Interview with Paco Chierici author of Lions of the Sky

 

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Interview with Paco Chierici author of Lions of the Sky

 

What motivated you to write a novel? 

I have always aspired to write a novel, ever since I was a child.  As a first timer I had a sense of how difficult it would be, and still I underestimated by a lot.  Lions of the Sky was motivated by my desire to share the inherent drama of naval aviation while telling a thrilling story.  It’s such a fantastic world, filled with wildly interesting people and daily craziness. And when you add the peril of actual military action to the mix, it elevates the stakes even further.

 

 

In learning how to write fiction what helped you the most?

I love reading fiction.  I’m a voracious consumer of books.  I took note of how my favorite authors crafted their stories and did my best to write with purpose.  I love characters, so I took great care to create fully developed, real people who would react in a natural manner to the circumstances I threw them into.  I also love the details of flying jets from aircraft carriers and wanted to share the intricacies with the reader in a manner that pulled them into the cockpit as a participant without overwhelming them with minutia.  Lastly, I have always enjoyed explaining how the high level global maneuvering of governments affect the individuals at the pointy end of the spear. When you read the news about “The Chinese” aggressively building up their military presence in the South China Sea, and “The Americans” sending ships to sail through the islands asserting freedom of navigation, there are actual humans representing those nations who are put at risk.  I tell stories where the global tensions build on a macro scale, but the reader gets to focus on how those tensions affect the individuals at the points of contact.

 

 

How did you come up with the title Lions of the Sky?

I must say that coming up with a good title was almost as challenging as writing the book itself.  I was in the Blacklions squadron myself, so I am partial to that squadron name. My characters end up in the Blacklions as well, once the trials of their training are complete, and are then sent to face the threat in the South China Sea.  I liked the simplicity and allusion of Lions of the Sky.  

 

 

How competitive are fighter pilots?

The short answer is, massively competitive.  Every aspect of being a fighter pilot is a competition.  From the moment we decide we aspire to be fighter pilots we are put into a pool of applicants that far exceeds the number required.  I don’t know the exact numbers, but say thousands per year for just a couple hundred slots at the far end of the funnel. Every academic test, every flight, every physical fitness test, every medical exam, is an opportunity to fail and be removed.  Over the course of our 18 months of flight training we fly hundreds of flights, each graded. If one fails too many flights, you are washed out. Once we finish flight school and get to the Fleet the competition changes gears. Each aircraft carrier landing is graded and all the grades are posted in each squadron’s Ready Room for all to see.  

It is such a competitive environment that when we dogfight against each other, before each flight we recite the Training Rules in an almost religious manner.  They are strict guidelines designed to reign in our natural desire to win every fight so that we preserve a measure of safety while practicing aerial combat.  

So yes, fighter pilots are extremely competitive.

 

 

As the instructor what role does Sam Richardson play in shaping the younger pilots?

Sam’s role is to make sure that the students he greets at their arrival to the F/A-18 training squadron are transformed from excited young bucks eager to play with their new toy into men and women who are prepared to go into combat the day after they graduate nine months later.  He sets the tone with his example and experience but he’s also approachable in that he’s only four years older than his students.  

 

 

What drives Keely Silvers to achieve her lifelong dream? 

Keely is driven by the belief that the cockpit of a fighter is absolutely where she belongs. She is surprised at first that there would be any opposition to her becoming a fighter pilot based on her gender, then annoyed, then angry at constantly having to defend herself.  Her crisis of confidence is especially powerful because it seems to validate the external beliefs she has been battling. And its resolution is particularly poignant as well, not to give away too much. 

 

 

Does Lions of the Sky employ any themes?

Lions explores a number of classic themes including love, war, death, survival, prejudice, and in a manner particular to being a fighter pilot, coming of age. 

 

 

Who are your favorite authors?

My current favorites are Daniel Silva (Gabriel Allon series) and Michael Connelly (Harry Bosch series).  They both write character-centric thrillers and are masters at building tension while still writing beautifully. I aspire to their level of craftsmanship. 

I have always loved Hemingway, Le Carré, and Elmore Leonard for much the same reason. They have the ability to tell beautiful stories that have a tremendous amount of tension and fantastic, rich characters. 

 

Are you excited about the new Top Gun movie?

I am.  The first was such a cultural event that has had amazing staying power.  I have some friends still in the Navy that worked on the new film as liaisons and they assure me it’s going to be a good movie.  I’m hopeful that the new movie will be just as fun and fix some of the cheesier parts.  

 

What’s next for you?

I’m four chapters into the sequel to Lions, titled The Dragon.  We join Slammer Richardson on his next adventure, which is completely different from Lions.  It’s Slammer, this time, who is in crisis.  Shot down, stuck behind enemy lines, rescued and captured.  He’s got to find a way to make it back to the carrier so he can save the woman who helped him and stop an imminent war based on false pretenses. 

 

 

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In the world of fighter pilots, the most alpha of the alpha, competition is everything and the stakes are impossibly high. A Top Gun for the new millennium, LIONS OF THE SKY propels us into a realm in which friendship, loyalty, and skill are tested, battles won and lost in an instant, and lives irrevocably changed in the time it takes to plug in your afterburners.

 

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Fighter Jet Head-On View

 

 

 

About the Author

 

During his active duty career in the U.S. Navy, Francesco “Paco” Chierici flew A-6E Intruders and F-14A Tomcats, deployed to conflict zones from Somalia to Iraq and was stationed aboard carriers including the USS Ranger, Nimitz and Kitty Hawk. Unable to give up dogfighting, he flew the F-5 Tiger II for a further ten years as a Bandit. Throughout his military career, Paco accumulated 3,000 tactical hours, 400 carrier landings, a Southwest Asia Service Medal with Bronze Star and three Strike/Flight Air Medals.

Prior to writing Lions in the Sky, Paco published extensively in Aviation Classics Magazine, AOPA Magazine, and Fighter Sweep, as well as creating and producing the award winning naval aviation documentary Speed and Angels.

Currently a 737 captain, Paco can often be found in the skies above California flying a Yak-50 with a group of likeminded G-hounds to get his dogfighting fix. A graduate of Boston University, Paco lives in Northern California with his wife Hillary, and two children.

 

www.lionsofthesky.com

 

 

 

 

Audiobook Blog Tour: Beyond The Gates by Jason D. Morrow

 

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About the Audiobook

Author: Jason D. Morrow

Narrator: Stacy Gonzalez

Length: 8 hours 39 minutes

Publisher: Jason D. Morrow⎮2019

Genre: Post-Apocalyptic; Science Fiction

Series: The Starborn Redemption, Book 1

Release date: April 20, 2019

 

Synopsis: The Containment Zone is a 500-mile radius surrounded by mountains and closed in by gates. No one can leave, and anyone who tries will die. Within are lawless bandits, corrupt soldiers, and once-human greyskins that hunt down people to spread the virus. Some say the Containment Zone is where the greyskin virus originated. Others say the people inside are little more than lab rats being studied by the nefarious Screven government.

When 12-year-old Skylar and her father, Liam, are caught trying to escape, they are taken to Vulture Hill, a government prison camp no one has ever left alive. Inside the prison, Skylar learns that the facility is little more than a testing site for finding people of a certain bloodline – the Starborn. These are people with special powers that manifests in various spectacular ways, and Screven wants to exploit them.

Skylar has always known there was something special about her family. For years, her father has had the ability to completely numb pain with just a thought. Lacerated skin, broken bones, they can all be ignored with enough concentration. Learning that her father is a Starborn means Skylar is probably one too, placing them both in extreme danger.

Now, father and daughter must do the impossible and break out of a prison known for killing so many. But Liam has leverage the government may be willing to buy – the cure for the greyskin virus.

The first two books of The Starborn Redemption are set 40 years after The Starborn Ascension and 17 years before The Starborn Uprising. Each Series can be listened to independently.

 

Buy Links

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This book was BETTER than expected. Don’t you love it when that happens? YES. Author Jason D. Morrow does an excellent job ushering you into the point of view of the main characters; Father and daughter tandem Liam and Skylar as they navigate prison Vulture’s Hill. I was impressed with narrator Stacy Gonzalez with her ability to breath life into the characters.

 

 

 

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Interview with Beyond The Gates narrator Stacy Gonzalez

 

 

What are the first things you do as you prepare to narrate a book?

Very first–read the book. A lot of people ask that question, and, yes, I read the book. After reading it, I try to think through the characters. I put either a person I know or a celebrity as sort of the touchstone for each character. Beyond that, I don’t really do too much. I like to jump into the narration once I’ve read the story and thought through the characters.

 

 

Does the author help you with voice creation, or is it up to the narrator?

I usually do it all myself, unless I have any specific questions. Or unless an author has something very specific in mind. However, in most cases, the narrator is left to create their own artistic take on the characters.

 

 

How do you keep the characters straight in your head as you read through the text? 

I usually keep a little mp3 with a snippet of that character voice. Sometimes, there’s a word or phrase that I have to say to key me in to that character. There was a character in a book I did under my romance pseudonym where I had to pause the recording and say a really angry “F**K” to get in to that character. He was an angsty sort of neo-nazi. 

 

 

Do you have a method for characterizing, or portraying each character?

Once I get the voice down, I just let the story guide me. My method is just to let the author’s words tell the story.

 

 

How do you feel about being a medium through which readers can access a story?

I just love doing this. As an avid listener myself, there is nothing better than the feeling of not being able to stop listening. I hope that I can give listeners that feeling. I love when I’m listening to a book while running or cleaning–both of which, for me, can be activities that are hard to keep on doing past a certain point–and I HAVE TO run or clean longer because I just cannot turn the book off.

 

 

What do you want readers to know about narrating audiobooks? 

I hear a lot of non-listeners say that they like to hear the story how they hear it in their own heads. I would just want to say that listening to the book does not take away from that experience. You still use your imagination as a listener in a very similar way that you would as a straight-up reader. And listening can enhance the experience in different ways.

 

 

 

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About the Author: Jason D. Morrow

Jason D. Morrow is the author of more than 15 books in the Science Fiction and Fantasy genres, including The Starborn Uprising, The Starborn Ascension, The Starborn Redemption and Prototype D.

 

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Narrator Stacy Gonzalez

 

 

 

About the Narrator: Stacy Gonzalez

Stacy Gonzalez is a Chicago based narrator and commercial voice actor. She is feisty, bright and expressive. Stacy specializes in YA, self-help and romance, especially when the narration calls for a good handle on comedy, wit and sass. Audiofile Magazine has praised her pace and her ability to create bold characters. Stacy, who is half Colombian, speaks conversational Spanish. She has a great love for Old Hollywood—watching the movies and listening to audiobooks about any and every aspect of it! Follow her on Twitter at @stacygonzalezvo or visit her website at stacygonzalezvo.com.

 

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Book Release: Extinction Shadow – Dark Age Book 1 by Nicholas Sansbury Smith & Anthony J. Melchiorri

 

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Welcome to the Dark Age

 

The award winning, top-rated saga that sold a half-million copies returns in the next season of the Extinction Cycle. Welcome to the Dark Age. 

Survivors thought the extinction cycle ended, but a powerful evil lurks in the shadows… 

Eight years ago, an engineered virus ravaged the globe, infecting and transforming humans into apex predators called Variants. Billions died, civilization collapsed, and the human race teetered on the brink of extinction. 

Nations banded together and heroes rose up to fight these abominations. On the front lines, Captain Reed Beckham and Master Sergeant Joe “Fitz” Fitzpatrick of Delta Force Team Ghost fought against the Variant hordes. With the aid of CDC Doctor Kate Lovato, they helped lead humanity to victory. 

Now, almost a decade after the end of the war, civilization has slowly clawed toward recovery. In the Allied States of America, survivors live in outposts where they have rebuilt industry, agriculture, and infrastructure. The remaining Variants are believed to be dying off under destroyed cities and the abandoned frontier. 

But evil and intelligent forces dwell in the shadows with the starving beasts, scheming to restart the extinction cycle and end humanity forever. And once again, Beckham, Fitz, and Kate will rise to fight them, joining forces with new heroes to try and save what’s left of the world. 

READER NOTE: You don’t have to read the first 7 books of the Extinction Cycle to jump into Book 1 of Extinction Cycle: Dark Age. This new season is a self-contained storyline. For returning readers, this book takes place after book 7, Extinction War. 

 

 

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This is post-apocalyptic fiction at it’s best. It all begins with Extinction Cycle when a secret military sponsored bioweapon is deployed on US soldiers in Vietnam. They wanted a super soldier, but they got more than they bargained for. A deadly viral mutation commenced and caused a near extinction of the human race. To say it was a rude awakening to billions of innocent civilians is an serious understatement. Extinction Shadow: Extinction Cycle Dark Age Book 1 is season 2 of the series and can be read without the prior books. BUT, I would highly recommend it after reading Extinction Shadow. I have to say this series has me completely hooked. The storyline, action, science, characters, variants, and the fight for survival are all too real.

 

 

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Bioweapons. An explosive, unrelenting and highly contagious virus with irreversible effects. 

 

 

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Captain Reed Beckham and Master Sergeant Joe “Fitz” Fitzpatrick of Delta Force Team Ghost fight on the front lines against hordes of Variants, infected and mutated humans; while others such as CDC virologist Dr. Kate Lavato does her fighting in the lab. The science supporting the story is very intriguing so there’s NEVER a dull moment. They’re fighting a battle where science is critical and understanding the enemy is key. Dr. Kate Lavato is plays a pivotal role for the survival of the human race. At least, what’s left of it. Extinction Shadow is full of exciting genetic engineering.

 

 

 

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Extinction Shadow: Dark Age book 1 is not only awesome, but also available in audiobook format for listeners. This season 2 of the series will be narrated by the ever popular R. C. Bray. And if you know R.C. Bray you KNOW its’ going to be good. Need I say more?

 

 

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AUDIBLE

 

 

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Nicholas Sansbury Smith is the New York Times and USA Today bestselling author of the Hell Divers series. His other work includes the Extinction Cycle series, the Trackers series, and the Orbs series. He worked for Iowa Homeland Security and Emergency Management in disaster planning and mitigation before switching careers to focus on his one true passion–writing. When he isn’t writing or daydreaming about the apocalypse, he enjoys running, biking, spending time with his family, and traveling the world. He is an Ironman triathlete and lives in Iowa with his wife, their dogs, and a house full of books.

Sign up for Nicholas’s spam-free newsletter to learn more about future releases, how to claim a book patch, special offers, and bonus content. Subscribers will also receive access to exclusive giveaways. Newsletter link

 

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Anthony J Melchiorri is a writer and biomedical engineer living in Maryland. He spends most of his time developing cardiovascular devices for tissue engineering to treat children with congenital heart defects when he isn’t writing or reading.

Read more at anthonyjmelchiorri.com and sign up for his mailing list at newsletter link to hear about his latest releases and news.

 

AnthonyjMelchiorri.com

 

 

 

 

Interview with Robert McCaw Author of Off The Grid

 

Off the Grid Koa Kane

 

 

A scrap of cloth fluttering in the wind leads Hilo police Chief Detective Koa Kāne to the tortured remains of an unfortunate soul, left to burn in the path of an advancing lava flow. For Koa, it’s the second gruesome homicide of the day, and he soon discovers the murders are linked. These grisly crimes on Hawaiʻi’s Big Island could rewrite history―or cost Chief Detective Koa Kāne his career.

The dead, a reclusive couple living off the grid, turn out to be mysterious fugitives. The CIA, the Chinese government, and the Defense Intelligence Agency, attempt to thwart Koa’s investigation and obscure the victims’ true identities. Undeterred by mounting political pressure, Koa pursues the truth only to find himself drawn into a web of international intrigue.

While Koa investigates, the Big Island scrambles to prepare for the biggest and most explosive political rally in its history. Despite police resources stretched to the breaking point, Koa uncovers a government conspiracy so shocking its exposure topples senior officials far beyond Hawaii’s shores.

 

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Author Interview

 

How did the idea for Off the Grid begin?

Three disparate threads came together to inspire Off The Grid. First, my wife and I bought a painting from an artist who lived in a ramshackle house deep in the forest near the nearly off the grid village of Volcano, Hawaii. Visiting her home, stuffed with all manner of eclectic objects of dubious aesthetics, made me think I’d stumbled into a writer’s dream. That the artist’s husband had some kind of clandestine military background only further sparked my interest.

Second, one night my wife and I drove up to our favorite local restaurant in Hawi, a small town on the northwest coast of the Big Island, only to find it permanently closed because law enforcement authorities had arrested the proprietor as a fugitive from justice. My subsequent research established that he was far from the only wanted man to have been caught hiding out on the Big Island.

Lastly, I am an avid reader of the international press and had become fascinated by one of the most bizarre, unexplained misadventures in contemporary military history. No spoilers here. So voila! I had fugitives from a bizarre international incident living off the grid in rural Hawaii. All I had to do was find a unique way to imagine their deaths and unleash my chief detective on the case.

 

 

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What was your process for creating characters such as detective Koa Kāne?

Creating Koa Kāne involved an iterative process. Given my legal background and expertise, I wanted a character who would work with a prosecutor. Thus, Koa became a police detective. The story is set in Hawaii and draws on Hawaiian history, culture, and language. To effectively relate the culture and language, I wanted Koa to be Hawaiian. Like all good protagonists, he had to have a compelling backstory—one that drove his passion for justice. As a criminal lawyer, I have long been fascinated with the ways that people’s secret criminal acts shape their behavior. Regret, fear, guilt are powerful emotions that drive people to both good and bad ends. A cop with a deadly secret in his past provided lots of interesting hooks for a murder mystery. Thus, Koa became the killer turned cop with a potent passion to extract justice.

 

 

 

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If you were to describe him, what are some of his characteristics?

Koa is smart and tenacious, but driven by remorse and guilt for having killed a man. Having escaped punishment for his crime, he is highly suspicious and paranoid about being conned, the way he deceived the police who investigated his crime. He is Hawaiian to the core, with a deep knowledge and appreciation of Hawaiian history and culture, but also worldly because of his military service. Viewing most politicians as disingenuous, he avoids getting involved in politics wherever possible, although he doesn’t fear confrontation when politicians attempt to impede his work. As the oldest living Kāne male, he is devoted to his family, especially his mother and sister, but deeply troubled by the disturbed and criminal behavior of his youngest brother. A loyal friend, his relationships with people run deep as exemplified by his bond with his giant fisherman buddy Hook Hao. He inspires loyalty in others, particularly Zeke Brown, the Hawaii county prosecutor. Ever playful with his girlfriend Nālani, he is proud of her expertise and accomplishments as a biologist and national park ranger.

 

 

 

Was it difficult writing about a police procedural?

Writing a police procedural required much research, but involved much fun. There are many tools available to writers. In my professional life, I had considerable experience with the legal side of criminal procedure, including warrants, searches, interrogations, prosecutors, grand juries, indictments, trials, and incarceration. I have used forensic text books, police equipment catalogues, and interviews with police officers to learn the more nitty-gritty side of police work. In this respect the annual Writer’s Police Academy, where federal, state, and local law enforcement officers teach police procedures was invaluable. 

 

 

 

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What kind of political pressure does Koa Kane face when he begins to uncover the truth?

Although Hilo is a small town, it has a political elite that cherishes and nurtures power. Koa, on the other hand, grew up dirt poor and pulled himself up through tenacious hard work, and is driven by remorse and guilt to find justice for the victims of crime. He has little patience for politics and believes that the rich and famous commit just as many crimes as the poor and downtrodden. These differing perspectives create conflicts when Koa’s investigations touch on the political powerful or their wealthy constituents, especially because his police chief is close to, and protective of, the mayor.

 

 

 

What was your experience coming up with the plot for Off the Grid?

I knew from the outset how I wanted to begin Off The Grid and I also knew the general shape of the ending. I’ve heard other authors say that it’s the middle part of a novel where you find out if you really have an interesting story. So it was with Off The Grid. I also wanted to fashion a multi-layered mystery, and so Koa first follows a string of clues to the identity of the initially unidentified victims. As he solves that mystery, he must discover and pursue the killers, yet that too leads to yet another question—who is the mastermind behind it all. And why?

 

 

 

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Why did you pick Hawaii for the setting?

I first went to the Big Island of Hawaii in 1986 and fell in love with the mountains and incredibly varied landscapes and climates. When most people think of Hawaii, its beaches and palm trees come to mind, but the Big Island has much more—rain forests, cattle ranches, and alpine climates to name but a few of its charms. Mauna Kea reaches 14,000 feet above sea level and was once glaciated during the ice ages. It still collects several feet of snow most winters. The day atop the mountain arise before sunlight touches the rest of the island and the sun set on the land below before it fades from the mountain top. If the weather is right you can stand on the beach, looking up through the palm trees to see the snow-capped peak of Mauna Kea turn red at sunset.

I was lucky enough to meet real Hawaiians who shared their knowledge of this most special island. The land, its unique history, the culture of its people, and their language fascinated me. I quickly learned that there are two Hawaiis—the “tourist” Hawaii, largely manufactured by a sophisticated PR machine, and the real Hawaii, largely hidden from the tourists. In many ways, Hawaii itself, the real Hawaii, became one of the most important characters in Off The Grid.

 

 

 

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What are some interesting facts you discovered in your research?

The ancient Hawaiians were great environmentalist. They imposed taboos restricting certain kinds of fishing during certain times of the year. They also created substantial aquaculture projects, raising fish in salt water ponds connected to the ocean. Their dry land farming systems produced surplus crops.

Lacking a written language, the ancient Hawaiians became great story tellers, not unlike the great epic poets of Greek and Roman antiquity, capturing their genealogical history in long poems, memorizing navigational information in chants, and explaining natural phenomena through legendary gods and goddesses.

Western businessmen—mostly sugar, pineapple, and cattle barons—spent years undermining the Hawaiian monarchy, whose sovereignty was recognized by the United States and many other nations, before these ruthless entrepreneurs staged a coup d’état, resulting in the expropriation of the Hawaiian Islands by the United States. For almost a hundred years thereafter, Hawaiians were forbidden to speak their native language in schools or government.

 

 

 

What were some challenges you faced while writing this book?

The biggest challenge that I faced, and the biggest challenge for most emerging authors, was finding a publisher. In today’s post-Amazon, super competitive publishing world, that is a tremendous obstacle for most emerging authors. I was extraordinarily fortunate to find Mel Parker, of Mel Parker Books, LLC, who became my agent and found a great publisher, Oceanview Publishing, for my book. Connecting with Oceanview Publishing has offered a second huge benefit. They have contracted to publish my third book—Fire and Vengeance—in 2020.

 

 

 

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What’s the best thing about being a writer?

As a lawyer I was always more or less constrained by the provable facts. A novelist’s freedom to invent stories and modify facts gets the creative juices flowing. Good review are also nice! But perhaps the most rewarding aspect of being a writer is to encounter the individual reader who says “I really liked your story!”

 

 

What kind of advice would you give to a new writer?

First, write what you know and love. Never attempt to jump on a “trend.” By the time your book gets written, edited, and published, the “trend” you sought to emulate will have passed into the dustbin. Second, find a good editor, one who will look at the substance of your story as well as the grammar and spelling. The exchange of ideas with a skillful editor will improve your work a hundred fold.

 

 

 

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Do you have any favorite quotes?

I will share four of my favorites quotes about truth.

“Truth never damages a cause that is just.” ― Mahatma Gandhi

“In a room where people unanimously maintain a conspiracy of silence, one word of truth
sounds like a pistol shot.” ― Czesław Miłosz

“It takes two to speak the truth—one to speak, and another to hear.” Thoreau: A Week on the Concord and Marrimack Rivers

“History warns us that it is the customary fate of a new truths to begin as heresies and to end as superstitions.” T. H. Huxley: The Coming of Age of “The Origins of Species”

 

 

 

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Robert B. McCaw, a seasoned attorney and veteran of many headline-grabbing cases, blends his decades-old passion for Hawaiian history with a life-long enthusiasm for crime fiction to create the compelling protagonist, Chief Detective Koa Kāne, in Death of a Messenger. A former US Army officer and judicial clerk at the US Supreme Court, McCaw’s firsthand military experience, legal expertise, and immersion in all things Hawaiian lend the characters in this richly layered thriller unparalleled authenticity. An avid photographer and part-time resident of the Big Island since the 1990s, he and his wife split their time between New York and Hawaii.

Death of a Messenger is the first novel of the Koa Kāne Hawaiian Mystery series.

 

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Cozy Mystery Blog Tour: A Death in Duck by Mindy Quigley

 

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A Death in Duck Lindsay Harding

 

 

About Audiobook #2

Author: Mindy Quigley

Narrator: Holly Adams

Length: 9 hours 13 minutes

Publisher: Mindy Quigley⎮2015

Genre: Cozy Mystery

Series: Lindsay Harding Mysteries, Book 2

Release date: Dec. 22, 2015

 

 

 

 

Synopsis: With the new year approaching, hospital chaplain Lindsay Harding heads for a much-needed break in the peaceful resort town of Duck on North Carolina’s outer banks. Her plan to attend the wedding of her friend, Anna, runs aground when a boatload of trouble washes ashore, and as the old year ticks down, the body count goes up. Thrust into the path of an increasingly desperate killer, Lindsay must uncover a sinister secret before she winds up swimming with the fishes.

 

Old family scandals, sunken World War II U-boats, obscene desserts, and a stolen Doberman all guarantee a far from restful break for the irreverent reverend, who makes her second appearance in this lively mystery.

 

Buy Links for Audiobook #2

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Author Mindy Quigley can tell a really good story. Between the first book and this one, A Death in Duck, is the stronger story in my opinion. More cohesive, strong motivations, multiple layers of conflict, subplots, tension, family drama and a good villain. Or, you could sum it all up in a few words—Good storytelling. Great, storytelling actually.

 

 

 

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Author Interview

 

How closely did you work with your narrator before and during the recording process? Did you give them any pronunciation tips or special insight into the characters? 

In my second book, A Death in Duck, there are a few characters who speak with an Outer Banks (of North Carolina) accent. That accent is a trip! It sounds like an Irish accent and a Southern accent had a baby, and that baby was born with a mouth full of marbles. 🙂 Holly and I talked a lot about how to render it accurately, but still make it understandable for the purposes of the recording.

 

 

Are you an audiobook listener? What about the audiobook format appeals to you? 

I know this is cliche, but OMG the Harry Potter audiobooks narrated by Jim Dale are THE BEST. I also quite liked Eddie Izzard’s reading of Great Expectations. I knew Izzard as a quirky comedian who often performed in drag, so I was extra impressed by his skill as a narrator.

For me, a good audiobook is all about the sharpness of the characterizations. With the Dale and Izzard readings, you can tell who’s speaking almost as if you were listening to dozens of actors rather than just one.

 

 

If you had the power to time travel, would you use it? If yes, when and where would you go? 

I’ve seen enough sci-fi movies and TV shows to know that time travel always ends badly. I’ll have to be content with time traveling through books and movies, because I sure as heck am not going to be the one responsible for setting off a catastrophic chain of events by accidentally stepping on a butterfly in 1722.

 

 

What do you say to those who view listening to audiobooks as “cheating” or as inferior to “real reading”?

That question is best answered by punching those dumb-dumbs in the face. Seriously, though, whatever way someone chooses to inject narrative content into their brains is okay by me. Some people have long commutes, and audiobooks provide a great companion. Some people, like my grandmother, have vision impairments that prevent them from reading. Audiobooks are her lifeline. Personally, I love reading, listening to audiobooks, and watching movies and TV shows. I even like hearing storytellers at events and festivals. A great story is a great story, no matter how it gets from one person to another.

 

 

How did you celebrate after finishing this novel?

I never really feel like writing projects are finished, so I don’t celebrate. I mean, are you supposed to celebrate when you finish the draft? The corrections? Submit it to your agent? Return the page proofs? See it in print? Register your first sale? Get your first review? I’d be hungover for months, if not years!

I just finished a full draft of a middle-grade novel I’m working on, and I’ll tell you exactly how I celebrated. I went into the bathroom, where my husband was brushing his teeth and said, “Well, I think I’m done with that book I’ve been working on for three years.” We high-fived and then went to bed. 

 

 

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About the Author: Mindy Quigley

 

Mindy Quigley is the author of the Mount Moriah cozy mystery series, which is based in part on her time working with the chaplains at Duke University Medical Center. Her short stories have won awards including the 2013 Bloody Scotland Short Story Competition and the 2018 Artemis Journal/Lightbringer Prize. Her non-writing career has been stranger than fiction, taking her from the US to the UK, where she worked as the personal assistant to the scientist who cloned Dolly the sheep, and as project manager for a research clinic founded by the author J.K. Rowling.

She now lives in Blacksburg, Virginia, with her Civil War history professor husband, their children, and their idiosyncratic miniature Schnauzer. 

 

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About the Narrator: Holly Adams

An actress and physical theatre performer for many years before becoming a Voice Actor, Holly continues to divide her time between stage, screen, circus, and audiobook narration. 

Holly began her VO career doing radioplays and audiobook characters with the amazing Full Cast Audio company. Since then, Holly has voiced radio and web commercials, various e-learning projects, documentary shorts. . . and of course, audiobooks! She has been nominated for Best Fiction and Best Female Narrator.  Holly has conservatory training; her attention to tone, energy and rhythm make her work personal and dynamic. Holly’s performance projects abroad (Italy, Afghanistan, Haiti, Russia, the UK, France, and the Middle East!) support her training and skill with dialects and languages.

 Holly records for Audible, Deyan Audio, Christian Audiobooks, Tantor, and more. Holly loves telling stories!

When she’s not in the recording studio, she is on stage or screen; favorite projects include Richard II, A Midsummer Night’s Dream, As You Like It, the films “Here Alone”, “Gotham Blue” and “Your Loving, Virginia”, working with girls in Kabul for the Afghan Children’s Circus and with  performers in Balan, Haiti, as well as with her ‘home circus’ Circus Culture. Holly is a SAG-AFTRA performer, a graduate of the International Dell ‘Arte School, and holds a Master’s in Theatre, Education and Social Change. Https://shearwaterproductions.com/voice-actor and on IMDb as Holly Adams III.

 

 

 

 

 

 

 

 

Blog Tour: A Murder in Mount Moriah by Mindy Quigley

 

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About Audiobook #1

 

Author: Mindy Quigley

Narrator: Holly Adams

Length: 9 hours 36 minutes

Publisher: Mindy Quigley⎮2015

Genre: Cozy Mystery

Series: Lindsay Harding Mysteries, Book 1

Release date: Apr. 15, 2015

 

 

 

 

Synopsis: From award-winning mystery writer Mindy Quigley comes a hilarious tale of small-town intrigue and big-time crime.

For hospital chaplain Lindsay Harding, facing death is part of the job. After all she spends her working days comforting sick and dying patients. But when the annual Civil War reenactment in her hometown of Mount Moriah, North Carolina, produces a real casualty, the Grim Reaper suddenly gets a little too close for comfort. With the clock ticking, the police struggle to unravel how and why a beloved local reenactor was shot in front of hundreds of onlookers. As fingers point and tempers flare, another victim ends up laid out on Lindsay’s front porch.

Lindsay’s life is in danger, but her efforts to expose the century-old sins that lie at the heart of the mystery are undermined by her disastrous love life, her no-good mother, and a ninja-like squirrel – not to mention the small matter of a dangerous killer who’ll stop at nothing to keep a sinister secret. Will courage, curiosity, and Lindsay’s irreverent brand of religion be enough to catch the killer before she becomes the next victim?

 

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Book Review  - colorful Neon Sign on brickwall

 

 

There’s good books, great books, thrilling and exceptionally well written ones–but not all have what I call, the ENTERTAINMENT FACTOR. That’s why I love when I come across one. Insert Mindy Quigley’s Mount Moriah series starring ultra-adorable Lindsay Harding. What an adventurous romp! I just finished the first book in the series, A Murder in Mount Moriah and it was a hilariously entertaining mystery. This was the audiobook version narrated by Holly Adams. When you listen to her skillfully characterize each person with distinct southern accents, it adds stunning depth to an already amazing story. Don’t miss out on this series!

 

 

Author Interview

 

Was a possible audiobook recording something you were conscious of while writing? 

Not remotely. Audible was still a fairly young company when I started writing the first book, and it wasn’t really on my radar screen. For a while, Amazon had a program where they offered to cover the costs for authors to have their books made into audiobooks using professional actors and production staff. I was lucky enough to be selected for that program. 

Can I admit something terrible? As an author, you face so much rejection, so it was pretty great to have the tables turned. I got to audition narrators, negotiate terms, and make the ultimate decisions. It was an awesome experience to have the buck stop with me for a change!

 

 

How did you select your narrator?

I received dozens of audition tapes and had started to make a short list of possible narrators. When I heard Holly Adams’ audition, however, it went right to the top of the list. Her command of her voice–tone, accent, humor, diction–just blew away the competition.

 

 

Were there any real life inspirations behind your writing? 

The fact that my main characters are ministers and chaplains was drawn from real life. Two of my college roommates went on to become ministers, which was strange given that we didn’t go to a religious college and neither of them had particularly religious upbringings. My two roommates now provide wonderful, heartfelt pastoral care, all while taking irreverence to new and hilarious heights—traits I stole for Lindsay. 

Having been young women in our late teens and early twenties together helped me to see that ministers really are just humans, prone to all the same flaws and worries as anybody else. When you’ve seen someone eating dry pancake mix straight out of the box with a spoon, it really takes them off their pedestal. 

For the sake of my poor mother, I should take this opportunity to clarify that my main character’s mother, a no-good criminal sleazebag, is NOT based on her.

 

 

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About the Author: Mindy Quigley

 

Mindy Quigley is the author of the Mount Moriah cozy mystery series, which is based in part on her time working with the chaplains at Duke University Medical Center. Her short stories have won awards including the 2013 Bloody Scotland Short Story Competition and the 2018 Artemis Journal/Lightbringer Prize. Her non-writing career has been stranger than fiction, taking her from the US to the UK, where she worked as the personal assistant to the scientist who cloned Dolly the sheep, and as project manager for a research clinic founded by the author J.K. Rowling.

She now lives in Blacksburg, Virginia, with her Civil War history professor husband, their children, and their idiosyncratic miniature Schnauzer. 

 

WebsiteFacebook

 

 

 

Holly Headhots June 2017_0190-wht

 

 

About the Narrator: Holly Adams

An actress and physical theatre performer for many years before becoming a Voice Actor, Holly continues to divide her time between stage, screen, circus, and audiobook narration. 

Holly began her VO career doing radioplays and audiobook characters with the amazing Full Cast Audio company. Since then, Holly has voiced radio and web commercials, various e-learning projects, documentary shorts. . . and of course, audiobooks! She has been nominated for Best Fiction and Best Female Narrator.  Holly has conservatory training; her attention to tone, energy and rhythm make her work personal and dynamic. Holly’s performance projects abroad (Italy, Afghanistan, Haiti, Russia, the UK, France, and the Middle East!) support her training and skill with dialects and languages.

 Holly records for Audible, Deyan Audio, Christian Audiobooks, Tantor, and more. Holly loves telling stories!

When she’s not in the recording studio, she is on stage or screen; favorite projects include Richard II, A Midsummer Night’s Dream, As You Like It, the films “Here Alone”, “Gotham Blue” and “Your Loving, Virginia”, working with girls in Kabul for the Afghan Children’s Circus and with  performers in Balan, Haiti, as well as with her ‘home circus’ Circus Culture. Holly is a SAG-AFTRA performer, a graduate of the International Dell ‘Arte School, and holds a Master’s in Theatre, Education and Social Change. Https://shearwaterproductions.com/voice-actor and on IMDb as Holly Adams III.

 

 

 

 

 

Allison Brennan on Writing & The Lucy Kincaid series

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Allison Brennan discusses writing and her new books in the Lucy Kincaid series, STORM WARNING and NOTHING TO HIDE.

 

 

How do you determine if your idea is viable enough for a complete novel?

Because I don’t plot, every book idea evolves as I’m writing. Usually, I have a spark of an idea — a premise, a set-up, a character conflict — something that interests me. If the idea isn’t working, I tweak it as I write. Sometimes, a story just flows and the idea was better than I thought. Other times, the initial idea isn’t strong enough to carry a novel — I’ve actually written a couple short stories/novellas on ideas that were good but not “big” enough for 100,000 words. But after three dozen books, I usually know based on the initial story concept whether the idea is viable.

 

 

 

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Do you approach writing every book the same or does it vary?

Yes. I start with an idea and a character and go from there. I don’t plot. I start at the beginning and write (mostly) linearly. At about the end of the first act (roughly page 100-150) I almost always get stuck and go back to the beginning. I add/cut/edit extensively. Then I finish the book. The first 150 pages usually takes me twice as long to write as the last 300 pages. And, ironically, it’s usually the first act that has more editorial notes than the last act. Go figure! But I can’t seem to do it any other way.

 

 

What are the bare essentials of your writing process? 

A computer and caffeine. LOL. Seriously, I write every day. I start in the morning and write until the kids come home from school—and often later. I wish I could say I write XXX number of words a day then shut it off, but no. I write anywhere from 1,000 to 5,000 a day. Some days—especially in the last act as I’m nearing the end of the book and am really excited about what’s happening, I can write up to 10,000 words in a day. It’s rare, and they need a lot of editing! (For example, once I wrote an entire chapter with no dialogue tags because I was typing so fast!) 

 

 

 

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How would you say your writing process has changed over the years?

Mostly, no. But I have noticed one fundamental change. My first five or six books I wrote from beginning to end, a “sloppy copy” and when back to edit. I wrote fast, a lot of it was a mess, but I had the confidence that I could clean it up in edits. Now, I can’t seem to do that. I edit as I go. About book seven, I realized that if I think I’m writing something that isn’t working, I can’t continue. I have to go back and fix it. This isn’t about the word choices or grammar, it’s about story. If the story isn’t working quite right, I can’t continue without fixing it. The good news is that my first draft is usually really clean and tight. The bad news is that it takes me a lot longer to write that first draft. Now, and for about the last 10-15 books, at the beginning of the writing day, I re-read the last scene or chapter I wrote to get me back into the story (editing as necessary) then write the next scene or chapter. 

 

How do you break down your story into scenes?

Instinct. 

 

 

 

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Did you enjoy writing the next Lucy Kincaid books, Storm Warning and Nothing to Hide?

I always love writing. I’m doing what I love. Even when I’m struggling with a story or a scene, I love it. Storm Warning was particularly fun because I knew it was going to be a novella and I could focus on one linear story. The benefit is that I don’t worry about sub-plots, and the story itself tends to be more fast-paced. This has been true for all the novellas I’ve written, so they’re a lot of fun to write. Nothing to Hide started with a solid premise — I wanted to call the book Two Lies and a Truth because each of the widows lied to Lucy about something and Sean’s son Jesse lied to him about something. The book is really about the lies we tell to protect others, and the lies we tell to protect ourselves. 

Anyway, by the end of the book I loved the way it turned out, though I’ll admit at the beginning of the third act I had no idea how I was going to catch the killer (though by that point I knew who it was. And no, I didn’t know when I first started writing who was guilty!)

 

 

 

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How are these two stories related to one another?

They really aren’t, other than sharing the main characters. In fact, Storm Warning more directly relates to the upcoming Lucy Kincaid book Cut and Run. The novella was set against the backdrop of a storm and flooding outside San Antonio. In the beginning of Cut and Run which takes place two months later, Lucy’s team identifies four bodies that had been uncovered in a mass grave after the flood waters passed. Nothing to Hide takes place between those two stories.

 

 

 

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How does Lucy’s background in psychology help her solve cases?

Criminal psychology has always fascinated me, and I’ve read a lot of books about the subject, as well as true crime. Psychology is a tool that can be learned, but mostly it’s a tool that many cops use based solely on experience. So to me, Lucy has the best of both worlds—she’s been trained in criminal psychology, and she has a lot of experience both before and after she became an FBI agent. Now that she has nearly two years under her belt as an agent, she has more confidence in her abilities, but she still calls in those who have more experience to help—as any good investigator will do. 

 

 

 

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What dilemma is she facing trying to solve the crimes in Nothing to Hide?

The biggest problem with this case is that there is no apparent motive. The victims are very loosely connected (all married men under forty, all driving home alone at night, all killed by the side of the road when they exited their vehicle for no known reason.) But the men didn’t know each other; no one in their circles knew each other. They were of different races and socio-economic status. They had different family structures. The attack itself was quick but not painless, and as Lucy and her partner quickly learn, each injury was specific. The lack of motive for these crimes is what is keeping Lucy from solving it quickly—plus, there is little forensic evidence. If the crimes are truly random, Lucy recognizes that they won’t be able to solve the murders until the killer slips up and there’s a witness or physical evidence left behind. And so far, nothing. 

As an aside, I wrote the killer so smart that even I had a hard time figuring out how to solve the crimes! I went back to a statement made by retired cop Lee Lofland in one of his blogs: every contact leaves a trace. That means that the killer had to have left something behind, even if they don’t know what it is. So they go back and look more carefully at each crime scene. And while the evidence they do find doesn’t give them enough to find the killer, it does give them a direction to pursue.

 

 

 

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New York Times and USA Today bestselling author Allison Brennan believes that life is too short to be bored, so she had five children and writes three books a year.

Allison has penned more than two dozen thrillers and many short stories. RT Book Reviews calls Allison “a master of suspense” and her books “haunting,” “mesmerizing,” “pulse-pounding” and “emotionally complex.” RT also said that “The Lucy Kincaid/Sean Rogan books are getting better and better!”

COLD SNAP, was a finalist for Best Thriller in the Thriller Awards (ITW) and FEAR NO EVIL (2007) and COMPULSION (2015) won the Daphne du Maurier award. Allison has been nominated multiple times for RWA’s Best Romantic Suspense award, and the Kiss of Death’s Daphne award.

Allison lives in Northern California with her husband, five children, and assorted pets. Her current release is STORM WARNING: A Lucy Kincaid Novella, and NOTHING TO HIDE Lucy Kincaid #14 Available now.

 

www.allisonbrennan.com

 

 

 

 

Book Review: Eye For Eye by J.K. Franko

 

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Book 1 of the Talion Series

 

 

 

 

“NEW TWIST ON STRANGERS ON A TRAIN” – THE SUNDAY TIMES 

When I first met Susie, she appeared to be a normal, happily-married woman dealing with tragedy.

Then, I uncovered her secrets. While I could understand everything that she’d done, I could never approve.

But, knowing what she was capable of, it became clear that if I was going to survive her, I had to play by her rules.

And, the first and most important rule is… leave no singing bones.

 

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A gripping crime, nail biting suspense, stellar plot twists…

 

 

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This book kept getting better and better as I kept reading. A couple with an interesting past, to say the least, gets caught up in a GRIPPING crime. A mother, father consumed by grief. The thirst for revenge grows stronger, the lies run deeper, and the deception even more sinister. Great suspense with major plot twists! Author J.K. Franko does an excellent job detailing each character with dark, twisted motivations. Realistic and chilling, Eye for Eye kept me on the edge of my seat!

 

 

 

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J.K. Franko was born and raised in Texas at a time when what he really wanted to do in life – writing and film – were not considered legitimate jobs. His Cuban-American parents believed there were only three acceptable career paths for a male child: doctor, lawyer, and architect.

After a disastrous first year of college pre-Med, he ended up getting a BA in philosophy (not acceptable), then he went to law school (salvaging the family name).

Franko was on law journal. His work was cited by courts, and he was recognized on the National Law Journal’s “Worth Reading” list – which for law is the equivalent to a top review in the New York Times.

While moving up the big law firm ladder, Franko also published a non-fiction book and a number of articles.

After ten years as a lawyer, he decided that law and family life weren’t compatible. He decided to go back to school where he got an MBA, and later pursued a PhD, crossing the line from well-educated to over-educated around the turn of the century.

He left law for corporate America, with long stints working in Europe and Asia.

It was his wife who pushed him to write novels. And, after thousands of hours writing, and seven or eight literary miscarriages over the course of eighteen years, he completed his first book, finally launching his career as a writer of fiction.

Ironically, although he started writing fiction before any of his three children were born, they were all old enough to see and remember their father’s first book launch.

J.K. Franko now lives with his wife and children in South Florida with their four dogs and one cat.

 

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Historical Mysteries with Author L. A. Chandlar

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About L.A.  Chandlar

LA CHANDLAR is a 2019 Agatha nominated, National Best Selling author with Kensington Publishing. Her debut novel, The Silver Gun – Book One in the Art Deco Mystery Series debuted in 2017. The Gold Pawn (Best Historical Agatha Nominated) released 2019, and Book 3, The Pearl Dagger, releases August 2019. Laurie takes a fresh look at the innovative and artful side of 1930s New York City and features Mayor Fiorello La Guardia. Laurie lives in New York City with her family.

 

 

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Interview

 

What do you enjoy most about writing historical mysteries?

  •       I love bringing into play a larger picture of the culture or the era. I feel like we learn about history in pockets and it’s so fun to learn about what was going on at the same time. For instance, we all know about the famous crash of the Hindenburg, but most of us don’t know it was tooling around back and forth across the Atlantic frequently. So it was a part of the New York City skies quite a lot. It’s also why I love to bring in cameo appearances of famous people, often before they were household names.

 

 

How long did it take you to write your first book?

  •       The first one was hard to figure out timing. I got the idea for the series right after I moved to New York City and we decided to start having children. Needless to say, I had a hard time carving out the hours to write. But I could read, so for a long time, I immersed myself in 1930s history and biographies of Fiorello La Guardia. By the time I figured out how writing works for me personally, because we are all unique and there’s no formula, then it went fast because I’d developed so much. It took about six months to write the first draft of The Silver Gun (of course that was after about seven years of research! Lol).   

 

 

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Describe the historical background of New York during your story.

  •       What I love most about this series, is the fact that often the 1930s is overshadowed by the Depression, and I show a different side. People automatically think soup lines and shanty towns. But despite all that, the thirties was a vibrant time full of innovation, women’s rights, art, humor… In some ways I feel like the 1920s and 30s were more modern and more like today than the 1940s and 50s. I think we regressed in some ways. Women were rising to prominent positions in the workplace before World War II and the lively spirit of Mayor La Guardia is inspiring. And funny! The humor of the time and of the mayor specifically is what I really love. So my protagonist is the top aide of the mayor’s, and through the story and through her perspective, I try to exemplify those qualities that I think our time has forgotten. The art and architecture of the time was vibrant and engaging, the cocktails were numerous and freeing right after Prohibition ended, and the era was smack dab in the middle of the two world wars. Yet, the beauty even in the midst of adversity was staggering. I think that’s why most people know what Art Deco is. For those two short decades, the art was distinctive and memorable.

 

 

 

 

 

Why are they called the Art Deco mysteries?

  •       Well of course they take place during the Art Deco era, and those words “Art Deco Mysteries” evokes that exact time frame. But it was also suitable because I wanted to show the vibrancy of art in that era (and in general). I have a piece of art in the background of each story that comes alongside a character as they navigate the mystery. I love those deeper levels, and I choose things that are rather unknown, or seen in a unique way. In The Silver Gun, Lane Sanders, the protagonist, comes across an old artist’s journal. The artist is a household name today, but then was not. In The Gold Pawn, Lane and later a villain, come across a famous classic novel that everyone knows but surprisingly few have actually read. And in The Pearl Dagger is my absolute favorite! In 1936 Orson Welles as part of the Federal Works Project, creates the first all-black theater cast and they perform Macbeth. They set the eerie play with a jungle and skeleton-esque stage. It was called Voodoo Macbeth. It was wildly successful, sold out ten weeks in a row and toured the country. I would do anything to go back in time to see it first-hand.

 

 

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Who is Lane Sanders and what is she struggling with during The Gold Pawn?

  •       Lane Sanders is the aide to the ninety-ninth mayor of New York City, Mayor Fiorello LaGuardia. In The Silver Gun, Lane realizes that her own history is full of questions and secrets. So in The Gold Pawn she has to face the ghosts of her past and wrestle with not only the dark parts of her family history, but the darkness within herself. An actual gold pawn is the death card of a famous crime network boss and the entire book is about that pawn as they unravel the mystery to discover not just what that pawn means, but who is the player and who is the pawn.

 

 

 

 

 

What’s her occupation and what was it like in the 1930’s?

  •       As aide to the mayor, she handles secretarial duties, press releases and is generally a sounding board to the mayor. Lane was raised by her aunt, an artist and philanthropist. So her upbringing makes her more worldly and ahead of her time, but like the artists were in the Belle Époque era and in the Village downtown in the twenties and thirties. So Lane is more progressive than many women then in some ways, but I portrayed her as someone whom Gertrude Stein or Dorothy Parker would have raised. She does face in the office some fanny pats and degrading things of that sort, that I remember my mother and her friends having to face. In fact there’s a scene where Lane takes one of the handsy guys to task, and the setting was from a story my mom told me, but Lane’s reaction is what many of us women are prepared to do in the subway now. Let’s just say she utilizes those high heels of hers very well. Lane also sees herself as a self-proclaimed investigative reporter. And everything she does on a day to day basis in the stories is often accurate from articles about the mayor’s office and the fact that none of the reporters could keep up with him. There are so many articles that proclaim the insufficient number of adjectives and storm superlatives to describe Fiorello.

 

 

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What’s a typical writing day like for you?

  •       Right now I do most of my writing in the mornings after my kids go to school. The first book was writing primarily at night after everyone else went to bed. I think writers need to continually flex with what works in different seasons. I had a harder year with the death of my father, and honestly, I was exhausted physically and emotionally. And yet, you still have to work, you still have to feed the kids, pay the bills… But my regular routines just didn’t work. I ended switching around the day and had an hour or so here or there to literally do nothing. I could watch TV or nap or whatever. Because if I didn’t do that, the rest of my time was fruitless.

 

 

What role does the setting play in the Art Deco mysteries?

  •       The setting is mainly New York City and Lane adores the city. It becomes another character. And the setting is what makes the story a world. I love it when I read a book and when I’m finished, I miss that world. A book can have an excellent plot, but if I don’t miss the world, I probably won’t read it again. So I hope that the city and its spontaneous capacity for beauty and excitement, along with Lane’s family life with her Aunt Evelyn, really make people enjoy diving into the books.

 

 

How’s the writing going for the Pearl Dagger?

  •       It’s great! It releases August 27th and I just finished up the last edits.

 

 

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What can you tell us about the plot and the crime syndicate?

  •       At the end of The Gold Pawn, it is revealed who is behind the major crime syndicate. But at the beginning of The Pearl Dagger, the main characters don’t know yet. So it created a very fun writing situation wherein the reader is more informed than the characters. And you have to take into consideration readers who have not read the prior books. You absolutely can read The Pearl Dagger on its own. But if you’re a series lover,  you’d probably enjoy the series more from starting at the beginning. In this book, a pinball gambling racket claims the life of friend and a new ring-leader of the syndicate rises to power. Spurred on by the possibility of the crime network spreading through Europe, Lane and Detective Finn Brodie head to London where not only do they hunt down the intentions of the new crime boss, but Finn has to face the ghosts of his own past that threaten to cripple not only the investigation, but his life and Lane’s.

 

 

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Art Deco Mysteries

The Silver Gun

The Gold Pawn

The Pearl Dagger

 

 

 

 

Mike Papantonio Discusses His New Legal Thriller Law and Addiction

 

 

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Author Interview 

 

*What’s the connection between Jake Rutledge and Nicholas “Deke” Deketomis?

Jake is a brand-new lawyer, a recent law school graduate.  His brother has just died of on opioid overdose, and when Jake returns to his West Virginia hometown of Oakley, he discovers that opioid addiction has devastated the community.  This is what drives him to take on the country’s pharmaceutical companies – to hold them accountable for this widespread opioid abuse. Jake realizes that if he wants to succeed, he needs a seasoned pro — like Nicholas “Deke” Deketomis – on his side.  Deke is a partner at one of the country’s most powerful law firms, and is well-known for his winning tactics against corporate wrong-doers.  Jake coaxes Deke to visit Oakley to see first-hand why the once thriving town is now called Zombieland. Deke is overwhelmed by the devastation and agrees to join forces with Jake.

 

 

 

 

 

*Why is Deke reluctant to take the case from Jake?

Deke has more work than he can handle, but Jake reminds him of what it was like to be a young trial lawyer on a mission.  Deke has gone up against Big Tobacco, and nothing since has motivated him as much as this opioid case. It the same kind of life-and-death consequences.

 

*What’s Jake’s initial strategy against the Big Pharma companies?

Initially, Jake wanted to bring a case in state court on behalf of the individuals addicted to opioids.

 

 

big pharma, 3D rendering, triple flags

 

 

 

*What can you tell us about Deke’s legal strategy against Big Pharma?

Deke’s strategy is to represent counties that have suffered financial losses due to opioid addiction.  He personalized the deaths, beyond the numbers, by displaying photographs of 117 people who died in a single day because of opioids.  And he presents a series of maps, beginning in 1999 showing drug poisoning mortality data in the country, with death rate going from dark blue to dark red.  With each passing year, the complexion of the map changes, with more and more red popping up – as if the graphics were bleeding out for all to see. Deke then demonstrates precisely how Big Pharma brought about this massive abuse of opioids.

 

 

light bulb strategy

 

 

 

*What interesting facts did you learn while researching for Law & Addiction?

When I was first approached about representing plaintiffs in an action against the major corporate opioid distributors, I knew little about the opioid epidemic.  As I write these words, somewhere in America an individual is dying of a drug overdose. During the next twenty-four hours, there will be at least 115 deaths from the same cause. In 2017, more than 72,000 people in the United States died of a drug overdose. To put that in perspective, during our seventeen-year involvement in the Vietnam War, there was a total of 58,220 American casualties.

The more I discovered, the more outraged I became. The opioid crisis didn’t occur as some kind of happenstance, but as a direct result of corporate greed. My legal team has documented these claims . . . and more. We have roomfuls of paperwork showing that these distributors knowingly and willfully opened Pandora’s Box, and the evils and misery that sprang out of that box are still plaguing our society.

My hope in writing this fictional account was to both edify and entertain. I wanted to provide readers with a front-row account of this epidemic, but not bludgeon them in the process. While I didn’t try to gloss over the human suffering, I still remain a believer in the power of the human spirit to prevail. At the same time, I am hopeful about getting meaningful justice out of this terrible and sad epidemic caused by corporate greed. I hope this novel does spark outrage in readers. As a nation, we need to be outraged.

 

 

 

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One week before Jake Rutledge is scheduled to graduate from law school, he receives the devastating news of the death of his fraternal twin, Blake. What makes this death even more terrible for Jake is that his brother died of a drug overdose. Until hearing of his death, Jake had no idea his brother was even using drugs.

When Jake returns home to Oakley, West Virginia, he takes a hard look at the circumstances of his brother’s death. In the five years Jake has been away for his schooling, his hometown has drastically changed. Because of the opioid epidemic, and the blight it has brought, many now call Oakley Zombieland. Jake can see how his town’s demise parallels his brother’s.

Undeterred, the newly minted lawyer takes on the entrenched powers by filing two lawsuits. Jake quickly learns what happens when you upset a hornet’s nest. The young attorney might be wet behind the ears, but is sure there is no lawyer that could help him more than Nick Deke Deketomis and his law firm of Bergman/Deketomis. Deke is a legendary lawyer. When he was Jake’s age he was making his name fighting Big Tobacco. Against all odds, Jake gets Nick and his firm to sign on to his case before it’s too late.

 

Amazon | Goodreads | B&N | Audible

 

 

Publishers Weekly Book Review: Law and Addiction by Mike Papantonio

Kirkus Book Reviews: Law and Addiction by Mike Papantonio

 

Mike Papantonio image

 

Mike Papantonio is a senior partner of Levin Papantonio, one of the largest plaintiffs’ law firms in America, that has handled thousands of cases throughout the nation involving pharmaceutical drug litigation, Florida tobacco litigation, litigation for asbestos-related health damage, securities fraud actions, and other mass tort cases. “Pap” has received dozens of multimillion dollar verdicts on behalf of victims of corporate corruption.

Papantonio is one of the youngest attorneys to have been inducted into the Trial Lawyer Hall of Fame. In 2012 Papantonio became President of the National Trial Lawyers Association, one of the largest trial lawyer organizations in America. For his trial work on behalf of consumers, Papantonio has received some of the most prestigious awards reserved by the Public Justice Foundation, The American Association for Justice, and the National Trial Lawyers Association.

Papantonio is an author of four motivational books for lawyers. He is also co-author of Air America: The Playbook, a New York Times Political Best Seller.

Papantonio is the host of the nationally syndicated radio show “Ring of Fire” along with Robert F. Kennedy, Jr., and Sam Seder. Papantonio has conducted hundreds of recorded interviews with guests, including Dan Rather, Helen Thomas, Howard Zinn, Arianna Huffington, Mary Chapin Carpenter, Bernie Sanders, David Crosby, Merle Haggard, Morgan Spurlock, John Edwards, Bill Moyers, Rickie Lee Jones, Alanis Morissette, Pete Seeger, Jackson Browne, Chuck D from Public Enemy, Henry Rollins, Ted Sorensen, and Elizabeth Kucinich. His role on “Ring of Fire” is featured in the movie, “Jesus Camp,” which was nominated for the 2007 Academy Award for Documentary Feature.

Papantonio is also a political commentator who frequently appears on MSNBC, Free Speech TV, RT America Network, and Fox News.

Papantonio is married and has one daughter. He is an avid scuba diver and often dives on the Emerald Coast.

 

www.mikepapantonio.com