Book Review: Hard Road by J.B. Turner

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Jon Reznick is a “ghost”: a black-ops specialist who takes his orders from shadowy handlers, and his salary from the US government. Still mourning the loss of his beloved wife on 9/11, he’s dispatched to carry out a high-level hit. Reznick knows only that it must look like suicide. It’s textbook.

But the target is not the man Reznick expected. The whole setup is wrong. In an instant the operation is compromised, and Reznick is on the run with the man he was sent to kill. A man wanted by the FBI, and by a mysterious terrorist organization hell-bent on bringing the United States to its knees. FBI Assistant Director Martha Meyerstein is determined to track him down, and to intercept whatever it is Reznick was sent to do.

When Reznick’s young daughter becomes a pawn in the game, he has to use more than his military training to stay one step ahead of those responsible. Meanwhile, he is the only person who knows the true extent of the threat to national security—and has the stealth and determination to stop it.

 

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J.B. Turner introduces us to Jon Reznick in this blockbuster series beginning with Hard Road. Reznick, a black ops specialist assassin is sent on a hit but nothing feels right. He soon realizes his handler sent him to the wrong target. But why? I’m completely enthralled by this series on every level. J.B. Turner writes a tight thriller that doesn’t let up from page one. The action, level of tension, intrigue, characters are off the charts good. I love this kind of thriller!

 

 

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J.B. Turner is a former journalist and now #1 international bestselling author. He is best known for the Jon Reznick® series of action thrillers. His latest book, Reckoning (Thomas & Mercer), was published on 2 August 2018. His influences and favorite authors include: James Ellroy, Richard Stark, Hunter S. Thompson, James Lee Burke, George Orwell, Jack Kerouac, Henry James, Harlan Coben, Thomas H. Cook, John Grisham, James Patterson, John Buchan, John Grisham, and Michael Connelly.

His latest book is the second in the American Ghost® series of action thrillers. The new series features protagonist Nathan Stone, a former CIA covert operative who had been critically wounded, and everyone thought was dead. But behind closed doors, he was rehabilitated by a highly secretive government organization known as the Commission, given a new identity and appearance, and remoulded into a lethal assassin. His brief: to execute kill orders drawn up by the Commission, all in the name of national security. The Commission owns him, but Stone knows one wrong move could turn him from loyal asset to hunted man.

He wrote the Jon Reznick novella, Gone Bad (No Way Back Press), and the Deborah Jones crime thrillers, Miami Requiem (No Way Back Press) and Dark Waters (No Way Back Press).

His books have conspiratorial elements and themes throughout them. His work can often be described as thrillers; his books cover sub-genre categories including assassination thriller, suspense thriller, political thriller, crime fiction, military thriller, and, in the case of the Deborah Jones books, mysteries.

He has a keen interest in geo-politics.

He loves music and drinks dangerous levels of coffee (and a fair bit of red wine). He occasionally blogs. He listens to everything from Beethoven to The Beatles, The Cure to Bach. And everything in between. Occasionally writes. Loves films. Well, good ones. One Flew Over the Cuckoo’s Nest, The Parallax View, The Conversation, Heat, The Godfather, The Offence, Goodfellas, The French Connection, Payback, It’s a Wonderful Life, Manhattan, Annie Hall, Sideways, As Good As It Gets, Wonder Boys, The Deer Hunter, All the President’s Men, Silver Linings Playbook, Babette’s Feast, and a personal fave, Animal House (what’s not to like?).

He was born in Edinburgh, Scotland. He is married with two children.

He is represented by Mark Gottlieb of Trident Media Group, New York.

 

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Book Review: Close to the Bone by Kendra Elliot

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Widow’s Island Novella book 1

 

FBI Special Agent Cate Wilde is back home on a remote Pacific Northwest island when she gets the call: a teenager’s skeletal remains have been found on a nearby island.

Together with Tessa Black, a childhood friend turned local deputy, Cate confronts dreary weather and bleak leads to make sense of the death. The complications pile up as Cate is distracted by the coroner on the case—and by nagging memories that draw her twenty years into the past. The remains suggest eerie similarities between this victim, and Cate and Tessa’s friend Samantha, who disappeared when she was fourteen.

Cate finds herself up against closemouthed locals, buried town secrets, and even her own heart. As the case unravels, will she be able to cut through the fog and find justice for the missing and the dead.

 

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Bestselling author Kendra Elliot kicks off a great beginning to the Widow’s Island series! This was so well written it didn’t really seem like a novella. It had all the necessary elements of a full novel complete with mystery, suspense, crime, character, and a touch of romance. I thought the idea for the Widow’s Island setting was genius; the culture, secrets, history of families, it made the story very appealing.

 

See my review of the Audiobook & Narrator Performance: Close to the Bone

 

 

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Kendra Elliot has sold over 5.5 million books, hit the Wall Street Journal top ten bestseller list seven times, and is a three time winner of the Daphne du Maurier award.

Her 2017 release, A MERCIFUL DEATH, was a #1 Amazon overall bestseller and has been optioned for TV by Warner Brothers Television and Ellen Degeneres’s A Very Good Production.

She is an International Thriller Writers’ finalist and a Romantic Times finalist. She grew up in the lush Pacific Northwest and still lives there with her family, three cats, and two Pomeranians. She’s always been fascinated with forensics, refuses to eat anything green, and can’t wait to wear flip flops every day.

 

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Book Review: The Advocate’s Daughter by Anthony Franze

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A Washington, D.C. lawyer and a frequent major media commentator on the Supreme Court, Anthony Franze delivers a high-stakes story of family, power, loss and revenge set within the insular world of the highest court of our country.

Among Washington D.C. power players, everyone has secrets they desperately want to keep hidden, including Sean Serrat, a Supreme Court lawyer. Sean transformed his misspent youth into a model adulthood, and now has one of the most respected legal careers in the country. But just as he learns he’s on the short list to be nominated to the U.S. Supreme Court, his daughter, Abby, a talented and dedicated law student, goes missing. Abby’s lifeless body is soon found in the library of the Supreme Court, and her boyfriend, Malik Montgomery, a law clerk at the high court, is immediately arrested. The ensuing media frenzy leads to allegations that Malik’s arrest was racially motivated, sparking a national controversy.

While the Serrat family works through their grief, Sean begins to suspect the authorities arrested the wrong person. Delving into the mysteries of his daughter’s last days, Sean stumbles over secrets within his own family as well as the lies of some of the most powerful people in the country. People who will stop at nothing to ensure that Sean never exposes the truth.

 

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I’ve been on a legal thriller kick recently.  Not sure if you’ve heard of Anthony Franze, a lawyer in the Appellate and Supreme Court practice in a Washington, D.C. law firm, but he write’s a great book. From beginning to end, I peeled the pages in great suspense to find out what happened. A Supreme Court nominee is set to make history with the “cat in the bag”…Well, until he discovers his daughter is found dead the Supreme Court library. As he sets out to find the truth behind her murder, the plot unravels along with everything else in his life. Great book!

 

 

 

Five Gold Stars

 

 

 

 

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ANTHONY FRANZE is a lawyer in the Appellate and Supreme Court practice of a prominent Washington, D.C. law firm, and a critically acclaimed thriller writer with novels set in the nation’s highest court. Franze has been a commentator on legal and Supreme Court issues for The New Republic, Bloomberg, National Law Journal, and other major media outlets. He is a board member and a Vice President of the International Thriller Writers organization. Franze lives in the Washington, D.C. area with his family. Learn more at www.anthonyfranzebooks.com

 

 

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Book Review: After Anna by @LisaScottoline

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Riveting and disquieting, After Anna is a groundbreaking domestic thriller, as well as a novel of emotional justice and legal intrigue. New York Times bestselling author Lisa Scottoline keeps readers on their toes until the final shocking page.

Nobody cuts deeper than family…

Dr. Noah Alderman, a widower and single father, has remarried a wonderful woman, Maggie Ippolitti, and for the first time in a long time, he and his young son are happy. Despite her longing for the daughter she hasn’t seen since she was a baby, Maggie is happy too, and she’s even more overjoyed when she unexpectedly gets another chance to be a mother to the child she thought she’d lost forever, her only daughter Anna.

Maggie and Noah know that having Anna around will change their lives, but they would never have guessed that everything would go wrong, and so quickly. Anna turns out to be a gorgeous seventeen-year-old who balks at living under their rules, though Maggie, ecstatic to have her daughter back, ignores the red flags that hint at the trouble brewing in a once-perfect marriage and home.

Events take a heartbreaking turn when Anna is murdered and Noah is accused and tried for the heinous crime. Maggie must face not only the devastation of losing her daughter, but the realization that Anna’s murder may have been at the hands of a husband she loves. In the wake of this tragedy, new information drives Maggie to search for the truth, leading her to discover something darker than she could have ever imagined.

 

 

 

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This was my first by author Lisa Scottoline and it didn’t disappoint! Storytelling is great; but I realized one thing while reading this book, how you tell the story has a huge impact. It was so well written it won’t be easily forgotten, which I believe is the telltale sign of a classic. Memorable. Sticks to your ribs like mash potatoes.

Written creatively in an alternating point of view made this a riveting thriller with juicy suspense. Noah is literally in the hotseat on trial for murder having lost everything that he lived for. Maggie, reunited with a lost daughter has a second chance at motherhood and a happy family. Well, until Anna comes around.

This book is loaded with suspense with a few killer plot twists down the road! Keep your eyes peeled.

 

 

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Lisa Scottoline is The New York Times bestselling author and Edgar award-winning author of 30 novels, including her upcoming, AFTER ANNA. She also writes a weekly column with her daughter Francesca Serritella for the Philadelphia Inquirer titled “Chick Wit” which is a witty and fun take on life from a woman’s perspective. These stories, along with many other never-before-published stories, have been collected in a New York Times bestselling series of humorous memoirs including their most recent, I Need A Lifeguard Everywhere But The Pool. Lisa reviews popular fiction and non-fiction, and her reviews have appeared in The New York Times, The Washington Post and The Philadelphia Inquirer. Lisa has served as President of Mystery Writers of America. Lisa graduated magna cum laude in three years from the University of Pennsylvania, with a B.A. degree in English, and her concentration was Contemporary American Fiction, taught by Philip Roth and others. She graduated cum laude from the University of Pennsylvania Law School where she taught a course she developed, “Justice and Fiction.” Lisa is a regular and much sought after speaker at library and corporate events. Lisa has over 30 million copies of her books in print and is published in over 35 countries. She lives in the Philadelphia area with an array of disobedient pets, and she wouldn’t have it any other way.

 

 

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Blog Tour: Then She Ran by Charlie Gallagher

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#1 New Release in Noir Crime on Amazon

 

Discover a crime thriller that will have you gripped from the explosive start to one of the most shocking endings of the year.

On a lazy Sunday morning, Jenny Harris is shaken awake by her panic-stricken boyfriend, Joseph. Their baby daughter lies asleep on her chest. ‘We’ve got to go!’ Joseph screams.

In their hotel room, Jenny hurriedly wraps her tiny baby up. All their belongings are left behind. There’s no time. Joseph’s panic is contagious.

Jenny sprints with her family from the hotel. And it’s clear that they are being chased. Their pursuers are indiscriminate and they are deadly.

Her boyfriend falls, caught up in the carnage, but he manages to give her one last message: ‘RUN!’

Detective George Elms is investigating a separate crime: an elderly woman shot in the stomach during a robbery gone wrong. She is left for dead in her country kitchen where she stood firm against violent thieves.

What’s the link between the two incidents? And who will do anything to silence Jenny forever?

George’s only option is to make ground on both cases. And he must move fast. Because everyone is in deadly danger and time is running out.

 

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BLOG TOUR BANNER - Then She Ran

 

 

A gripping crime thriller!  Author Charlie Gallagher writes great suspense scenes! You never know what’s going to happen next. Poor detective George is dealing with a sinking marriage, attempting to keep it together to solve two crimes. The stakes are high. Can he solve the cases before time runs out? Wonderful!

 

 

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Charlie Gallagher has been a serving UK police officer for ten years. During that time he has had many roles, starting as a front-line response officer, then a member of a specialist tactical team and is currently a detective investigating serious offences.

 

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ALSO BY CHARLIE GALLAGHER
LANGTHORNE POLICE SERIES
Book 1: BODILY HARM
Book 2: PANIC BUTTON
Book 3: BLOOD MONEY
Book 4: END GAME

MISSING
RUTHLESS

 

 

 

 

 

Book Review: Bones Don’t Lie by Melinda Leigh

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Shocking evidence hits close to home for attorney Morgan Dane and PI Lance Kruger as Wall Street Journal bestselling author Melinda Leigh’s acclaimed series continues.

Private investigator Lance Kruger was just a boy when his father vanished twenty-three years ago. Since then he’s lived under the weight of that disappearance—until his father’s car is finally dredged up from the bottom of Grey Lake. It should be a time for closure, except for the skeleton found in the trunk. A missing person case gone cold has become one of murder, and Lance and attorney Morgan Dane must face the deadly past that’s risen to the surface.

For Lance, the investigation yields troubling questions about a man he thought he knew. But memories can play dirty tricks. For Morgan, uncovering each new lie comes with a disquieting fear that someone is out there watching, because someone is killing every witness tied to this decades-old crime. Morgan and Lance follow in the shadows of a relentless killer and walk right into the cross fire.

 

 

 

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Melinda Leigh has hit another homerun in book 3 of Morgan Dane series and it’s currently one of the bestselling books on Amazon. After reading it I realize why. It’s simply great writing.

Melinda’s books are just like the spaghetti sauce Ragu–It’s all in there. It has everything you want in a book. Great characters with solid motivations, goals. Great tension, conflict, dilemma, mystery with romance at the core. What’s not to love about that?

First, I love the title. Bones. Don’t. Lie. Lovely isn’t it? The circumstances surrounding the disappearance of Lance’s Father literally resurfaces when his car is found in the bottom of Grey Lake. Did his father leave him and his mother many years ago? Or was he murdered? The mystery unravels bit by bit involving almost every person in the series. Great book! The best one yet.

 

 

 

Bewertung: 5 Sterne

 

 

 

 

 

 

What I've Done

 

 

Morgan Dane Book #4 – Available September 18, 2018 Pre-order now!

 

 

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Amazon Charts and Wall Street Journal bestselling author Melinda Leigh is a fully recovered banker. A life-long lover of books, she started writing as a way to preserve her sanity while raising her kids. Over the next few years, she learned a few things about writing a book. The process was much more fun than analyzing financial statements, and she decided to turn her hobby into a career. Melinda’s debut novel, SHE CAN RUN, was nominated for Best First Novel by the International Thriller Writers. She is a RITA® Award Finalist and has earned three Daphne du Maurier Award nominations, Two Silver Falchion Awards, and Two Golden Leaf Awards.

Melinda holds a 2nd degree belt in Kenpo Karate. She’s dabbled in Arnis stick fighting, studied Brazilian Jiu-Jitsu, and taught women’s self-defense. She lives in a messy house in the suburbs with her husband, two kids, a couple of shelter dogs and two rescue cats who clearly run the show. With such a pleasant life, she has no explanation for the sometimes dark and disturbing nature of her imagination. Find out more about Melinda by visiting melindaleigh.com.

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What Is Suspense by Crime Writer Sue Coletta

Suspense film. Serie géneros cinematográficos.

 

 

What is Suspense?

 

Suspense arises from our readers anticipation of what’s about to occur. They worry, even fear, what will happen to the characters they love.

To build suspense, we need to raise our readers concern over how our POV characters’ plans can go array. Ever hear this comment when talking books with a friend? Nothing really happened so I stopped reading. I’ve put down numerous books for the same reason, and some by authors who are household names, authors who should know better. But that’s the thing about suspense. It’s not easy to hold our readers hostage for 300 pages. By employing the following techniques we have a better shot of grabbing them by the throat. Then it’s just a matter of not letting go.

 

“Show that something terrible is about to happen, then postpone the resolution to sustain the suspense.” ~ Writer’s Digest

 

 

 

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Promises, Promises

Every book makes a promise to the reader. The difference between concept and premise is, something happens to the main POV characters that disrupts their lives. If you’re not familiar with the difference between concept and premise, there’s no one better to learn from than Larry Brooks. He has several posts on the subject, including this 3-minute workshop video.

Rather than asking yourself, “What should happen next?” Try: “What can I promise that’ll go wrong? Problems that will bring my characters to their knees.”

The central dramatic story question promises an intriguing quest.

By making promise after promise, we keep our readers engaged. Don’t tell the reader, of course. Instead, hint at the trouble to come; tease the reader into finding out. Do it right away, too. We need to establish our CDSQ on page one. If we can accomplish it in the first paragraph, all the better.

Every promise, no matter how minor, should either setup or pay off a future scene. Once a promise is paid, make another. The largest promises, like the central dramatic story question, should be paid off in the climax.

For an example of a CDSQ, let’s look at Wings of Mayhem.

After unknowingly stealing his trophy box, can Shawnee Daniels a forensic police hacker by day; cat burglar by night, stop the serial killer who’s destroying her life before he murders everyone she loves?

If your story drags, it’s often due to the lack of tension and/or suspense. In other words, you haven’t made your reader worry enough. How can we fix a dragging plot? By making bigger, more important, promises. Promises that will devastate our hero and secondary characters. Promises they might never recover from.

 

 

 

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Don’t Give Away Too Much Too Soon

This is a story killer. Don’t explain what’s happening, or why. Trust the reader to figure it out on their own. I realize it’s not always easy. After all, we know what will happen next (at least we should), and we can hardly wait for the reader to find out.

Trust me on this. Keep it to yourself for as long as possible.

No info. dumps! Just because we know our characters’ backgrounds does not mean our readers need to know it. Share what’s relevant to the story, or enough about the POV characters so the reader can empathize with them. Sprinkle the information throughout the story rather than dumping it all at once.

 

Characters’ Goals

“To create powerful suspense, make your hero face her greatest fear, and risk losing the thing that matters most to her.” ~ Dan Brown

No matter how we try to build suspense, if our readers don’t care about our characters, we’re sunk. Contrary to belief, the reader doesn’t have to like our characters, but they do need to empathize with them. That’s the key word: empathy.

For three-dimensional characters, we need to know their backgrounds, flaws, world views, religious beliefs, causes they support/protest, fears, concerns, mannerisms, dialect, profession, childhood, history with other characters, how they look, how they act in difficult situations, how they dress, nervous tics, scars, tattoos, favorite music, food, I could go on and on. We don’t need to show all these things, but we do need to know our characters as well as ourselves in order to slip into their skin.

To build suspense the character must have goals that really matter to them. What does she want it, and why? What happens if she doesn’t get it? What’s standing in her way? A strong hero needs a strong opponent. If our character is more timid, then we better make sure she desperately needs to achieve her goal. If she doesn’t do X, then Y will happen. Y is bad. The reader doesn’t want Y to happen. Hence, they stiffen up and pay attention. Bam! You’ve just built suspense.

 

 

“A murder is not suspense. An abduction with the threat of a murder is.” ~ Brian Klems

 

 

Violence, Where and When?

I love this quote from Brian Klems, because it’s so true. The act of violence isn’t suspenseful. The snapping of twigs as our character stumbles through the darkened forest, knowing the killer could attack at any moment is suspenseful. Or the squeaky floorboard on the second floor when the character is home alone. The phone ringing in the middle of the night. A knock at the one door the character never uses. Footfalls gaining on the character when they’ve wandered off the hiking trail. Tires screeching around the corner, the headlights appearing in the rear view mirror seconds later. The click of a shotgun in the deadly quiet milieu. A single flame that shoots from the tip of a lighter in the dark. The possibilities are endless.

 

 

Sentence Rhythm

Our sentence rhythm should match the reader’s emotion. Many of us do this automatically. Ever notice when you’re writing a suspenseful scene how you’ll pound the keyboard? When you’re slowing the pace, your fingers glide over the keys. Same holds true for sentence rhythm. Fragmented, staccato sentences quicken the pace. Long, run-on sentences tend to slow it down. As with most things in writing, though, there’s an exception. You can use run-ons to increase suspense if you vary the sentences with shorter ones.

 

Example from MARRED:

Adrenaline masked my pain, and I sprinted from room to room, closed and secured all the windows and double-checked the locks on the front and back doors, bolted upstairs, and pressed my foot on the sliders’ security bar. Colt and Ruger watched me zip around the house, not knowing what was wrong. Ruger gave up and laid his head on crossed paws while Colt bounded over and stayed on my heels.

When I returned to the kitchen table, the phone rang again. My gaze locked on the handset, and I froze. Colt’s face ping-ponged between me and the phone. He put the pieces together in his mind, trotted over, and knocked the receiver off the cradle, gently clasped the handset in his lips and carried it to me. By using his training to aid me, he was trying to help, but at that moment, it was the last thing I wanted him to do.

I didn’t speak.

Mix staccato and fragmented sentences with longer sentences to create an overall effect of balance and maintain rhythm in your writing. Is every sentence in the scene the same length? The reader will fall asleep.

 

 

 

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Scene and Sequel Structure and Motivation-Reaction Units

I’ve discussed these subjects several times, so I won’t repeat the tips here. You can find a couple of the posts here: Importance of MRUsScene and Sequel in Action.

 

Start Late, End Early 

Start each scene with a story question, intrigue, or conflict. Our goal is to arouse the curiosity of our reader. Keep them guessing. (Start late) If we make it easy on them, and answer all their questions at once, there’s no reason for them to keep reading.

We can’t wrap up our scene in a nice little bow, either. That’ll undo everything we’ve worked so hard to accomplish, to hook them in the first place. Rather, end on a note of uncertainty, or with a new challenge. (End early)

 

Scene Cuts or Jump Cuts

This is a cinematic technique that can work in any genre. Create a series of short, unresolved incidents that occur in rapid succession. Stop at a critical point and jump to a different scene, maybe at a different time and place, maybe with different characters.  For example, we could pick up a scene where we left off earlier. Or switch from protagonist to antagonist. Or from one tense scene to another. Rapid alternations keep the reader in a state of suspense.

 

Micro-Tension

Micro-tension is the moment-by-moment tension that keeps readers in suspense over what’ll happen in the next second. The Fire in Fiction by Donald Maas is a fantastic resource that discusses micro-tension. When the emotional friction between characters reaches a boiling point we’ve built suspense. Keep in mind, the characters don’t have to be enemies. Husband and wife. Tension between partners. Parent and child. Micro-tension is added in numerous ways. An easy way is with dialogue.

 

 

 

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Member of Mystery Writers of America, Sisters in Crime, and International Thriller Writer, Sue Coletta is a bestselling, award-winning author of psychological thriller/mysteries. In 2017, Feedspot awarded her Murder Blog as one of the Top 50 Crime Blogs on the net. Sue’s also the communications manager for Forensic Science and the Serial Killer Project. She’s also a proud member of the Kill Zone, where she blogs every other Monday. Learn more about Sue and her books at

 

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Exclusive Interview with Author & Filmmaker Vivian Schilling

Quietus

 

 

 

 

MYSTERY THRILLER WEEK

QUIETUS
Vivian Schilling

 

*What traits or characteristics define you as a storyteller?

 
I am an existential thinker with a robust curiosity about life. Because of this, the material I create often varies greatly.

I can almost always see life from another person’s perspective, no matter how upsetting or different it may be from my own. If I open my mind to truly acknowledge that person’s circumstances, I can usually see their justification for their views, even when they are in direct conflict with my own. I think this ability has helped me tremendously when it comes to bringing my characters to life, especially my antagonists.

I am a strong believer in research and strive to build my writing, no matter how fantastical, on a solid foundation of accuracy. In Quietus, I create an entire mythology surrounding death, but it is drawn and pieced together by linking numerous sources, including ancient scriptures and apocrypha, Egyptian mythology and art from the Reformation. I feel the more support I can provide for as many of the story elements as possible, the more credibility it adds to the purely fictional ones.

 

 

 

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*Which medium resonates with you more, film or books?

 
As a creator and connoisseur of film and books with a deep love of both, it would be painful to lose either from my life. But if I had to make a choice, books would win the battle on both
accounts.

Filmmaking can be a tremendous amount of fun. But writing is introspective, going deeper and further and leaving a more profound impact on my creative spirit.

As a filmgoer, I enjoy movies immensely. I love that I can sit in a theatre and completely escape for a couple of hours. I love the community experience of a film, especially in L.A., where the
film business is such a part of the culture. I love the dialogue that takes place with my friends immediately following a film, usually about the production, but also about the underlying themes and philosophical and cultural aspects of it. Film has often been the centerpiece of some of the most interesting and enlightening conversations I’ve ever had.

Reading books, on the other hand, is a very personal experience, a deeply gratifying one. I enjoy attending book clubs as a guest author, but I make a terrible book club member. Unlike film, I usually don’t feel the need to discuss the book in great detail. I would rather think about and savor it on my own.

I can completely forget a film after a week, but I rarely forget books. Another telling factor is that I don’t collect movies, but my place is packed with books.

 

 

 

Creativity

 

 

 

*According to your experience as a writer define what the imagination is. 

 
What a beautiful question. Imagination goes to the very core and health of my spirit. With this said, I feel imagination and spirit are one in the same. If I open up my mind and allow my spirit to roam freely, I create. Sometimes these creations are dark and sometimes light. Most often, they embody both. When I am feeling caged in by the mundane demands of life, my imagination retreats and it is far more difficult for me to create.

 

 

 

Imagination Quietus

 

 

 

*How has writing affected your creativity as opposed to working in the film industry?

 
Writing has always been there for me. From the time I was a young girl, scratching out plays to perform or writing in a journal, writing has been my door to the world. I can write about anything I want. I can explore any thought I have and take it as far as I choose. Through writing, I am constantly discovering who I am and where I am headed. Its lack of limitations is very empowering to my creative spirit.

Film has its own positive attributes to offer, in an almost opposite way. It teaches restraint and discipline, as well as versatility. It is a collaborative process so you have to be able to adapt and to be open to the ideas of others and to give them space to create alongside you. It also can be very limiting if the project is restricted by budget, time or resources.

 

 

Creativity painting Quietus

 

 

 

*How long did it take to write Quietus?

 

The concept of Quietus was with me for many years before I wrote the novel. I had explored it in two other works, including a screenplay entitled Dark Angel that circulated Hollywood for some time. At one point, the film was set to start shooting in Canada, but the money fell through. That’s when I decided to turn it into a novel where I could embark on a more serious exploration into the concept. Once I finally began the novel it took me seven years. During that time I often found myself split off to do film or other writing projects. If it weren’t for my cabin escape in Big Bear, it would have taken a lot longer to complete.

 

 

 

Pen writing Quietus

 

 

 

*From Los Angeles to the Ozark mountains. Do you need complete solitude to write?

 

Most often times, yes, especially if I am deep into a novel. My most productive time as a writer is in seclusion, surrounded by nature. Even if I work long days and nights for weeks without a
break, I always leave feeling rested and light.

 

 

 

Ozark Mountains

 

 

 

 

*Did the cabin there have anything to do with the cabin in Quietus? 

 

I had already written Quietus before I had a cabin in the Ozarks. But I did stay thirteen months alone in a different cabin in Big Bear, California while writing the novel. It had a large loft that I turned into a writing den. That one completely inspired the layout of the one in the novel, along with some other moments and scenes later in the book.

 

 

 

Cabin Quietus

 
*Quietus has a very elegant writing style. What’s your editing process like?

 

What a nice thing to say. Thank you. I find my most inspiring times to write are first thing in the morning or late at night when I simply let my mind roam and fingers dictate. I return to these pages the next day and start tightening the scene structure. I usually go back to the same scene several times until I can read it aloud and like what I hear. I always edit as I go, which I know is not how most writers prefer to write. But my mind works linearly when it comes to prose. I have to hear the flow from the beginning.

 

 

 

Beauty writing

 

 

 

 

*Does your book employ a certain theme?

 

Quietus is a psychological thriller that follows a woman’s survival after a terrifying plane crash. It explores a myriad of cultural, philosophical and spiritual beliefs that question the very meaning of death and asks whether modern medicine is tampering with its balance.
*What are you working on next? Can you give us a bit of a teaser?

 

At this point in my journey as a writer, I am heavily drawn to Celtic culture and mythology. My story is set in the past and is close to the earth. I’m having an incredible time with my location research—opening my spirit and letting my imagination go where it takes me. It’s been a lot of fun!

 

 

 

 

Schilling headshot

 

 

VIVIAN SCHILLING is the award-winning author of the novels QUIETUS and SACRED PREY, as well as a screenwriter, producer and director of independent films. She recently completed work as co-writer and producer of the documentary “Bonobos: Back to the Wild” and is currently at work on her third novel.

 

 

Website | Facebook | Goodreads | Amazon

 

 

Interview with Author & Filmmaker Vivian Schilling

Quietus

 

 

 

 

MYSTERY THRILLER WEEK

QUIETUS
Vivian Schilling

 

 

*What traits or characteristics define you as a storyteller?

 
I am an existential thinker with a robust curiosity about life. Because of this, the material I create often varies greatly.

I can almost always see life from another person’s perspective, no matter how upsetting or different it may be from my own. If I open my mind to truly acknowledge that person’s circumstances, I can usually see their justification for their views, even when they are in direct conflict with my own. I think this ability has helped me tremendously when it comes to bringing my characters to life, especially my antagonists.

I am a strong believer in research and strive to build my writing, no matter how fantastical, on a solid foundation of accuracy. In Quietus, I create an entire mythology surrounding death, but it is drawn and pieced together by linking numerous sources, including ancient scriptures and apocrypha, Egyptian mythology and art from the Reformation. I feel the more support I can provide for as many of the story elements as possible, the more credibility it adds to the purely fictional ones.

 

 

 

Storytelling image typewriter

 

 

 

*Which medium resonates with you more, film or books?

 
As a creator and connoisseur of film and books with a deep love of both, it would be painful to lose either from my life. But if I had to make a choice, books would win the battle on both
accounts.

Filmmaking can be a tremendous amount of fun. But writing is introspective, going deeper and further and leaving a more profound impact on my creative spirit.

As a filmgoer, I enjoy movies immensely. I love that I can sit in a theatre and completely escape for a couple of hours. I love the community experience of a film, especially in L.A., where the
film business is such a part of the culture. I love the dialogue that takes place with my friends immediately following a film, usually about the production, but also about the underlying themes and philosophical and cultural aspects of it. Film has often been the centerpiece of some of the most interesting and enlightening conversations I’ve ever had.

Reading books, on the other hand, is a very personal experience, a deeply gratifying one. I enjoy attending book clubs as a guest author, but I make a terrible book club member. Unlike film, I usually don’t feel the need to discuss the book in great detail. I would rather think about and savor it on my own.

I can completely forget a film after a week, but I rarely forget books. Another telling factor is that I don’t collect movies, but my place is packed with books.

 

 

 

Creativity

 

 

 

*According to your experience as a writer define what the imagination is. 

 
What a beautiful question. Imagination goes to the very core and health of my spirit. With this said, I feel imagination and spirit are one in the same. If I open up my mind and allow my spirit to roam freely, I create. Sometimes these creations are dark and sometimes light. Most often, they embody both. When I am feeling caged in by the mundane demands of life, my imagination retreats and it is far more difficult for me to create.

 

 

 

Imagination Quietus

 

 

 

*How has writing affected your creativity as opposed to working in the film industry?

 
Writing has always been there for me. From the time I was a young girl, scratching out plays to perform or writing in a journal, writing has been my door to the world. I can write about anything I want. I can explore any thought I have and take it as far as I choose. Through writing, I am constantly discovering who I am and where I am headed. Its lack of limitations is very empowering to my creative spirit.

Film has its own positive attributes to offer, in an almost opposite way. It teaches restraint and discipline, as well as versatility. It is a collaborative process so you have to be able to adapt and to be open to the ideas of others and to give them space to create alongside you. It also can be very limiting if the project is restricted by budget, time or resources.

 

 

Creativity painting Quietus

 

 

 

*How long did it take to write Quietus?

The concept of Quietus was with me for many years before I wrote the novel. I had explored it in two other works, including a screenplay entitled Dark Angel that circulated Hollywood for some time. At one point, the film was set to start shooting in Canada, but the money fell through. That’s when I decided to turn it into a novel where I could embark on a more serious exploration into the concept. Once I finally began the novel it took me seven years. During that time I often found myself split off to do film or other writing projects. If it weren’t for my cabin escape in Big Bear, it would have taken a lot longer to complete.

 

 

 

Pen writing Quietus

 

 

 

*From Los Angeles to the Ozark mountains. Do you need complete solitude to write?

Most often times, yes, especially if I am deep into a novel. My most productive time as a writer is in seclusion, surrounded by nature. Even if I work long days and nights for weeks without a
break, I always leave feeling rested and light.

 

 

 

Ozark Mountains

 

 

 

 

*Did the cabin there have anything to do with the cabin in Quietus? 

I had already written Quietus before I had a cabin in the Ozarks. But I did stay thirteen months alone in a different cabin in Big Bear, California while writing the novel. It had a large loft that I turned into a writing den. That one completely inspired the layout of the one in the novel, along with some other moments and scenes later in the book.

 

 

 

Cabin Quietus

 

 
*Quietus has a very elegant writing style. What’s your editing process like?

What a nice thing to say. Thank you. I find my most inspiring times to write are first thing in the morning or late at night when I simply let my mind roam and fingers dictate. I return to these pages the next day and start tightening the scene structure. I usually go back to the same scene several times until I can read it aloud and like what I hear. I always edit as I go, which I know is not how most writers prefer to write. But my mind works linearly when it comes to prose. I have to hear the flow from the beginning.

 

 

 

Beauty writing

 

 

 

 

*Does your book employ a certain theme?

Quietus is a psychological thriller that follows a woman’s survival after a terrifying plane crash. It explores a myriad of cultural, philosophical and spiritual beliefs that question the very meaning of death and asks whether modern medicine is tampering with its balance.

 
*What are you working on next? Can you give us a bit of a teaser?

At this point in my journey as a writer, I am heavily drawn to Celtic culture and mythology. My story is set in the past and is close to the earth. I’m having an incredible time with my location research—opening my spirit and letting my imagination go where it takes me. It’s been a lot of fun!

 

 

 

 

Schilling headshot

 

 

VIVIAN SCHILLING is the award-winning author of the novels QUIETUS and SACRED PREY, as well as a screenwriter, producer and director of independent films. She recently completed work as co-writer and producer of the documentary “Bonobos: Back to the Wild” and is currently at work on her third novel.

 

 

Website | Facebook | Goodreads | Amazon

 

 

 

 

 

In the News: The Red Sparrow Trilogy by Jason Matthews

 

 

In the news image 2 Red sparrow

 

 

 

The Red Sparrow Trilogy by Jason Matthews

 

 

Red Sparrow Trilogy bk 1 Jason Matthews

 

 

 

Now a major motion picture starring Jennifer Lawrence and Joel Edgerton!

 

In the grand spy-tale tradition of John le Carré comes this shocking thriller written with insider detail known only to a veteran CIA officer.

In present-day Russia, ruled by blue-eyed, unblinking President Vladimir Putin, Russian intelligence officer Dominika Egorova struggles to survive in the post-Soviet intelligence jungle. Ordered against her will to become a “Sparrow,” a trained seductress, Dominika is assigned to operate against Nathaniel Nash, a young CIA officer who handles the Agency’s most important Russian mole.

Spies have long relied on the “honey trap,” whereby vulnerable men and women are intimately compromised. Dominika learns these techniques of “sexpionage” in Russia’s secret “Sparrow School,” hidden outside of Moscow. As the action careens between Russia, Finland, Greece, Italy, and the United States, Dominika and Nate soon collide in a duel of wills, tradecraft, and—inevitably—forbidden passion that threatens not just their lives but those of others as well. As secret allegiances are made and broken, Dominika and Nate’s game reaches a deadly crossroads. Soon one of them begins a dangerous double existence in a life-and-death operation that consumes intelligence agencies from Moscow to Washington, DC.

Page by page, veteran CIA officer Jason Matthews’s Red Sparrowdelights and terrifies and fascinates, all while delivering an unforgettable cast, from a sadistic Spetsnaz “mechanic” who carries out Putin’s murderous schemes to the weary CIA Station Chief who resists Washington “cake-eaters” to MARBLE, the priceless Russian mole. Packed with insider detail and written with brio, this tour-de-force novel brims with Matthews’s life experience, including his knowledge of espionage, counterintelligence, surveillance tradecraft, spy recruitment, cyber-warfare, the Russian use of “spy dust,” and covert communications. Brilliantly composed and elegantly constructed, Red Sparrow is a masterful spy tale lifted from the dossiers of intelligence agencies on both sides of the Atlantic. Authentic, tense, and entertaining, this novel introduces Jason Matthews as a major new American talent.

 

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RED SPARROW TRAILER ONE

 

 

 

 

 

 

RED SPARROW TRAILER TWO

 

 

 

 

 

First Chapter Synopsis

 

 

Thought bubble Red sparrow

 

 

It’s no secret that Jason Matthew’s Red Sparrow trilogy is becoming a blockbuster movie starring Jennifer Lawrence. That’s how I heard about Matthews’ work actually. It movie debuts this Friday, March 2nd, but I’m going to read the book first.  Read the first chapter last night and loved it. It delivers everything you’d hope for in a first chapter of a spy thriller. The “good” guys, bad guys, handling of of classified material, and a good chase.

 

Nathaniel Nash, a young CIA operative secretly meets with a russian mole codenamed “MARBLE” at an undisclosed location. They have their set 7 minute conversation and exchange classified material. However, Nathaniel notices something different in his confided mole this time.  Someone’s on his tail and they can’t risk getting caught together. They seem to escape, or do they? Definitely whets your appetite for the remainder of the book, so I can’t wait to devour this one.

 

 

 

Jason Matthews Author

 

 

Jason Matthews is a retired officer of the CIA’s Operations Directorate. Over a thirty-three-year career he served in multiple overseas locations and engaged in clandestine collection of national security intelligence, specializing in denied-area operations. Matthews conducted recruitment operations against Soviet–East European, East Asian, Middle Eastern, and Caribbean targets. As Chief in various CIA Stations, he collaborated with foreign partners in counterproliferation and counterterrorism operations. He lives in Southern California.

 

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Red Sparrow Trilogy

Red Sparrow #1

Palace of Treason #2

The Kremlin’s Candidate #3

 

 

 

 

 

MTW Thin Banner April 2018