John David Bethel Discusses His Writing Process With No Immaculate Conceptions

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One month after his college graduation, Dean Eaton is writing speeches for presumptive presidential candidate, U.S. Senator Peter Dottier. Two months later, he is being pursued by a psychopath.

Dean Eaton is determined to make his own way after college. He wants to break away from the life paved for him by his parents. His first step is a week or so camping to clear his head and rejuvenate his spirit. What begins well ends with him witnessing the assassination of an undercover FBI agent. This brings Eaton into the orbit of Special Agent Steven Blanchard who convinces Dean to join him to bring down the deadly arms dealer who had the agent murdered. This partnership calls for Eaton to be placed on the staff of Senator Peter Dottier in order to track down a contact of the murdered FBI agent who, according to Blanchard, is a member of the senator’s staff.

As he struggles to learn and fit in to the confusing and often devious world of politics and public policy, Dean finds a mentor in his landlord, Ambassador Belmont Towbin, a respected eminence grise in Washington.

Throughout his learning process, Dean is also dealing with the dangers of his role identifying the contact. It soon becomes obvious that all is not as Blanchard has represented. Not even close. As Dean’s suspicions grow, Reisa Winston, Blanchard’s partner, reveals that he is the contact, and things go south from there.

No Immaculate Conceptions is a novel of politics and a study of the deadly ambitions of significant players in Washington who often use their power and positions for personal ends.

 

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Meet author John David Bethel a writer of fiction and non-fiction. He has been published in popular consumer magazines and respected political journals. He is the author of Evil Town, a novel of political intrigue, and Blood Moon, a psychological crime thriller inspired by a true story of kidnapping, torture, extortion and murder.

 

 

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Did you outline this book or was it more intuitive?

I don’t work from an outline.  I begin with a kernel of an idea and build on that foundation.  In the case of No Immaculate Conceptions that kernel was the main character’s camping trip during which he discovers a wounded, and soon to be dead, federal agent.  From there it’s off to Washington, where – one month after his college graduation – Dean Eaton is writing speeches for presumptive presidential candidate, U.S. Senator Peter Dottier.  Two months later, he is being pursued by a psychopath.

 

*Is your writing approach to every book the same?

Yes, and in the case of No Immaculate Conceptions, I set Dean down in Washington with Senator Dottier in order to track down a contact of the murdered FBI agent who, according to Dean’s FBI handler, is a member of the senator’s staff.

 

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*Where did the kernel of the idea for No Immaculate Conceptions begin?

From a daydream.  I was wondering how I would react in a situation where outside forces put my life in danger and I hadn’t a clue what they wanted.  That evolved into the initial plot-line for the novel whereby Dean is wandering around a lovely, pristine environment and realizes he is being followed, and then shot at.  This brings him into the orbit of FBI Special Agent Steven Blanchard who convinces Dean to join him to bring down the deadly arms dealer who had the agent murdered.

 

*Who is Dean Eaton and what motivates him?

Eaton is a child of privilege who has had all the advantages of life and wants to find his own way.  This has created in him not only a drive toward independence, but also the willingness to take chances, go out on a limb to gain new experiences.  In the novel, he goes so far out on that limb there is a high likelihood it will break off.

 

 

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*How do you create characters for your books?

There are authors who create back stories for their characters to understand how they will react as the plot advances.  My technique is to place the characters in the action and let that dictate the development of their personalities. It fits with the intuitive way I develop my novels.

 

*Name some struggles you had writing this book.  

Fortunately, I’ve not had struggles with writing any of my novels.  It sounds overly simplistic but I begin at the beginning and stop at the end.  The editing process often takes a good bit longer than does writing the original draft.  

 

 

 

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*No Immaculate Conceptions is lengthy book. Had you been writing this for a while, or did it just flow naturally?  

Once the kernel of the plot line was on paper (on the screen), things advanced naturally and fairly swiftly.  

There is the advice given to all writers to “write what you know.”  I know politics and I write about it. Perhaps that is one of the reasons I find the going easy when I put it all down.  I mine my experiences in Washington as a speechwriter and communications strategist – adding drama – and it all seems to work out.  

 

 

*Describe your mindset when you begin to write.

My wife tells me I go into a zone and it takes some prodding to get back into the present.  A “fugue state” perhaps describes it best.

 

 

*What kind of advice would you give to new writers?

Write because you enjoy the creative process, and believe in yourself.   

I’m often asked why I write and my answer is because I have to.  The urge to create has to be satisfied…as presumptuous as that sounds.

 

 

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Mr. Bethel spent 35 years in politics and government. He served in the Senior Executive Service as a political appointee where he was Senior Adviser/Director of Speechwriting for the Secretary of Commerce; directed speechwriting offices for other Cabinet officials, serving as Chief Speechwriter to the Secretary of Education; and lead speechwriter in the Department of Transportation’s Office of Policy and International Affairs. He also served as press secretary/speechwriter to members of U.S. Congress.

Mr. Bethel works as a media consultant for a number of prominent communications management firms. He writes speeches, opinion editorials and Congressional testimony for CEOs of the nation’s largest corporations, including the Hilton Hotels Corporation, and Royal Caribbean Lines. His op-ed pieces have appeared in The Washington Post and other prominent newspapers around the country.

David Bethel graduated with Phi Beta Kappa honors from Tulane University and lives in Miami, Florida.

 

David Bethel is a writer of fiction and non-fiction.  He is the author of Evil Town and Blood Moon. www.johndavidbethel.com

 

 

 

 

 

 

Interview with John D. Bethel Author of Blood Moon

 

Blood Moon

 

 

 

J. David Bethel is a writer of fiction and non-fiction. He has been published in popular consumer magazines and respected political journals. He is the author of Evil Town, a novel of political intrigue that is receiving praise from a number of Washington opinion leaders

 

 

 

“Truth is stranger than fiction”…Mark Twain

 

 

“This was a story well worth telling.”- Benjamin Thomas

 

 

 

Questions and Answers for Mystery Thriller Week

 

How did you come across this story and what compelled you to tell it?

The details of the crime came to me from Ed DuBois.  Ed runs a security firm, Investigators, Inc., and had been brought into the case by a mutual friend of Marc Schiller, the victim.  Ed read my novel Evil Town and enjoyed it, and when he wanted to explore the possibilities of having a book written about the crime, he contacted me.

Initially, Ed wanted a true crime book written to counter the treatment the real story was getting in a movie that was being made of the crime, “Pain and Gain.”  Ed was serving as a consultant on the movie and grew disenchanted with the “black comedy” slant being applied to the script.  I wrote a treatment of the book but when it became apparent a true crime book could not be written and published in time to provide a balance to the movie, that project was abandoned.

I had become intrigued by the crime, especially by the courage of the victim, Marc Schiller, and Ed’s determination to get the “bad guys.”  Schiller’s survival of 30 days in captivity during which he was brutally tortured, and had every single penny of his substantial estate extorted, was a story that was too compelling to ignore.  My wheelhouse is fiction so I went to Ed and Marc and asked if they’d mind if I treated the story as fiction, hewing close enough to the real events to convey the true horror of what Marc endured and how Ed worked skillfully to solve the crime.

With resources like Marc and Ed, and a story of human will and courage, how could I go wrong?  Marc agreed to add another layer to the book by writing the Foreword and Ed wrote an Afterword.

 

 

 

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What was your first reaction after hearing what happened to Mr. Schiller?

Astounded. Dumbstruck. Horrified. All of which grew into admiration and respect for the courage that Mr. Schiller displayed is surviving the ordeal, and for Mr. DuBois who was like a dog with a bone until the case was solved and the perpetrators brought to justice.

 

 

“Sometimes the wheels of justice grind slowly.” -Terry Waite

 

 

 

What was it like working with him?

Marc Schiller and Ed DuBois were very giving of their time and very open about their experiences. Without their cooperation Blood Moon would never have been written. I am in their debt.

Marc Schiller has written a first person account of his experience that readers can find at: Pain and Gain- The Untold True Story

 

 

 

 

What was different writing this book compared to your other novel?

The books are different genres, Evil Town being a political thriller.  Other than that, there really wasn’t much of a difference in the writing or the creative process.

For Blood Moon, I worked with a story line that had some markers for me to follow since I was inspired by a true-to- life crime.  I also had some traits I could instill in the main characters by studying the ways Marc and Ed dealt with their challenges.  Developing the characters of the antagonists was a little different since I don’t think like a psychopath.  Putting myself in the shoes of Dario Pedrajo and his cohorts was disturbing.  But by playing them off against the courage and actions of Suarez and Stevens, and having the antagonists react in the extreme opposite of civilized, empathetic human beings, I think these characters are believable as multi-dimensional human beings, if very evil human beings.

For Evil Town, I mined my 30-plus years in politics to add dimension, reality and, hopefully, to create a compelling story that takes a look behind the curtain at how Washington and the political system work.  My experience provided me with markers along the way much in the same way as did those I followed in writing Blood Moon, thereby allowing me to create believable scenarios and characters.  A former member of Congress, Jim Lightfoot put it this way in his review of Evil Town:  “For those of us who have been there and lived the political life it is easy to attach the names of people we know and/or have known to David’s characters. I think you will find that part of the fun when you read his book.  Perhaps you will also pick up a little understanding of the high stakes poker is played with your life and income by thousands of faceless bureaucrats and unscrupulous politicians whose only goal in life is re-election.” 

 

 

 

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Is there a certain theme employed in Blood Moon?

If you’re referring to a “message” or “takeaway” that I intentionally incorporated into the novel, then “no.” I had a compelling story to tell and I told it.

That said, Blood Moon – simply in its telling — is an account of good versus evil. There is evil in this world; evil that most of us will never have to deal with and cannot possibly imagine. There are also people like Marc and Ed (as represented by Recidio Suarez and Nolan Stevens, respectively, in the novel) who are courageous enough and good enough to stand against it and defeat it.

At any time Schiller/Suarez could have succumbed and said “to hell with all this pain and indignity” and laid down and died. That, believe it or not, would have been the easy way out for him. DuBois/Stevens could have given up when the authorities wouldn’t cooperate with him to find the psychopaths, and he could have gone on to another case, but he refused. He put himself at risk and stayed on it until his efforts forced the police to do their job.

 

 

 

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Are all your books based upon true stories or current events?

To date my novels have been based on true stories or current events. The novel I am currently working is not; however, it is told around events occurring during the final days of World War Two. For more on this see my answer to the final question.

 

 

Why did you decide to write fiction?

The novels of Ernest Hemingway and F. Scott Fitzgerald entranced me and demonstrated how brilliantly-written fiction could gobble readers up and transport them to another place and time. And the storytelling ability of Stephen King showed me that a good tale could pull the reader into the story, increase their heartbeat, cause them to perspire with fear and anticipation, and come out the other end invigorated.

Plus, I have an imagination that plants stories with me that I feel compelled to write about. I’m cursed with a very active imagination.

 

 

 

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What are you working on next? 

I am working on a novel set in a small Midwestern town during the final days of World War Two.  The gruesome murder of a local family starts an investigation that opens a door onto the national stage of politics and treason.

 

 

I wanted to thank Marc Schiller for his courage, Ed DuBois for his service, and John D. Bethel for taking the time to tell this story. It is truly a story of survival, hope, and justice.

-Benjamin Thomas

 

 

If you haven’t done so already, purchase Blood Moon on Amazon or add it to your Goodreads account.