Episode 194: The Business of Writing — Interview with Jane Friedman
This podcast originally appears on DiyMFA.comApril 11, 2018 Length: 39 min.
Gabriela Pereira is the Instigator of DIYMFA.com, the do-it-yourself alternative to a Masters degree in writing. While undercover as an MFA student, she invented a slew of writing tools of her own and developed a new, more effective way for writers to learn their craft. She dubbed it DIY MFA and now her mission is to share it with the world. Teaching at conferences and online, Gabriela has helped hundreds of writers get the MFA experience without going to school. She also hosts DIY MFA Radio, where she recreates the MFA speaker series in podcast form.
Jane Friedman has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers. She’s the co-founder and editor of The Hot Sheet, the essential publishing industry newsletter for authors, and the former publisher of Writer’s Digest. In addition to being a professor with The Great Courses and the University of Virginia, she maintains an award-winning blog for writers at JaneFriedman.com.
Jane has delivered keynotes on the future of authorship at the San Francisco Writers Conference, The Muse & The Marketplace, and HippoCamp, among many other conferences. She speaks regularly at industry events such as BookExpo America and Digital Book World, and has served on panels with the National Endowment for the Arts and the Creative Work Fund.
If you are a writer looking for the business education you feel you never received, I hope this book provides the missing piece. While I try to be encouraging, and want you to feel capable and well informed, I don’t sugarcoat the hard realities of the business. When you decide to pursue a writing career, you’ll experience frustration, again and again, and not just in the form of rejection letters. But it helps to know what’s coming and that your experience is normal. Writers who are properly educated about the industry typically feel less bitterness and resentment toward editors, agents, and other professionals. They are less likely to see themselves as victimized and less likely to be taken advantage of. It’s the writers who lack education on how the business works who are more vulnerable to finding themselves in bad situations.