Forever and a Day: A James Bond Novel Review by Spybrary Podcast

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Forever and a Day: A James Bond Novel

 

A spy is dead. A legend is born. This is how it all began. The explosive prequel to Casino Royale, from bestselling author Anthony Horowitz.

 

 

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Forever and a Day is the story of the birth of a legend, in the brutal underworld of the French Riviera, taking readers into the very beginning of James Bond’s illustrious career and the formation of his identity.

 

***

M laid down his pipe and stared at it tetchily. “We have no choice. We’re just going to bring forward this other chap you’ve been preparing. But you didn’t tell me his name.”

“‘It’s Bond, sir,’” the Chief of Staff replied. “James Bond.”

The sea keeps its secrets. But not this time.

One body. Three bullets. 007 floats in the waters of Marseille, killed by an unknown hand.

It’s time for a new agent to step up. Time for a new weapon in the war against organized crime.

It’s time for James Bond to earn his license to kill.

 

Amazon | Goodreads

 

 

47 – Forever and a Day Review -Round Table

 

This Podcast originally appears on spybrary.com June 16th Duration: 1 hr 5 min.

 

 

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Anthony Horowitz’s life might have been copied from the pages of Charles Dickens or the Brothers Grimm. Born in 1956 in Stanmore, Middlesex, to a family of wealth and status, Anthony was raised by nannies, surrounded by servants and chauffeurs. His father, a wealthy businessman, was, says Mr. Horowitz, “a fixer for Harold Wilson.” What that means exactly is unclear — “My father was a very secretive man,” he says– so an aura of suspicion and mystery surrounds both the word and the man. As unlikely as it might seem, Anthony’s father, threatened with bankruptcy, withdrew all of his money from Swiss bank accounts in Zurich and deposited it in another account under a false name and then promptly died. His mother searched unsuccessfully for years in attempt to find the money, but it was never found. That too shaped Anthony’s view of things. Today he says, “I think the only thing to do with money is spend it.” His mother, whom he adored, eccentrically gave him a human skull for his 13th birthday. His grandmother, another Dickensian character, was mean-spirited and malevolent, a destructive force in his life. She was, he says, “a truly evil person”, his first and worst arch villain. “My sister and I danced on her grave when she died,” he now recalls.

A miserably unhappy and overweight child, Anthony had nowhere to turn for solace. “Family meals,” he recalls, “had calories running into the thousands&. I was an astoundingly large, round child&.” At the age of eight he was sent off to boarding school, a standard practice of the times and class in which he was raised. While being away from home came as an enormous relief, the school itself, Orley Farm, was a grand guignol horror with a headmaster who flogged the boys till they bled. “Once the headmaster told me to stand up in assembly and in front of the whole school said, ‘This boy is so stupid he will not be coming to Christmas games tomorrow.’ I have never totally recovered.” To relieve his misery and that of the other boys, he not unsurprisingly made up tales of astounding revenge and retribution.

Anthony Horowitz is perhaps the busiest writer in England. He has been writing since the age of eight, and professionally since the age of twenty. He writes in a comfortable shed in his garden for up to ten hours per day. In addition to the highly successful Alex Rider books, he has also written episodes of several popular TV crime series, including Poirot, Murder in Mind, Midsomer Murders and Murder Most Horrid. He has written a television series Foyle’s War, which recently aired in the United States, and he has written the libretto of a Broadway musical adapted from Dr. Seuss’s book, The 5,000 Fingers of Dr. T. His film script The Gathering has just finished production. And, oh yes there are more Alex Rider novels in the works. Anthony has also written the Diamond Brothers series.

 

Website | Goodreads | Amazon

 

 

 

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