Writing, Rewriting, and Craft with Elena Hartwell

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Writing, Rewriting, and Craft

By Elena Hartwell

As a novelist and playwright, I’m often asked where I get my ideas. Almost every writer I know gets this question, and I think we all feel the same. Ideas are never the problem. That’s the easy part. Ideas are a dime a dozen. The hard part, the magic part, is turning the idea into a polished, final manuscript.

 

The writing process varies wildly from author to author. Some write extensive, detailed outlines. Others sit down with an idea and write scenes on the fly. A number of writers fall somewhere in between, while they may not outline, neither do they sit down and write completely organically. They might write a synopsis or outline a chapter in advance.

 

The various combinations of these methods all work, depending on the writer and the project. There is no “wrong” way to write a novel. The “how” a writer works isn’t why their manuscript sells or doesn’t sell. The primary reason an author’s work has not yet sold is a lack of craft.

 

People who lack craft skills rarely sit down to write a novel. Or if they do, they can start, but never finish. Or if they do finish, they don’t rewrite. Or if they do rewrite, they quit after a single pass. Or, if they do continue to rewrite, they aren’t aware enough of craft to recognize the flaws in their own work. You get the picture. The problem is the writer stops too soon.

 

As a writing coach—I do one-on- one manuscript critiques as well as teaching workshops—there are some fundamental issues I see repeated in early drafts, over and over. These same issues show up in my own work, and probably on some level, in the early drafts of every writer out there. So the first thing aspiring writers can do to increase their chances of writing a successful manuscript, is learn how to identify these problems.

 

 

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The first is a lack of clear objectives, obstacles, and stakes. It’s not enough to have a dead body to write a mystery. Someone has to investigate the murder. The person investigating the murder has to need to solve the crime. If they don’t need to solve the crime (objective) there’s no tension about the investigation. If the solution doesn’t matter to the investigator, it won’t matter to the reader.

 

The sleuth also can’t solve the crime easily, that’s not dramatic. Various impediments (obstacles) have to appear, one after the other, to prevent the protagonist from catching the killer. The more the investigator has to overcome, the more satisfying to the reader when they do.

 

Lastly, it has to matter (stakes). For example, the protagonist with an internal struggle, coinciding with their investigation, is far more interesting than someone who simply goes through the motions of solving a crime.

 

The more important solving the case is to the protagonist, the more dangerous or difficult the journey, and the greater the importance to find the guilty party, the more invested a reader will be. That’s what keeps a reader turning pages.

 

 

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Complex protagonists will also have personal objectives, obstacles, and stakes to go along with their investigation. For example, a crumbling marriage, a child in danger, or overcoming an addiction are common tropes within the genre. When we know an investigator has to choose between catching a killer and saving their marriage, the stakes are high and we breathlessly turn each page waiting to see what the character chooses.

 

Another common error I find is a lack of structure. All stories have an underpinning structure. While there are variations to that structure, for the most part, especially in crime fiction, we start with the world as we know it, which is disrupted by a specific event, followed by rising action, where events pile one on top the other, each more important than the one that went before. This ends with a climactic scene, with the maximum danger to our hero or heroine, followed by a glimpse into the new world order for our characters.

 

If any of these parts are missing, the story can feel unfinished. For example, if we don’t have some sense of what the character’s life was before the intrusion, we don’t know what they are putting at risk. The “world before” can often be well hidden, it might not appear in the first chapter, but later in reflections the character makes as the story progresses, but usually a reader can identify it if they look for it.

 

The middle of a manuscript might falter if a lot of exciting things happen at the beginning, then nothing exciting follows. Rising action is important, because it builds dramatic tension, making it impossible to put the book down.

 

 

 

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Lastly, an ending can feel unsatisfying if we have no sense of the outcome. Readers don’t need everything tied up in a bow, but they do want the primary threads to be resolved enough to know what the character’s lives will be like after they read “the end.”

 

Dialogue can also be difficult to master. One of the most common problems I see is when authors have their characters say exactly what they feel and exactly what they mean. That doesn’t ring true. People lie all the time. We lie because it’s expedient, it benefits us in some way, it keeps us from hurting others, or we don’t want to get in trouble. We rarely say what we mean, we obfuscate, we dither, we agree out loud when disagreeing feels like a mistake. Dialogue works best when each character speaks distinctly from the others, through word choice, sentence length, grammatical accuracy, and the use of slang.

 

If a writer can identify just these specific problem areas in their own writing, their next draft will be a much tighter, more polished manuscript. It can feel overwhelming to try to identify and fix all the issues I’ve outlined at one time. My recommendation for writers is to choose one aspect and rewrite just for that. Heighten the stakes in one rewrite. Focus solely on dialogue for the next. Breaking down the process into smaller chunks can make each rewrite a more successful venture. This will help the writer get through a series of rewrites rather than attempting one and feeling like the mountain is too high to climb. My final piece of advice. Don’t give up. That’s the only difference between a published author and an unpublished one.

 

 

 

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Elena Hartwell was born in Bogota, Colombia, while her parents were in the Peace Corps. Her first word was “cuidado.” At the age of nine months, she told two men carrying a heavy table to be careful in their native tongue. She’s been telling people what to do ever since. After almost twenty years in the theater, Elena turned her playwriting skills to novels and the result is her first book “One Dead, Two to Go,” followed by “Two Heads Are Deader Than One.” “Three Strikes, You’re Dead.” For more information on Elena, please visit elenahartwell.com or like her Facebook Page ElenaHartwell/Author. You may get to see cute pictures of her dog and her horses.

 

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Gabriela Pereira Interviews Jane Friedman – The Business of Writing

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Episode 194: The Business of Writing — Interview with Jane Friedman

This podcast originally appears on DiyMFA.com April 11, 2018 Length: 39 min.

 

 

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Gabriela Pereira is the Instigator of DIYMFA.com, the do-it-yourself alternative to a Masters degree in writing. While undercover as an MFA student, she invented a slew of writing tools of her own and developed a new, more effective way for writers to learn their craft. She dubbed it DIY MFA and now her mission is to share it with the world. Teaching at conferences and online, Gabriela has helped hundreds of writers get the MFA experience without going to school. She also hosts DIY MFA Radio, where she recreates the MFA speaker series in podcast form.

 

DIY MFA

 

 

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Jane Friedman

 

Jane Friedman has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers. She’s the co-founder and editor of The Hot Sheet, the essential publishing industry newsletter for authors, and the former publisher of Writer’s Digest. In addition to being a professor with The Great Courses and the University of Virginia, she maintains an award-winning blog for writers at JaneFriedman.com.

Jane has delivered keynotes on the future of authorship at the San Francisco Writers Conference, The Muse & The Marketplace, and HippoCamp, among many other conferences. She speaks regularly at industry events such as BookExpo America and Digital Book World, and has served on panels with the National Endowment for the Arts and the Creative Work Fund.

 

 

The Business of being a Writer Jane Friedman

 

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If you are a writer looking for the business education you feel you never received, I hope this book provides the missing piece. While I try to be encouraging, and want you to feel capable and well informed, I don’t sugarcoat the hard realities of the business. When you decide to pursue a writing career, you’ll experience frustration, again and again, and not just in the form of rejection letters. But it helps to know what’s coming and that your experience is normal. Writers who are properly educated about the industry typically feel less bitterness and resentment toward editors, agents, and other professionals. They are less likely to see themselves as victimized and less likely to be taken advantage of. It’s the writers who lack education on how the business works who are more vulnerable to finding themselves in bad situations.

 

Jane Friedman

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Blog Tour: Black Soul

Black Soul 2

 

 

 

BLACK SOUL by T.J. BREARTON
A gripping and dark international thriller that you won’t want to put down.

A seventeen year-old girl is missing in Honduras.

Free-spirited Rene Sterling vanished ten days ago. Her father fears she’s been sold into sex slavery. Investigators William Chase and Hanna Beckett are his last hope to find her.

The island paradise she was exploring conceals dark crimes, corruption and real danger.

Hanna and William’s mission is to disrupt human-trafficking gangs across the world. But this investigation will push their relationship to breaking point and put their lives at risk.

In a thrilling conclusion, they face a choice between real justice and obeying the law.

Perfect for fans of Stieg Larsson, Jo Nesbo, or Dennis Lehane novels.

This is the fourth book in the best-selling Titan Series, though it can be read as a standalone.

TITAN SERIES:
HABIT, SURVIVORS, DAYBREAK, BLACK SOUL

 

 

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I find myself really cheering for William and Hanna in this one. The crimes are hideous and outrageous. They embark on a wild journey to save these children from horrible lives in human trafficking. T.J. Brearton does a wonderful job crafting the perpatrators and the William and Hanna. I’ve been seeing more novels about solving these type of crimes and I’m putting the Titan series on my TBR list! Great job.

 

 

 

 

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BIO
T. J. Brearton is a bestselling author and screenwriter. His books have been on the top 100 list for Amazon Kindle in the US, UK, and Canada. He has written more than a dozen novels from his home in the Adirondacks where he also enjoys competing with his three children for his wife’s attention.

 

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Vulnerable: A Prequel to the Red Dog Conspiracy by Patricia Loofbourrow

Vulnerable P. Loofburrow

 

 

 

Eleanora Bryce faces prison for a crime she didn’t commit.

In the far future domed city of Dickens, no mercy is given.

So when Eleanora Bryce finds her husband dead at his own hand, she finds herself trapped between the truth and his mountain of debt. Eleanora faces debtor’s prison — or worse — unless she can find a way out of Dickens. But can she return to the city which ruined her husband and murdered her son?

A 6,000 word short companion story to the Red Dog Conspiracy steampunk crime fiction series.

Vulnerable takes place shortly before the events in The Jacq of Spades: Part 1 of the Red Dog Conspiracy, and can be read at any time.

 

 

Timeline:

The Alcatraz Coup
Vulnerable <- you are here
The Jacq of Spades
The Queen of Diamonds
The Ace of Clubs
The King of Hearts (coming October 2018)

 

 

 

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Patricia Loofbourrow, MD is an New York Times and USA Today best selling author, PC gamer, ornamental food gardener, fiber artist, and wildcrafter who loves power tools, dancing, genetics and anything to do with outer space. She was born in southern California and has lived in Chicago and Tokyo. She currently lives in Oklahoma with her husband and three grown children.

 

 

 

 

 

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This is a great short story considering the length. It truly reads like a novel and leaves you wanting more. A great beginning to the Red Dog Conspiracy series. Excellent.

 

 

 

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At the beginning of my series starter The Jacq of Spades, my main character Jacqueline Spadros is called to Eleanora Bryce’s fabric shop to investigate the disappearance of her son David. Although Mrs. Bryce doesn’t seem to recognize Jacqui, my main character knows her – the woman has been missing for ten years. Jacqui seems to be afraid of Mrs. Bryce and is worried about taking the case to find David Bryce for a variety of reasons.

The very first mystery in The Jacq of Spades is: where has Mrs. Bryce been for the past ten years?

 

The best way to describe the domed city of Dickens is social Darwinism taken to its extreme, as you find in much of Charles Dickens’ writings. These people have chose to live there, and of course, they believe their way is best.
Vulnerable is a short story which takes place just before The Jacq of Spades and answers this question. Finding her husband dead of suicide, Eleanora is immediately faced with his enormous debt which she knew nothing about – and his life insurance policy, which is void if he’s found to have taken his life. With the insurance money, she and her two sons can survive – if she hides how he died. But the police constable investigating her husband’s death thinks she’s murdered him. Thus the dilemma.

Audiobook Blog Tour: It Is Las Vegas After All by Howard Weiner

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About the Audiobook

Author: Howard Weiner

Narrator: Laura Copland

Length: 7 hours 51 minutes

Publisher: Howard D. Weiner⎮20

Genre: Technothriller

Release date: Jun. 38, 2017

 

Audio Sample

 

 

 

Synopsis: Two physicists are in a race with federal authorities and three former CIA agents to detonate a dirty bomb in Las Vegas. The physicists deploy several explosive devices, hidden in plain sight, that can be detonated at any time. Federal authorities realize too late that their best technologies, people, and staff cannot detect the existence and movement of small bombs. The safety of Las Vegas depends on three former CIA agents brought together by an employer with ill intent and strong ties to venture capitalists funding the latest crop of entrepreneurs. Who will win? Will Las Vegas be saved?

Buy Links

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A very informative book with a fascinating plot and form of storytelling. Two remarkable physicists are set to explode a dirty bomb in the City of Las Vegas, but what you’ll discover is what set them off in the first place.  The narrative is the dominate form of storytelling compared to character dialogue which caused more difficulty following the story. The characters were definitely intriguing with their own set of quirks and personalities.

 

 

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Las Vegas Teaser

 

 

 

Were there any real life inspirations behind your writing?

I recently finished reading John Grisham’s, The Rooster Bar. Grisham relates that he read a news story about for-profit law schools and instantly knew he had a story. It Is Las Vegas After All was born out of a similar set of circumstances. I’d read several news stories about dirty bombs and that became the straw for binding together other professional and personal experiences.

 

 

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Tell us about the process of turning your book into an audiobook.

I started the process of commissioning the audiobook while completing my second novel, Serendipity Opportunity. Working with Amazon’s Kindle publishing program was providing good feedback and results, and so it wasn’t a dramatic leap of faith to investigate Amazon’s audiobook publishing division, Audio Creation Exchange (ACX).

ACX has an efficient process for publishing a sample of the novel and soliciting auditions among interested publishers and narrators. I received a surprising number of submissions and set about listening and evaluating each audio segment.

Laura Copland’s submission was clearly the best of the bunch. We promptly agreed to the terms and conditions facilitated by ACX, and Laura began her work in earnest.

After reading the novel, Laura had a number of questions regarding the characters. I was pleasantly surprised at how well she had managed to climb into the skin of each. Her formal education and training in the theater arts clearly marked her as the consummate professional, and for that reason working with her to complete the book took about six-to-seven weeks.

For my part, working on a novel at some point is less about the story and the characters and more about issues of presentation. Getting the book into print is the point, and very quickly you transform from storyteller to scrivener. Listening to the chapters Laura submitted rekindled my joy and excitement about the story and the characters she so ably brought to life.

 

 

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Do you believe certain types of writing translate better into audiobook format?

No one appreciates a good story more than a story writer. Beyond the entertainment value of a good engaging book, listening to an audiobook is like taking a master class in writing from authors you enjoy and even envy.

I’m (an old) computer scientist by formal education and industry training. It’s difficult to imagine any of the many textbooks in computer science, mathematics, or the sciences in general, working well as an audiobook–no matter how written and enlightening they may be.

In the fiction genre, I find it easier to listen to an audiobook where the author provides the context for characters and the situations in which they find themselves rather than straight character dialog.

 

 

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Was a possible audiobook recording something you were conscious of while writing?

I’d like to say yes, but it isn’t true. It wasn’t until the publishing process came to an end that I started to contemplate turning it into an audiobook.

I’m in the midst of my fourth novel now, One for the Price of Two, and I still do not find myself designing the storyline, mapping out character development, or doing the research my books require with an audiobook in mind. But I have given the matter some thought, and for now I’ve elected to focus on the written word first, middle, and last.

 

 

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How closely did you work with your narrator before and during the recording process? Did you give them any pronunciation tips or special insight into the characters?

I knew from the moment I listened to Laura’s audition that I’d stumbled on to an extraordinarily talent. I’ve learned throughout my professional career that finding such people can too often be good fortune rather than intent, and it’s important to let someone like Laura “do her thing.” I didn’t always agree with her take on a character’s spoken dialog, but I always found her interpretation to be at least as good as what I intended when putting pen to paper.

We did have a couple, very minor, issues about pronunciation, but again, Laura made those few circumstances a breeze.

 

 

Author Howard Weiner

 

 

About the Author: Howard Weiner

Howard Weiner was born in Washington, DC, in the distant past when Congress returned home during the summers, new best friends moved in every four years, and old ones never stayed. He attended local public schools and graduated from Pennsylvania State University with a BS in computer science and a spouse.


For the next forty years, he pursued an extensive graduate education, served as a member of the professoriate, an entrepreneur, and leadership positions in information technology in the private and public sectors. He lived during his working years in the Washington DC suburbs and exurbs, Richmond, Virginia, in three locations on Long Island, New York, Pittsburgh, Pennsylvania, and finally, the upper west side of New York City.


Weiner’s first work of published fiction, It Is Las Vegas After All, introduces three unlikely partners who stumble upon two refugees from higher education who abandon their promising academic careers to build and detonate a dirty bomb in Las Vegas. The story takes place in the U.S., U.K., and the former communist east Germany, and ends following a high stakes winter pursuit along the Appalachian Trail.


His second work, Serendipity Opportunity, tells a tale of the dark web meets mayhem, murder, and an international incident involving Russian and U.S. intelligence agencies.


His latest work, Bad Money, takes place in 1993 and features two unlikely heroes trying to escape members of Manuel Noriega’s former intelligence staff in a drugs for money story. The story begins, simply enough, with two suit cases accidentally switched at the Miami Airport. He is also working on two other manuscripts: One for the Price of Two and The Big Lowandowski.

 

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Blog Tour: Truth or Dead by T.J. Brearton

 

BLOG TOUR BANNER - TRUTH OR DEAD

 

 

 

 

How far would you go to protect your kids?

 

 

 

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About Tom Lange

Tom Lange is like a Wild West cowboy who’s been dropped into the modern world. He has to deal with his impulsiveness and anger in ways men never had to reckon with before. If he wants to keep a relationship, he has to open up. If he wants to keep his job, he has to face his past.

Tom isn’t a West Point graduate or a former special ops. He’s a kid from the streets; he grew up in some of the tougher neighborhoods just outside of New York City as a foster kid with his brother Nick. He applies what he learned growing up –how people survive, how they take advantage– to his investigations for the Florida Department of Law Enforcement.

Truth or Dead takes Tom into a world he knows well – the world of gambling and drugs, run by notorious gangster Mario Palumbo. Tom must help protect the life of a woman Palumbo seems to have targeted, though no one can figure out quite why… Heather Moss, it seems, has a past to face, too… 

 

 

 

 

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TRUTH OR DEAD by T.J. Brearton

How far would you go to protect your kids?

On her drive to work, Heather Moss gets a phone call which will turn her life upside-down. If she doesn’t do what the caller wants, they will kill her two little girls.

An inmate dies in the county jail. He was a witness who could have brought down notorious criminal Mario Palumbo.

Special Agent Tom Lange is trying to get his life back together after losing his brother Nick. And he thinks Palumbo was responsible for Nick’s death.

Tom desperately wants the evidence to point to Palumbo, but it doesn’t all add up.

Can Tom protect Heather and bring down crime boss Palumbo? He faces a choice between the truth and getting the result he wants.

Set in Florida, this atmospheric thriller will keep you turning the pages till the tension-packed conclusion.

 

 

 

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J. BREARTON

Brearton’s fiction first appeared in Third Rail, an underground magazine in New York City. His short stories have been published with The Rusty Nail MagazineOrange Quarterly, Enhance Magazine, Nonsense Society, and Atticus Review, with non-fiction appearing in The Lake Champlain Weekly and Adirondack Almanack. A previous novel, “Rehabilitation,” was published independently in 2009. He attended the New York Film Academy and has worked in film, broadcast television, and freelance journalism. He lives in the Adirondacks with his wife and two children.

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Blog Tour: Fatal Secrets by Janice Frost

 

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Book Blurb

 

THE EAGERLY AWAITED NEW MYSTERY FROM BEST-SELLING AUTHOR JANICE FROST

Two students coming home from a drunken night out see something strange in the river. It is a young woman’s body.

Hours later, a second young woman’s body is discovered on another stretch of the same river.

DS Ava Merry and DI Jim Neal are assigned to both investigations. And they’re joined by a new detective, Tom Knight.

Soon a connection is found between the two dead women. A list of “victims” is discovered in one of their flats. Who will be next and what really happened to the women on this sinister list?

In a thrilling conclusion, Jim Neal fights for his life as the two detectives struggle to solve a complex case involving people with secrets that may prove fatal.

If you like Angela Marsons, Rachel Abbott, Ruth Rendell, or Mark Billingham you will be gripped by this exciting new crime fiction writer.

 

 

 

THE DETECTIVES

DS Ava Merry is a young policewoman, recently promoted to detective sergeant. She is fitness fanatic with a taste for dangerous relationships. DI Jim Neal is single dad who juggles his devotion to his job with caring for his son.

 

 

 

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DS MERRY & DI NEAL SERIES
Book 1: DEAD SECRET
Book 2: DARK SECRET
Book 3: HER HUSBAND’S SECRET
Book 4: THEIR FATAL SECRETS

 

 

My Review:

 

I found this book to be entertaining and well written. A complex plot with the characters interwoven in some way shape or form. I always enjoy stories that have a strong villain because it makes for a better read. The motivations for the protagonists and antagonists and solving of the crime make this a good read.

 

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Author Bio:  Janice Frost

 

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Janice was born and grew up in West Lothian, Scotland. After completing an English degree at St Andrew’s University, she moved to London where she lived for ten years doing an assortment of jobs. Her passions are reading, writing and walking in Scotland and the Lake District. She lives in Lincolnshire with her husband and two sons.

 

 

 

Don’t miss the rest of the blog tour!

 

Fatal Secrets Blog tour

 

 

 

 

Benjamin Thomas

@MTW_2018

http://www.mysterythrillerweek.com

 

 

Blog Tour: His Third Victim by Helen H. Durrant

His Third Victim

 

 

Hello book lovers!  I’ve had an great opportunity to participate in a  blog tour for His Third Victim, which I’m still reading. However, I did get a chance to interview the author. Check it out below!

 

 

Book Description

HIS THIRD VICTIM by Helen H. Durrant

A BRAND NEW STANDALONE DETECTIVE MYSTERY FROM #1 BEST-SELLING AUTHOR HELEN H. DURRANT

A man is shot dead and his body is dumped on the moors. Hisarm is stamped with the Chinese symbol for sorry.

There have been five unsolved murders with the same hallmark. The police can’t find any motive or connection between the victims.

Bella Richards was close to the murdered man. She lives with her five-year son and has begun a new life in the local area.  But although clearly grief-stricken, she is not telling the police everything she knows.

Detective Talbot Dyson wants his most trusted inspector on the case. But DI Matt Brindle is out of action. He was badly injured and his sergeant was killed in a criminal ambush.  He is drawn into the investigation and must decide whether he wants to go to back to his old life.

What is the real connection between the victims and who will be next?

This is a detective mystery full of twists and turns, with a stunning edge-of-your-seat ending.

 

 

Interview with Author Helen H. Durrant

 

 

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Author Bio

OVER 500,000 books sold of her Calladine & Bayliss and DI Greco Series 

I’m one of the ‘baby boomer’ generation. I was born in Edinburgh to an English father and Scottish mother. My father was from the North West of England and this was where the family settled. 

 

I know the area well, both the good and the bad, and so I set my books here. Sitting between two counties, Lancashire and Yorkshire, and between the city and the hills, it offers a rich mix of the industrial and the countryside and all the character therein. I always planned to write crime novels — to create the characters in my books. Since my retirement from a busy teaching job in FE, this is what I’ve done — almost to exclusion of anything else! 

 

I have a grown-up family and five grandchildren. They see me as something of an eccentric — always on my laptop writing away. Writing is something of a second career and, despite having a bus pass, keeps me busy, young and tuned in the world as it currently is. 

 

 

 

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Name three things that led you to write crime novels.



I have wanted to write since I was ten years old. Had no idea what though. It began with the name ‘Calladine’ and an idea – (which I have never used!) Crime novels are almost all I read – it’s been that way for years.

 

 

What kind of work did you retire from?



I was a lecturer at a local education college. The subject – Computing. I had come from a programming background, so mostly taught a language called ‘COBOL’. Since the advent of ‘Windows’, COBOL is not as popular. We are going back to pre DOS times.

 

 

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Was it difficult retiring from a full-time job to writing full-time?



No. I was ready to retire. I’d worked at the college for twenty years or more. Although I loved the job and the students, it was time to go. Writing was still something I might get round to. The name ‘Calladine’ was still messing with my head. Eventually I knuckled down and got on with it. No one is more surprised than me at the speed I turned out those first three books in the Calladine & Bayliss series, or at their popularity once I was taken on by Joffe Books.

 

 

 

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What was your process writing the plot for His Third Victim?



I got the name first – Matt Brindle. And I knew where I wanted him to live. I don’t plot everything in detail. There are times when the characters forge their own way ahead. The house – Brindle Hall, is based on a real place. It is a house with gardens and petting farm that I have taken my grandkids too frequently. So we have been a couple of times this summer while I’ve been working on the book.

 

 

“There are times when the characters forge their own way ahead.”

 

 

 

Why was this book a standalone? 



I wasn’t sure how it would be received. But …. Things seem to be okay at this point, so – I am already thinking about a second in the Matt Brindle series.

 

 

Name some positive experiences writing this book.



The days out with the kids and wandering around the villages of west Yorkshire – endless teas in cosy tearooms!

 

 

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Did it turn out the way you envisioned it?
Yes, I think it did.

 

Do you have any favorite quotes?

No.

 

 

What are you working on next?



Currently – DI Greco 4. Followed by Calladine & Bayliss 8 and then the next Matt Brindle. They are all WIP. Most of Greco 4 is complete, C & B – three chapters in and Matt Brindle 2 is in my head!

 

 

 

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Connect with Helen!

Links

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Don’t miss the rest of the blog tour! 

 

bLOG TOUR BANNER

 

Blog Tour: Deadly Lies by Chris Collett

deadly-lies-3

 

 

 

DEADLY LIES by CHRIS COLLETT

Discover a new detective in a tough city. DI Tom Mariner thinks he’s seen it all, but now he faces an investigation which will push him to his limits.

Journalist Eddie Barham is found dead in his home. A syringe in his arm and a note by his side reading, ‘No More.’

Open and shut case of suicide? Not for DI Mariner. Hours before, he saw Barham picking up a prostitute in a bar. Mariner discovers Barham’s younger brother, Jamie, hiding in a cupboard under the stairs.

Jamie must have witnessed his brother’s death, but his severe autism makes communication almost impossible. Mariner is determined to connect with Jamie and get to the truth. And is the journalist’s death related to his investigation of a local crime kingpin?

What other dark secrets does Jamie hold the key to and can Mariner keep his relationship professional with Barham’s attractive sister, Anna?

In a nail-biting conclusion Mariner races against time to prevent more lives being lost.

Perfect for fans of Peter James, Ian Rankin and Peter Robinson. This is the first book in the DI MARINER SERIES, more books coming soon!

 

 

Silhouette of writer

 

THE SETTING
Birmingham is a city of stark contrasts with a rich cultural and historical heritage. Playing a key role in the industrial revolution, it helped shape the nation’s manufacturing industry

But with its many green spaces, Birmingham also borders on the beautiful countryside of Worcestershire and Warwickshire, is just a few miles from Stratford on Avon and a short drive from the wild country of mid-Wales.

Birmingham’s population is large and ethnically diverse, and while urban regeneration has forged a modern and culturally vibrant city, the decaying remnants of the industrial past and 1960s concrete jungle give it a unique and gritty character; the dark underbelly policed by DI Tom Mariner and his team.

 

 

 

Green Road Sign -  Birmingham, England

 

 

THE DETECTIVES

Detective Inspector Tom Mariner is, on the surface, an average dedicated policeman, but his experiences as a younger man have given him an insight into life on the dark side, and a clear sense of right and wrong. Mariner has little interest in material things. He lives in a modest canal-side cottage, enjoys the occasional (real) beer and game of dominoes and drives an old car. He is most at home in the outdoors, with an OS map and a compass, and in times of crisis, will take off and walk for miles in any weather.

Police Constable Tony Knox has recently transferred to the West Midlands force and finds himself back in uniform following an undisclosed transgression. A scouser with the gift of the gab, and an irrepressible ladies’ man, Knox is initially wary of the inscrutable DI Mariner, but, when a need arises, is grateful for his unquestioning support and the lack of curiosity about his personal life.

PRAISE FOR MARINER
I really couldn’t put it down’ Raw Edge Magazine 

‘Collett is a wonderful writer, subtle, clever, strong on atmosphere and character. This is a fitting follow-up to her debut and reassures the crime fan that the police procedural is in safe hands. More, please’ Yorkshire Post

 

 

Chris Collett really knows how to reel you into a good story. From the first page, it simply flows effortlessly until you’re lost within a world of Deadly Lies. I’ve been enjoying reading a few detective mysteries based in England recently. It’s like a breath of fresh air, new blood, and new characters to keep me satisfied.

This has everything you’d want in a book. A gripping mystery, developed characters in the midst of a well written plot ready for consumption. I’m definitely gamed for more of Collett’s work.

 

My rating

 

Four golden stars isolated on white background

 

 

 

Connect with Chris Collett

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Chris Collett

 

Chris Collett grew up in a Norfolk seaside town where she worked in a boarding house (now defunct) a local bakery (closed down) and a crisp factory (razed to the ground). Graduating in Liverpool, Chris has since taught children and adults with varying degrees of learning disability, including autism. She is now a university lecturer, with two grown up children, and lives in Birmingham; DI Tom Mariner’s ‘patch’. She has published short stories, teaches creative and crime writing and is a manuscript assessor for the Crime Writers Association.

The first five DI Tom Mariner books will be released in revised editions by Joffe Books in 2017/2018.

Find out more at http://www.chriscollettcrime.co.uk

Amazon | Goodreads

 

 

Thank you!

 

 

Benjamin Thomas

@thewritingtrain

http://www.thewrtingtrain.com