Bookstagrammer Wonderchick40 on Summer Blockbuster King of Ashes by S.A. Cosby

So I did a short interview with Bookstagrammer, Laura aka @wonderchick40 on her experience reading S.A. Cosby’s summer blockbuster King of Ashes to get her response. If you are unfamiliar with her–she’s what I call The Book Beast, because she reads a couple hundred books a year on a regular basis. Every now and then I’ll check in to see what’s she’s been reading. Here’s what she said…


1.   Did you read the paperback or audiobook KING OF ASHES? 

I alternated between the physical and audiobook but his audiobooks are always phenomenal because the narrator nails the vibe!

2.  What stood out to you the most about this book?

Just the pure grit of this story. It’s a true original storyline and was dirt and grit.

3.  Favorite characters?

Roman (the main character) was my favorite. He was a total badass and evolved so much in the story.

4.  What impresses you the most about S.A. Cosby’s writing?

Cosby’s writing is like sitting down with an old southern gentleman and having him tell you a story. From the first book I read of his, I understood the hype immediately.

5.  Are you hoping for a sequel or the beginning of a new series?

Basically I would read his grocery list because I’m a serious fan. Anything he writes amazes me.



INSTANT NEW YORK TIMES BESTSELLER

“Propulsive and powerful. . . A gripping roller coaster ride of escalating danger.” New York Times Book Review
“Pick up the novel everyone will be talking about.” —The Atlantic
“Dark, riveting, and accomplished.” 
—Washington Post

Award-winning, New York Times bestselling author S. A. Cosby returns with King of Ashes, a Godfather-inspired Southern crime epic and dazzling family drama.

When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger.

Roman, a financial whiz with a head for numbers and a talent for making his clients rich, has some money to help buy his brother out of trouble. But in his work with wannabe tough guys, he’s forgotten that there are real gangsters out there. As his bargaining chips go up in smoke, Roman realizes that he has only one thing left to offer to save his brother: himself, and his own particular set of skills.

Roman begins his work for the criminals while Neveah tries to uncover the long-ago mystery of what happened to their mother, who disappeared when they were teenagers. But Roman is far less of a pushover than the gangsters realize. He is willing to do anything to save his family. Anything.

Because everything burns.

Amazon | Audible


You can find Laura on Instagram under the handle @wonderchick40 to see her wonderful posts! 


The Writer’s Digest Podcast: Old and New Technology with Elizabeth Sims

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The Writer’s Digest Podcast with Gabriela Pereira

 

Episode 11: Writing Technology Old and New with Crime and Mystery writer Elizabeth Sims

 

 

This podcast originally appears on Writer’s Digest December 7, 2018. Duration: 51 min.

 

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Photo credit: Thomas Bender

 

Elizabeth Sims is an American author and writing authority. Her novels include the Lambda Award-winning Lillian Byrd crime series and the Rita Farmer mystery series, and she writes frequently for Writer’s Digest magazine, where she is a Contributing Editor.

Booklist calls her work “crime fiction as smart as it is compelling,” and Crimespree magazine praises her “strong voice and wonderful characters.”
Are you a writer too—or would you like to be one? If so, you might find inspiration in Elizabeth’s book You’ve Got a Book in You: A Stress-Free Guide to Writing the Book of Your Dreams, published by Writer’s Digest Books.

Elizabeth earned degrees in English from Michigan State University and Wayne State University, where she won the Tompkins Award for graduate fiction. She has worked as a reporter, editor, photographer, technical writer, bookseller, street busker, ranch hand, corporate executive, and symphonic percussionist. Elizabeth belongs to several literary societies as well as American Mensa.

To learn more about her and to view a full list of her available works, including free excerpts and book discussion guides, visit www.elizabethsims.com
There you can get in touch and / or join her newsgroup.

 

Writer’s Digest | Elizabeth Sims

 

 

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Alan Peterson Interviews Author Peter May

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Introducing MEET THE THRILLER AUTHOR PODCAST with host Alan Peterson

 

 

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Alan Peterson is a thriller writer and author of the Pete Maddox thrillers:  The Asset, She’s Gone, Odd Jobs.

Bio

I was born in San Jose, Costa Rica, and I grew up there and in Caracas, Venezuela. I write thrillers set in Latin America.

I came to the United States (Minnesota) to go to college. I married my college sweetheart, and I’ve been living in the U.S. since.

In 2010 we moved from Minnesota to California. We were happy to trade Minnesota winters for Northern California fog.

I live with my wife, Jennifer, and our three little dogs (King Charles Cavalier, Havanese, and Japanese Chin) on a quintessential San Francisco city street with a 17% steep grade.

 

Alan also has a great podcast…

 

Interview with multi-award winning author Peter May

 

This podcast originally appears on www.thrillingreads.com Jan.9, 2019. Duration: 50 min.

 

 

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Peter May is the multi award-winning author of:

– the award-winning Lewis Trilogy set in the Outer Hebrides of Scotland;
– the China Thrillers, featuring Beijing detective Li Yan and American forensic pathologist Margaret Campbell;
– the Enzo Files, featuring Scottish forensic scientist Enzo MacLeod, which is set in France. The sixth and final Enzo book is Cast Iron (UK January 2017, Riverrun).

He has also written several standalone books:
– I’ll Keep You Safe (January 2018, Riverrun)
– Entry Island (January 2014, Quercus UK)
– Runaway (January 2015, Quercus UK)
– Coffin Road (January 2016, Riverrun)

He has also had a successful career as a television writer, creator, and producer.

One of Scotland’s most prolific television dramatists, he garnered more than 1000 credits in 15 years as scriptwriter and script editor on prime-time British television drama. He is the creator of three major television drama series and presided over two of the highest-rated serials in his homeland before quitting television to concentrate on his first love, writing novels.

Born and raised in Scotland he lives in France.

After being turned down by all the major UK publishers, the first of the The Lewis Trilogy – The Blackhouse – was published in France as L’Ile des Chasseurs d’Oiseaux where it was hailed as “a masterpiece” by the French national newspaper L’Humanité. His novels have a large following in France. The trilogy has won several French literature awards, including one of the world’s largest adjudicated readers awards, the Prix Cezam.

The Blackhouse was published in English by the award-winning Quercus (a relatively young publishing house which did not exist when the book was first presented to British publishers). It went on to become an international best seller, and was shortlisted for both Barry Award and Macavity Award when it was published in the USA.

The Blackhouse won the US Barry Award for Best Mystery Novel at Bouchercon in Albany NY, in 2013.

 

Website | Amazon | Goodreads

 

 

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Available for Pre-order now out March 5, 2019.

 

 

 

 

Forever and a Day: A James Bond Novel Review by Spybrary Podcast

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Forever and a Day: A James Bond Novel

 

A spy is dead. A legend is born. This is how it all began. The explosive prequel to Casino Royale, from bestselling author Anthony Horowitz.

 

 

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Forever and a Day is the story of the birth of a legend, in the brutal underworld of the French Riviera, taking readers into the very beginning of James Bond’s illustrious career and the formation of his identity.

 

***

M laid down his pipe and stared at it tetchily. “We have no choice. We’re just going to bring forward this other chap you’ve been preparing. But you didn’t tell me his name.”

“‘It’s Bond, sir,’” the Chief of Staff replied. “James Bond.”

The sea keeps its secrets. But not this time.

One body. Three bullets. 007 floats in the waters of Marseille, killed by an unknown hand.

It’s time for a new agent to step up. Time for a new weapon in the war against organized crime.

It’s time for James Bond to earn his license to kill.

 

Amazon | Goodreads

 

 

47 – Forever and a Day Review -Round Table

 

This Podcast originally appears on spybrary.com June 16th Duration: 1 hr 5 min.

 

 

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Anthony Horowitz’s life might have been copied from the pages of Charles Dickens or the Brothers Grimm. Born in 1956 in Stanmore, Middlesex, to a family of wealth and status, Anthony was raised by nannies, surrounded by servants and chauffeurs. His father, a wealthy businessman, was, says Mr. Horowitz, “a fixer for Harold Wilson.” What that means exactly is unclear — “My father was a very secretive man,” he says– so an aura of suspicion and mystery surrounds both the word and the man. As unlikely as it might seem, Anthony’s father, threatened with bankruptcy, withdrew all of his money from Swiss bank accounts in Zurich and deposited it in another account under a false name and then promptly died. His mother searched unsuccessfully for years in attempt to find the money, but it was never found. That too shaped Anthony’s view of things. Today he says, “I think the only thing to do with money is spend it.” His mother, whom he adored, eccentrically gave him a human skull for his 13th birthday. His grandmother, another Dickensian character, was mean-spirited and malevolent, a destructive force in his life. She was, he says, “a truly evil person”, his first and worst arch villain. “My sister and I danced on her grave when she died,” he now recalls.

A miserably unhappy and overweight child, Anthony had nowhere to turn for solace. “Family meals,” he recalls, “had calories running into the thousands&. I was an astoundingly large, round child&.” At the age of eight he was sent off to boarding school, a standard practice of the times and class in which he was raised. While being away from home came as an enormous relief, the school itself, Orley Farm, was a grand guignol horror with a headmaster who flogged the boys till they bled. “Once the headmaster told me to stand up in assembly and in front of the whole school said, ‘This boy is so stupid he will not be coming to Christmas games tomorrow.’ I have never totally recovered.” To relieve his misery and that of the other boys, he not unsurprisingly made up tales of astounding revenge and retribution.

Anthony Horowitz is perhaps the busiest writer in England. He has been writing since the age of eight, and professionally since the age of twenty. He writes in a comfortable shed in his garden for up to ten hours per day. In addition to the highly successful Alex Rider books, he has also written episodes of several popular TV crime series, including Poirot, Murder in Mind, Midsomer Murders and Murder Most Horrid. He has written a television series Foyle’s War, which recently aired in the United States, and he has written the libretto of a Broadway musical adapted from Dr. Seuss’s book, The 5,000 Fingers of Dr. T. His film script The Gathering has just finished production. And, oh yes there are more Alex Rider novels in the works. Anthony has also written the Diamond Brothers series.

 

Website | Goodreads | Amazon

 

 

 

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ThrillerFest 2018 Part 2 via Mark Dawson

News

 

 

 

 

 

Highlights per Mark Dawson:

Mike Lewis on building relationships at conferences, Jon Land on picking up the Murder She Wrote franchise — Bringing Jessica Fletcher into the present day, The advantages to readers when authors have choices about how to publish, Lynda La Plante on doing research for her novels, The inspirational female police officer behind Prime Suspect, The luck and skill involved in Lynda’s writing career, Resources mentioned in this episode: Karen’s marketing book for authors of children’s books.

 

Sneak Peek of ThrillerFest 2018 via Mark Dawson

Thrillerwriters.org

ITW Facebook Organization

 

 

 

 

How To Get Your Book Into Schools And Double Your Income With Volume Sales With Dave Hendrickson

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Link to full transcript

 

 

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Amazon | Goodreads

 

Have you ever dreamed of an entire school reading your book?

 
Would you like to double (or more!) your writing income?

 
This book shows you how.

 

Drawing from his own first-hand experience, David H. Hendrickson leads you through every step of the process. He highlights the critical pitfalls to avoid, and points out ways to maximize your profit when a school adopts your book.

With advice and insights that are adaptable to getting your book in front of audiences ranging from middle grade to high school to college, and even to corporations, this book is for you!

 
“If you have a book you want to get into K-12 schools and sell in the thousands,
you MUST read this book.”
—Maggie Lynch, bestselling author, Career Author Secrets series

 

www.hendricksonwriter.com

 

 

Getting to Know Author Cameron Poe

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Cameron Poe (Barry Cameron Lindemann) is a student of classic literature. He earned his undergraduate degree from Saint John’s University in Collegeville, Minnesota, and his MBA from Pepperdine University in Malibu, California. He is an observer of politics and the interplay between nation states. He has a keen interest in structural and mechanical engineering. He has three sons and resides in Las Vegas where he manages real estate portfolio financing.

 

 

 

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The most sought after commodity in the world is power, and when money is no object, power is up for grabs. Desiring autonomy, one small nation develops an unlikely plan to procure a nuclear-powered submarine. If all goes as intended, the Middle East will destabilize and the OPEC Alliance will crumble. Yet as money might buy power, there’s no guarantee that it buys loyalty. So when the submarine breaks the ocean surface it doesn’t travel to the Middle East, it sails for Russia, in an attempt to return the nation to its Soviet roots.

Alerted to the possibility of the theft of a Russian sub, the CIA must foil the plan for acquisition without alarming the rest of the world. A step behind and suffering from department infighting, the CIA watches in disbelief as the single most powerful weapon in the world rises from the ocean floor. It doesn’t take long for them to realize that the commander of the vessel has no intention of honoring his contract.

Scrambling to prevent a world-wide disaster, CIA operatives in coordination with the US Navy launch a daring and risky plan to quietly thwart a rogue submarine captain before he can obliterate Moscow and take control of the country. Those who volunteer for this mission risk their lives. Those who don’t risk the safety of the entire world.

 

 

 

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GETTING TO KNOW AUTHOR CAMERON POE

 

What was your journey like becoming a writer?

Very long! Most people talk about writing a book, but doing the first one takes forever. Approximately 25 years because back in the day you had to beg people to read it, and if they liked it then maybe they would talk to you about publishing. Needless to say, it was written and then collected a lot of dust.

 

 

What are your favorite pieces of classic literature?

The Homeric tales, The Iliad and The Odyssey. I have an appreciation for Tolstoy, especially The Death of Ivan Ilyich. That being said Mary Shelley’s Frankenstein is always at the top of my list. The inverse would be Ulysses; not a fan of James Joyce and his supposed adaption.

 

 

Is Red Agenda your first novel?

Yes. The initial draft was back in the Clinton era. When editing and publishing became problematic (I couldn’t afford it) I shelved it. In late 2013 I resuscitated the book because the story still resonates today. All I did was upgrade the technology and lingo. It’s true, the more things change the more they stay the same. That being said I did write a screenplay (Supergrass, with co-writer Clem Connolly) and submitted it to Final Draft’s Screen Writers contest in 2007. Out of 3,200 submissions the screenplay place in the final 10. I heard later it was 6th. Still, it is Hollywood and no one had their story made.

 

 

 

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What were some major hurdles while learning to write?

Convincing myself that my writing style worked. I don’t like input until I have a finished draft. It was a big risk for me to write it (yes, no one saw it for 20 plus years), have it edited, and then wait and see what the reviews say. It is very gratifying to see the positive comments on the pace and style of the book.

 

 

What’s the difference between good writing and telling a good story?

I would think they are too similar to separate. Word usage is key. Good writing demands tactile expressions and good story telling also requires such. On some level your story telling has to engage your writing ability. You become laser focused and your story gushes through your repertoire of words, down to your fingertips, and spills onto the page

 

 

Take us through your plotting process for your book Red Agenda.

That is tough. I know I wanted a story where the Soviet Union rears it head, but I didn’t want it as simple as someone in the Russian government plotting the overthrow. I also like the confluence of unrelated events producing an outcome no one thinks about. The problem with that kind of plot is that it comes off as expansive with many character for the reader. So to keep them engaged you have to move the book fast to a point in the story where it all melds together. Then you can step off the gas and let them become engrossed. I also wanted to blow up a nuclear missile for grins. So I did.

 

 

 

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Do you take your ideas based on world events or create your own?

I base them in world events and then put an unusual twist on it. I would assume today that what we don’t know about our government is 10x more scarier than what we can think about.

 

 

Is there a central protagonist?

Yes. Nicholas Shaw. I don’t introduce him until a third of the way through because he needs something to rescue. He is loyal, flawed, and scared most of the time. Most of written American hero characters seem to be able to solve any problem, no sweat. I don’t want a McGyver for my protagonist. I want a guy who needs a shot of bourbon to calm his nerves later.

 

 

Are there any authors you model yourself after?

Cussler and Clancy. That is the fiction in which I will fit. I have never read a Vince Flynn novel but I might have smattering of him in my style too judging from reviews on his books.

 

 

What are you working on next?

I am keeping some of the characters in Red Agenda to continue into the next book. I am thinking about a platform from which they all work and solve pressing problems to the US and the world. The plot will be about rare earth metals and China’s (or some antagonist)  reason for purchasing all that is mined across the world. Am waiting for the antagonist to form. Title – Dyson Sphere. Which is a hypothetical megastructure that completely encompasses a star and captures a large percentage of its power output. Just kicking that around.

 

 

Amazon | Goodreads

 

 

 

 

Andy Siegel Discusses Justice & His Legal Thriller Series

 

©Michael Paras Photography (973) 476-3988

 

 

Andy Siegel maintains a special commitment to representing survivors of traumatic brain injury in his practice of law. He is on the Board of Directors of the New York State Trial Lawyers Association and of the Brain Injury Association of New York State. His many trial successes have regularly placed those outcomes among the “Top 100 Verdicts” reported in the state annually. A graduate of Tulane University and Brooklyn Law School, he now lives outside of the greater NYC area. 

 

Andy Siegel is also the author of several adventurous legal thrillers, three of which are newly released today.

 

 

NellyEltonJenna

 

 

 

A Time with the Author

 

 

In your bio you twice mention your “sense of justice.” What does that mean, and how does it affect your work as a lawyer and a novelist?

 

My sense of justice is an internal feeling I get when my hard-fought legal efforts have resulted in achieving an outcome I know to be more than fair and reasonable. And … the resolution leaves my client with an impression of satisfactory closure. As a novelist, I create good versus evil and/or David versus Goliath scenarios in my stories. So I believe a sense of justice is attained for my eponymous character when the readers find themselves viewing Tug Wyler as an ambulance chaser they can root for.

 

 

 

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What is the civil justice system?

The best and only game in town. Where people can come under one roof and address real grievances in a civilized way, judged by members of their own community. I’ve never considered any area of law other than personal injury, embracing the fact that the media likes to poke fun at guys like me. Any related scene you’ve ever viewed in a movie or on television will show a guy in a neck brace, representing a scammer of the system. I get it and appreciate its humor too. I mean, just look at the home page of my andysiegel.com website. It reads: “Finally, an ambulance chaser you can root for …”

 

But I specialize in injury cases involving traumatic brain insult. My commitment to these individuals extends beyond the courthouse walls, as I sit on the Board of Directors of the Brain Injury Association of New York State. I represent real people whose lives, and those of their families’ lives, have been tragically altered in a nanosecond of negligent conduct. I try to make life easier for those folks who—through no fault of their own face a future long in challenges. For some, that challenge is just getting out of bed in the morning.

 

 

You strike me as a natural storyteller. Name the similarities of trials, cases, and victims to storytelling.

Each has a beginning, middle, and an end. It’s that simple. But, if you’re going to be a storytelling novelist, you also need an audience. In court, my audience is captive, with a court officer keeping them in that jury box until their service is over.

 

 

 

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You stated “Justice is something you shouldn’t have to compete for, … but it is.” In light of this statement, what are the flaws of the adversarial nature of the justice system?

The flaws are not in the system per se but rather in the manner in which an injured individual selects and hires their lawyer. People spend hours and hours researching what car they’re going to buy, but that same person will hire any accident lawyer upon the recommendation of a friend—or even a friend of a friend—without doing any due diligence. The fact of the matter is, not every lawyer has the requisite knowledge and experience to handle cases of significant proportion. Especially when it comes to traumatic brain injury (TBI), an area I have a compassionate interest in.

And I’m not the “right guy” for every TBI survivor with a lawsuit. There has to be a particular connection between the attorney and the client in these matters for things to be holistic. For a greater understanding of the message I’m hoping to share here visit: http://tbihelpline.com/traumatic-brain-injury-lawyer-new-york/, which memorializes a lecture I gave at the annual conference of the Brain Injury Association of New York State called the“Dos and Don’ts of Hiring a TBI Lawyer.”

And what I mean by “justice is something you shouldn’t have to compete for” is that your case will only be as good as the lawyer you hire. If the other side has a better lawyer, then you may lose that competition for justice.

 

 

 

Who is Tug Wyler?

 

Part me, part my alter ego. But you knew that already. However, I live in the real world and not a fictional one, so I’m unable to follow Tug Wyler’s model as he goes about representing his clients in such an antic, creative, and risk-taking way.

 

 

What motivates him?

 

What keeps Tug digging deeper and deeper into the circumstances giving rise to his legal retention is his compulsion, like mine, to make the system work for the injured victim, an outcome the big insurance companies vigorously resist. Please remember, as I always do, that there’s no one type of victim. We’re all vulnerable.

 

 

 

 

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Do you have any other creative ideas for books besides the Tug Wyler series?

Easiest question of the bunch. No. Every single word in the Tug Wyler Mystery Series is derived from, inspired by, and influenced by each and every legal case I’ve handled over the years. I write from a true insider’s perspective. So, I’m not very confident that I could write an engaging book outside of this series. I have written a screenplay though …

 

 

 

 

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How did you go from “not knowing what you wanted to do” to Brooklyn Law School?

 

My college roommate made a very compelling argument in support, stating, “Hey, let’s go to law school. Let’s be lawyers, get a JD degree. Knowledge is power. Power is king, and we’ll command respect from our peers. Respect.”

Sounded good to me. My only plan at that moment was a decision whether to get a Domilise’s hot sausage po’boy or to go to the Camellia Grill for a piece of pecan pie. I recall being stretched out on our disgusting couch, sore from lacrosse practice, thinking how I needed to investigate this lawyer thing a bit more, already knowing exactly who I needed to speak to: my childhood next-door neighbor Jack B. Weinstein, Chief Judge of the United States District Court for the Eastern District of New York, appointed by President Lyndon Johnson.

As I grew up, Jack had taught me a lot of useful stuff over the years—how to change a flat tire on my bike, how to bait a hook and scale a fish, and how to use a lock wrench, among many other things. One day on college break, I walked down his driveway. He gave me his patented smile and said, “Back from New Orleans. Great, here.” He handed me a potato sack and a broomstick. Jack, for certain, was the only person in Great Neck, Long Island, who owned a potato sack.

Anyway, he led me to his fenced-in garden, which was on a narrow tract of land between the Long Island Sound and the Library Pond, where I asked what the sack and the stick were for. He responded with a pointed finger. What I saw was a gaggle of Canadian geese swimming in the Library Pond.

“And?” was my next question, which led to his second finger point. A gosling was stuck in his garden, trying to get out by repeatedly attempting to jump through one of the square openings in the wire fence. Unfortunately the little guy was too big to get through, and, with each jump, he scraped the top of his head on the wire, which wound was now bloody and deep. “Jack, why don’t I just pick him up and put him over?”

He responded, “Go stand in front of the fence, and, when I pick up that chick, you ward off mama goose with the stick and the sack.”

I gave him a curious look, which was met with a You’ll understand in a moment expression. The one thing I knew about Jack was that he was always right, so I didn’t question him and took my position.

Jack asked, “Ready?”I nodded, and, when he went to pick up the tiny frightened chick, it began squeaking some alarm call. This cry for help caused mama goose to take off like a high-powered fighter seaplane on a dive-bombing mission, flying straight at my head at forty miles per hour. Barely fending her off, I screamed, “What the fuck, Jack?” realizing I had just sworn at the highest and most prestigious federal judge in New York State. Turning back to him, I saw that little ball of fluff was in the exact same place it had been before the mom took her run at me. Unnerved, I asked, “What’s up?” Jack responded, “I couldn’t get a grip on him.” Now I’m not one to take issue with a famous federal judge—and famous he was—but I did strongly urge him to get a hold next round, which didn’t happen until after four more attempts and close encounters with a highly protective and dangerous mama goose.

Recovering from our confrontation, we found ourselves sitting on a bench, facing the Long Island Sound, next to his rowboat. Over the years, Jack and I had had several conversations on this bench, but this was the most important one. I said, “Jack, I’m thinking of going to law school. Why’d you go?”

He responded, “I didn’t know what to do next.” That was good enough for me. He added, “I’d be happy to write a recommendation but don’t apply to Columbia Law School.”

I said, “Thanks, but why not Columbia?” He didn’t hesitate. “Because you’ll get in, but you’re not qualified.” He of course was right again.

Long story short, my roommate didn’t show up for the LSAT test or apply to law school, but I owe him dearly for that “knowledge is power” speech, for that conversation propelled me to go to law school. I will add that I love what I do.

 

 

 

NellyEltonJenna

 

 

ANDY SIEGEL

Amazon | Twitter | Website | Facebook | Goodreads

Partners in Crime Podcast Hosts Crime Writer Angela Marsons

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Partners in Crime hosts speak with crime writer Angela Marsons about her bestselling DI Kim Stone novels.

 

 

 

This podcast originally appears on Podbean.com

April 27, 2018 Duration: 49 min.

 

 

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Angela Marsons is the author of the International Bestselling DI Kim Stone series and her books have sold more than 2 million in 2 years.

She lives in the Black Country with her partner, their cheeky Golden Retriever and a swearing parrot.

She first discovered her love of writing at Junior School when actual lessons came second to watching other people and quietly making up her own stories about them. Her report card invariably read “Angela would do well if she minded her own business as well as she minds other people’s”.

After years of writing relationship based stories (The Forgotten Woman and Dear Mother) Angela turned to Crime, fictionally speaking of course, and developed a character that refused to go away.

She is signed to Bookouture.com for a total of 16 books in the Kim Stone series and her books have been translated into more than 27 languages.

Her last three books – Blood Lines, Dead Souls and Broken Bones reached the #1 spot on Amazon on pre-orders alone.

How far would you go to protect your darkest secrets?

When teenager Sadie Winter jumps from the roof of her school, her death is ruled as suicide – a final devastating act from a troubled girl. But then the broken body of a young boy is discovered at the same school and it’s clear to Detective Kim Stone that these deaths are not tragic accidents.

As Kim and her team begin to unravel a dark web of secrets, one of the teachers could hold the key to the truth. Yet just as she is about to break her silence, she is found dead.

With more children’s lives at risk, Kim has to consider the unthinkable – whether a fellow pupil could be responsible for the murders. Investigating the psychology of children that kill brings the detective into contact with her former adversary, Dr Alex Thorne – the sociopath who has made it her life’s work to destroy Kim.

Desperate to catch the killer, Kim finds a link between the recent murders and an initiation prank that happened at the school decades earlier. But saving these innocent lives comes at a cost – and one of Kim’s own might pay the ultimate price.

The utterly addictive new crime thriller from the Number One bestselling author – you will be gripped until the final shocking twist.

How To Write Emotion & Depth Of Character With Becca Puglisi

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People will forget what you said and did, but they won’t forget how you made them feel.” – Maya Angelou

 

Joanna Penn interviews Becca Puglisi on the Creative Penn Podcast

 

This podcast originally appears on The Creative Penn Feb. 12, 2018

Duration: 1 hr 7min

 

 

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“This is far more than a brilliant, thorough, insightful and unique thesaurus, this is the best primer on story — and what REALLY hooks and holds readers– that I have ever read.”  ~ Lisa Cron, bestselling author of Wired For Story & Story Genius

 

 

Emotional Wound Thesaurus image

 

 

Amazon | Goodreads

 

Readers connect to characters with depth, ones who have experienced life’s ups and downs. To deliver key players that are both realistic and compelling, writers must know them intimately—not only who they are in the present story, but also what made them that way. Of all the formative experiences in a character’s past, none are more destructive than emotional wounds. The aftershocks of trauma can change who they are, alter what they believe, and sabotage their ability to achieve meaningful goals, all of which will affect the trajectory of your story.

Identifying the backstory wound is crucial to understanding how it will shape your character’s behavior, and The Emotional Wound Thesaurus can help. Inside, you’ll find:

•A database of traumatic situations common to the human experience
•An in-depth study on a wound’s impact, including the fears, lies, personality shifts, and dysfunctional behaviors that can arise from different painful events
•An extensive analysis of character arc and how the wound and any resulting unmet needs fit into it
•Techniques on how to show the past experience to readers in a way that is both engaging and revelatory while avoiding the pitfalls of info dumps and telling
•A showcase of popular characters and how their traumatic experiences reshaped them, leading to very specific story goals
•A Backstory Wound Profile tool that will enable you to document your characters’ negative past experiences and the aftereffects

Root your characters in reality by giving them an authentic wound that causes difficulties and prompts them to strive for inner growth to overcome it. With its easy-to-read format and over 100 entries packed with information, The Emotional Wound Thesaurus is a crash course in psychology for creating characters that feel incredibly real to readers.

 

 

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Becca Puglisi is a YA fantasy and historical fiction writer who enjoys slurping copious amounts of Mountain Dew and snarfing snacks that have no nutritional value. She has always enjoyed contemplating the What if? scenario, which served her well in south Florida during hurricane season and will come in handy now that she’s moved to New York and must somehow survive winter.

Becca Puglisi is a speaker, writing coach, and bestselling author of The Emotion Thesaurus. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers website and via her newest endeavor: One Stop For Writers—a powerhouse online library like no other, filled with description and brain-storming tools to help writers elevate their storytelling. You can find Becca online at both of these spots, as well as on Facebook and Twitter.

 

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