage Crimes will be a CWA anthology with a difference, celebrating members’ work over the years. The book will gather stories from the mid-1950s until the twenty-first century by great names of the past, great names of the present together with a few hidden treasures by less familiar writers. The first CWA anthology, Butcher’s Dozen, appeared in 1956, and was co-edited by Julian Symons, Michael Gilbert, and Josephine Bell. The anthology has been edited by Martin Edwards since 1996, and has yielded many award-winning and nominated stories in the UK and overseas.

 

Amazon | Goodreads

 

 

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Panelists 

★ Martin Edwards – chair of the CWA and Edgar, Agatha,

Macavity, and Poirot award-winning author ★ Dea Parkin – secretary of the CWA & editorial consultant

★ Kate Ellis-Bullock – author & Vintage Crime contributor

★ Andrew Taylor – Diamond Dagger award-winning author &

Vintage Crime contributor

 

About the Event 

Flame Tree Live: CWA and Vintage Crime. A special online panel to launch the new collection, Vintage Crime, and engage in a lively discussion about crime writing, writers, stories and themes. Topics will range from “Working in Isolation – that’s what writers do!”, “Good stories never die, even in crime fiction”, “Stories from the past that resonate today” and “How does the CWA encourage new writers?” Selected questions from readers and fans will also be featured.

 

 

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About the Panelists 

MARTIN EDWARDS is the previous past Chair of the CWA, now the Archivist, He has won the Edgar, Agatha, Macavity, and Poirot awards in the USA, and the CWA Short Story Dagger, CWA Margery Allingham Prize, and the H.R.F. Keating award in the UK. He is the author of eighteen novels, including the Lake District Mysteries, and the Harry Devlin series, as well as the ground-breaking genre study The Golden Age of Murder. He has edited twenty eight crime anthologies, has won the CWA Short Story Dagger and the CWA Margery Allingham Prize, and is series consultant for the British Library’s Crime Classics.

 

DEA PARKIN, a writer and a poet, has been Secretary of the CWA since 2016. She owns and manages Fiction Feedback, an editorial consultancy service that provides constructive critiques on novels and short stories from professional editors, authors, writing specialists and literary agents.

 

KATE ELLIS’ first novel, The Merchant House, launched the long-running DI Wesley Peterson series set in Devon. She has also written five crime novels featuring another cop, Joe Plantagenet, set in a fictionalised version of York, and a trilogy set in the immediate aftermath of the First World War, as well as many short stories. She won the CWA Dagger in the Library in 2019. The Devil’s Priest is a stand-alone historical mystery set in Liverpool.

 

ANDREW TAYLOR’s crime novels include a series about William Dougal, starting with Caroline Miniscule, which won the John Creasey Memorial Dagger, the Roth Trilogy, which was televised as Fallen Angel, the Lydmouth series, stand-alone novels such as The American Boy, and much else besides. He has won the Historical Dagger three times and in 2009 won the Diamond Dagger, as well as earning awards in Sweden and the US.

 

 

About Vintage Crime and CWA 

VINTAGE CRIME [ISBN 978-1-78758-548-5, released August 11, 2020 in hardcover, paperback and ebook editions] is a CWA anthology with a difference, celebrating members’ work over the years. Gathering stories from the mid-1950s until the twenty-first century with great names of the past and present, together with a few hidden treasures by less familiar writers. The aim is to present a wide range of stories which are entertaining in their own right and also demonstrate the evolution of the crime short story during the CWA’s existence, from the Fifties until the early twenty-first century

The first CWA anthology, Butcher’s Dozen, appeared in 1956, and was co-edited by Julian Symons, Michael Gilbert, and Josephine Bell. The anthology has been edited by Martin Edwards since 1996, and has yielded many award-winning and nominated stories in the UK and overseas. This new edition includes an array of incredible and award-winning authors including Robert Barnard, Simon Brett, Liza Cody, Mat Coward, John Dickson Carr, Marjorie Eccles, Martin Edwards, Kate Ellis, Anthea Fraser, Celia Fremlin, Frances Fyfield, Michael Gilbert, Paula Gosling, Lesley Grant-Adamson, HRF Keating, Bill Knox, Peter Lovesey, Mick Herron, Michael Z. Lewin, Susan Moody, Julian Symons and Andrew Taylor.

The CWA was founded in 1953 by John Creasey – that’s over sixty-five years of support, promotion and celebration of this most durable, adaptable and successful of genres. The CWA runs the prestigious Dagger Awards, which celebrate the best in crime writing, and is proud to be a thriving, growing community with a membership encompassing authors at all stages of their careers. It is UK-based, yet attracts many members from across the world.

 

 

About Flame Tree Press 

FLAME TREE PRESS is the original fiction imprint of Flame Tree Publishing (est. 1992). Led by the Flame Tree publisher Nick Wells in London and executive editor Don D’Auria in NYC, Flame Tree Press was launched in 2018 with the goal of bringing together new authors and the more established; the award winners, and exciting, original voices in horror, suspense, science fiction & fantasy, as well as crime, mystery, and thriller fiction. Learn more about Flame Tree Press at http://www.flametreepress.com and connect on social media @FlameTreePress 

REVIEW COPIES of VINTAGE CRIME & INTERVIEWS AVAILABLE UPON REQUEST 

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Book Review: Cyberspace by Matthew Mather

 

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In this long-awaited sequel to the massive bestseller CyberStorm, Mike and his family are caught up in a new disaster as the Kessler Syndrome unfolds and all satellites in orbit are suddenly destroyed.

“Couldn’t put it down…CyberStorm series is not only a great thriller, but a wake up call.” Brent Watkins, FBI Cyber Investigations, Special Agent (retired)

Six years after the events of CyberStorm, Mike Mitchel is reunited with his old friends Damon Indigo and Chuck Mumford on a boys’ fishing trip in New Orleans. His brings his son Luke, now eight years old, while his wife Lauren attends a business meeting in Hong Kong.

As soon as they arrive, simmering tensions in Kashmir explode. India launches a weapon that destroys a Pakistani satellite. They retaliate and hit an Indian satellite. Russia and China threaten America not to intervene.

Suddenly, GPS signal goes out.

A debris field from dozens of shattered satellites spreads in orbit, destroying everything in its path. One by one, weather and communications and military satellites go offline. The Russian and American and Chinese armed forces are blinded, their armies and navies losing connections to each other. The world’s networks shut down. The United States ratchets up to global DEFON 2, threatening the brink of imminent war.

As America closes its borders, Mike discovers that his wife Lauren took an overnight flight from Hong Kong to Washington that morning. She is now somewhere over the Russian arctic. With satellites falling from the skies, mobile communications cut off, rolling power blackouts sweeping across the country and martial law declared, Mike and Chuck must race across America once again in a desperate race against the clock to save their families…

 

AmazonGoodreads | Audible

 

 

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When author Matthew Mather penned the first book, Cyberstorm in 2013 it was memorable, like the food that sticks to your ribs on Thanksgiving Day. Now the story continues in the much anticipated follow up, Cyberspace.  The story centers around Mike Mitchell’s family and friends as they witness the destruction of global communications networks. Consistent with things in the “cyber” realm, nothing is as it seems building suspense as the book moves along towards the climax. The ending leaves you panting for more, dripping with anticipation for the next in the series, Cyberwar.

 

 

Cyberwar Matthew Mather

 

 

The thrilling conclusion to the series, where the mysteries of CyberStorm will finally be revealed.

Terrorists unleashed an attack that destroy everything in orbit, but they’ve finally been stopped. Or have they?

Mike saves the life of his father-in-law Senator Seymour in Washington, when a wave of autonomous killer drones are unleashed in the capital. They flee the city with a secret service detail attached to the Vice-President, and peel off once they get into the countryside–but discover that the machines seem to be following them. Worse, the terrorists have kidnapped Chuck’s wife and children and are barricaded in his cottage in the hilltops of the Shenandoah mountains.

Mike and Lauren make a desperate decision to help their friend before escaping into the Kentucky foothills, chased by a mysterious military unit. With American armed forces almost completely disabled, police and emergency services gone and Washington burning…can Mike find a way to overcome the deadly intelligent machines hunting them, to save both his family and his country?

 

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Guest Post: By Robert B. McCaw Author of Fire and Vengeance

 

 

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(Koa Kāne Hawaiian Mystery #3)

 

Having killed his father’s nemesis and gotten away with it, Hilo, Hawai`i Chief Detective Koa Kane, is not your ordinary cop. Estranged from his younger brother who has been convicted of multiple crimes, he is not from a typical law enforcement family. Yet, Koa’s secret demons fuel his unwavering drive to pursue justice. Never has Koa’s motivation been greater than when he learns that an elementary school was placed atop a volcanic vent, which has now exploded. The subsequent murders of the school’s contractor and architect only add urgency to his search for the truth. As Koa’s investigation heats up, his brother collapses in jail from a previously undiagnosed brain tumor. Using his connections, Koa devises a risky plan to win his brother’s freedom. As Koa gradually unravels the obscure connections between multiple suspects, he uncovers a 40 year-old conspiracy. When he is about to apprehend the perpetrators, his investigation suddenly becomes entwined with his brother’s future, forcing Koa to choose between justice for the victims and his brother’s freedom.

 

AmazonGoodreads | Audible

 

 

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Guest  Post

By Robert B. McCaw

Themes of Fire and Vengeance

 

Fire and Vengeance is a murder mystery. First and foremost, I hope readers find it entertaining, especially in this coronavirus era, when we all need relief from the grim realities of life. This novel, like the others in the Koa Kāne mystery series, plays with several of my favorite literary themes. While they are not unique, I’ve woven these themes into my narratives and hope this blog post provides some insight into the development of the Koa Kāne mysteries.

One theme is that of place as character. The Big Island is a powerful force in the story, and its unique geology and weather take on anthropomorphic roles. The Island is a place of creation and destruction, often embodied in the myth of Pele, the Hawaiian goddess of volcanic fires. The opening pages of Fire and Vengeance feature the destructive powers of the Island as a volcanic vent, flooded with rainwater, explodes beneath an elementary school on Hualalai Mountain.

The earlier books in the series—Death of a Messenger and Off the Grid—similarly explore the unique volcanic powers that created and continue to shape the Big Island. Death of a Messenger takes the reader deep underground into Pele’s lava tubes. Off the Grid features the volcanic destruction of the Royal Gardens community on the slopes of Kīlauea. The explosive events in Fire and Vengeance continue to build on this premise.

The place-as-character theme is not limited to geologic forces but also extends to the history, culture, and language of the Island. Descriptions of the landscape, often employing Hawaiian words for places or features, like pu’us for cinder cones, help convey the island setting’s personality. The way the human characters in Fire and Vengeance interact with Hawaii’s geography helps define them, giving them depth within their unique island environment. For instance, the park service ceremony honoring Nālani for her public safety work in the wake of the May 2018 Kīlauea eruption and Koa’s control of the crowd around the disintegrating school building are windows into their lives as well as the world they inhabit.

Physicists like to say that for every action there is a reaction. That is also true in human behavior with one startling difference. Physicists can usually predict a precise reaction while life is rife with unintended consequences. Take Koa’s personal history, for example. What were the likely consequences of his reckless killing of his father’s nemesis? Maybe flight, maybe jail, but not that he should become a cop devoted to finding justice for murder victims.

The human compulsion to cover up one’s misdeeds only adds to our inability to predict consequences. Lawyers frequently warn that the cover-up is worse than the crime, and that is often true. Suppression prolongs the day of reckoning, sometimes for years or even decades, permitting unforeseen events to ensue that can impact the ultimate outcome. For example, a man who sexually harassed women in the 1990s had little expectation of dealing with the blowback arising from the #MeToo era. Readers will find unintended consequences throughout the Koa Kāne mystery series. It is one of my favorite themes.

The relationship between the past and present in the development of character fascinates me. I wonder whether we can ever truly escape our past. On the surface, the answer, of course, is yes. While traumatic events may leave scars, people have escaped poverty and abusive relationships. People do change. Redemption is a core theme in many religions, and there are legions of hypocritical politicians who have seen the light and renounced their various indiscretions. Our prison and parole systems rely in part on the belief in the rehabilitation. The blessing of forgiveness covers many sins, both large and small.

On a deeper level, however, the answer is not so obvious, especially when the past involves heinous acts like murder. Can Koa ever escape the fact that he killed a man? It haunts his days and invades his dreams. It drives his compulsion to seek justice and makes him good at his job. He seeks redemption, but can he ever find it? If not, at least his efforts result in some measure of personal catharsis and public service. Unfortunately, that is frequently not the case.

Fire and Vengeance features another set of relationships between past misdeeds and present actions. In this case, the participants acted in concert but then followed dramatically diverse paths. Their collective history governs their later lives in radically different ways. Because they joined together in criminal conduct, these players affect each other, if only because each knows that the others are aware of the sins they share. Adding to the drama, the passage of time alters their interactions as each one necessarily grows and changes. Can any of them escape what they have done? Is there a path to redemption? How do these relationships play out over time?

The passage of time obscures consciousness, a theme often captured in the admonition that those who ignore history are condemned to repeat it. There is no more vivid example than the current coronavirus plague. Humanity has suffered many pandemics, starting at least as early as 430 BC. The world nevertheless remained unprepared for COVID-19 because its leaders ignored the inevitability of another global health crisis. The Japanese built the Fukushima Daichi nuclear power plant where their ancestors had previously warned of massive tsunamis. Italians populate the slopes of Vesuvius, which is sure to erupt in the future. Collective obscured consciousness is a favorite theme with virtually unlimited potential.

The imagined tragedy at the heart of Fire and Vengeance happened only because the story’s fictional characters—like many modern-day Hawaiians—remain oblivious to the fact that Hualalai Mountain is an active volcano. The passage of more than 200 years since its last eruption should offer little solace that Hualalai will not erupt again. Yet, thousands live within its shadow, flying in and out from nearby Keāhole airport built on its flows, with little or no thought of the inherent risks. These residents are mostly indifferent to warnings by expert volcanologists and disregard the Hawaiian legends of past volcanic tragedies on the mountain.

For me, these themes make creative writing fun.

 

 

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Robert McCaw is the author of Fire and Vengeance, Off the Grid, and Death of a Messenger. McCaw grew up in a military family, traveling the world. He is a graduate of Georgetown University, served as a U.S. Army lieutenant, and earned a law degree from the University of Virginia. He was a partner in a major international law firm in Washington, D.C. and New York City, representing major Wall Street clients in complex civil and criminal cases. Having lived on the Big Island of Hawaii, McCaw imbues his writing of the Islands with his more than 2-year love affair with this Pacific paradise. He now lives in New York City with his wife, Calli.