Author Interview with Matthew Mather

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Please welcome Matthew Mather million-copy bestselling author of technothrillers Cyberstorm and Darknet, and hit series Nomad and Atopia Chronicles.

 

 

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Matthew Mather

 

 

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In just four years, Matthew Mather’s books have sold over a million copies, been translated into 18 languages, published in 23 countries, and optioned for multiple movie and television contracts. He began his career as a researcher at the McGill Center for Intelligent Machines before starting several high-tech ventures, everything from computational nanotechnology to weather prediction systems, to even designing an award-winning brain-training video game. He now works as a full-time author of speculative fiction.

 

 

 

 

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*Name at least 3 things early in life that made you a writer today. 

I only became a writer in the middle of my life, but I think the earliest spark for the idea came when I was quite young. I vividly remember reading and re-reading C.S Lewis’s Chronicles of Narnia, and then Lord of the Rings. The stories and worlds inspired me to dream about my own stories. My grandmother nicknamed me “Dreamboat” and not because I was a good-looking kid, but more because I was always daydreaming. Later on, in high school, I had a teacher who took a particular interest in me and helped me engage in all sorts of interesting projects that were “off curriculum”. Finally, my family was a great inspiration—caring and engaged, it made me feel like sharing more with the world.

 

 

*Who are your favorite Science fiction authors?

I’m definitely an old-school sci-fi guy—so Asimov, Philip K. Dick, Vernor Vinge. When I was a teenager I would hang around bookstores and stare at the covers—I would love anything with an amazing-looking spaceship on the front. Which, now thinking on it, I should start writing some good-old-fashioned space exploring type stuff next!

 

*What do you appreciate about the Science Fiction genre?

I view science fiction as a tool we can use as a mirror to hold up to view ourselves—but from fresh perspectives. What would happen if we were stranded alone on Mars? How would the human spirit hold up, and how would the rest of humanity respond? What if we could switch gender and identity fluidly? How would that change society? The list goes on and on—I find that the most compelling dimension to science fiction. Of course, there is the pure adventure side of it as well, creating compelling new worlds and possible realities, but in the end, what interests us is how the characters respond to these new situations and react with each other within them.

 

 

 

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*What are your thoughts on the singularity? 

I’ve actually written a whole series of books on the topic—check out my Atopia trilogy to get my take on what it would feel like to live through and singularity, and for one character to survive through to the other side. Regarding an actual “technological singularity” where technology keeps speeding up exponentially and thus eventually reaches a point of infinite rate of change…I think this is a nice construct, but, like Moore’s Law, will eventually break down. However, for individuals and small groups, I believe that we will witness small break-away groups that will undergo rapid and inexplicable—to outsiders—bursts of evolution. Whether these evolved organisms, biological or digital, react “nicely” with the rest of us—this is to be seen. All I can say is that it will be interesting. I already feel like I’m living in a science fiction novel, when news headlines talk about the fusion of artificial intelligence and industry and whose corporate AI will win out, and which private space launch company will dominate.

 

 

*How do you determine if an idea is good enough for an entire novel?

I usually get the seeds of ideas when I’m daydreaming, often when I’m traveling, and when I do, I just let the idea take shape and the narrative to take form. I scribble down all the ideas and the best ones I organize into electronic and physical folders. I usually have about 20+ book ideas on the go at any one point in time, and sometimes combine two or three ideas into one integrated whole. When it comes time to start a new book, I spread out all these 20+ ideas on a table and let my mind wander and see which idea gets me the most excited…whichever one seems to stimulate my imagination the most gets to be the next book.

 

 

 

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*How do you research for your books?

I start by doing research on the web and reading books on the topics that might be connected. I often like to have exotic settings for my books—like doing the end of the world from the perspective of a family traveling in Tuscany in my Nomad series—so I like to travel to the places I write about. The final leg is doing primary research, for instance, when I include the Mohawk tribes in my Darknet book, I actually called the elders of the Mohawk tribe and interviewed them, and even went to their summer Pow-wow events to interact and spend time with the community.

 

 

*In another interview you mentioned, “I always recommend new authors to use the serialized approach…It seems to work.” This was in relation to writing the Atopia Chronicles. Do you still recommend this approach for new authors?

It’s been about five years since I propelled myself into the self-publishing world, and I’ve noticed that it’s become much more difficult to the point of being hyper-competitive—so I’m not sure that the strategies that I used back then are still applicable to getting into the market today. Back then, the established publishers wouldn’t price their books in the low echelons, so the self-published authors had the space all to themselves, but now it’s become a free for all with competition coming from all angles and with a much more sophisticated audience. All that being said, the “momentum” strategy seems to work the best, by which I mean, publish often, one after the other. If I was starting out, I would still aim to create a six-part series that I would write ahead of time, and then publish each new installment once a month and use the Kindle Select tools to boost…so yes, I’d still recommend the same strategy.

 

 

 

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*What new technologies are you excited about?

I think that self-driving cars will radically alter human society in the 21st Century in ways that we can’t fully imagine yet, the same way that horseless carriages totally changed the urban and societal landscape of the 20th Century. Basically these are just robots that we get inside—in a few years I doubt they will look much like cars, but will take on all kinds of shapes and locomotion strategies including flying. Artificial intelligence is already making a massive impact, and will continue to evolve in surprising ways, including merging with human intelligence (a process that is already underway). One thing I’m really excited about is the prospect of room-temperature superconductors—added with other technologies (like AIs and advanced robotics) it will allow for super-powerful electric motors, tiny-but-massively-powerful batteries, lossless energy transmission and more. It would make possible a whole range of capabilities we can’t even imagine today, and may just be a tiny breakthrough away.

 

 

*If you had to pick one setting to survive in which one would you pick? Cyberstorm or Nomad?

Definitely CyberStorm! At the end of that books, the world basically goes back to normal—if a bit wiser. In Nomad, I literally destroy the entire solar system, and almost obliterate the Earth not just once, but twice!

 

 

Cyberstorm

 

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*What next for you?

I’m writing a near-future detective series called The Lacuna Cases. The first book, The Dreaming Tree, will be out in hardcover and e-book this summer!

 

 

 

 

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Getting Twitter To Fly for Authors – With Ian Sutherland

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SPF – Self Publishing Podcast 114 – Getting Twitter To Fly for Authors – With Ian Sutherland

 

 

This podcast originally aired on April 13, 2018 – on www.selfpublishing.com Duration: 35 min.

Get the Full Transcript

 

 

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Ian Sutherland was brought up in the Outer Hebrides, idyllic remote islands off the west coast of Scotland. In an effort to escape the monotonous miles of heather, bracken and wild sheep, Ian read avidly, dreaming of one day arriving in a big city like London. And then, at the tender age of 12 he was unexpectedly uprooted to Peckham, an inner city suburb of South-East London. Ian quickly discovered that the real London was a damn sight more gritty and violent than the version in his books and shown on tv. Undeterred, Ian did what he did best, and buried his head in books, dreaming of other places to escape to.

Roll forward some years, and Ian can still be found with his head in a book. Or, given that he enjoyed a successful career in the IT industry, an eBook Reader. And now, having traveled a fair bit of the globe in person and even more of it via the Internet, Ian lives with his wife and two daughters in a small idyllic village, surrounded by green fields, copses and the occasional sheep, yet located just outside of the London he finally came to love.

Here, he writes gritty, violent crime thrillers full of well-rounded characters, set in and around London and its suburbs. His stories also feature the online world that most of us jump into blindly each day, but Ian exposes its underbelly and dramatically illustrates how dangerous the internet can be for the unwary.

 

 

 

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A Worthy Villain – By Allison Brennan

 

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A Worthy Villain – By Allison Brennan

 

“The villain is the hero of his own journey.”
— Christopher Vogler

 

When I first started writing, I didn’t read any craft books. Everything I learned about writing fiction I learned through reading, falling in with a terrific critique group, and on- line workshops I took through RWA’s Kiss of Death chapter (the online chapter for romantic suspense.) It wasn’t until I sold my first three books that I started picking up craft books to see if I could improve my writing.

I was primarily looking for books that would help me take my books to the next level. By that I didn’t really know what I was looking for, just books that would help me understand my own intuition, I suppose. A lot of books didn’t resonate with me. Anything too technical, or anything that attempted to explain why that way was the best (or only) way to craft a story, irritated or bored me.

Then I read The Writer’s Journey by Christopher Vogler and had that light bulb moment.

The Writer’s Journey is a simplified and far more accessible view of the Hero’s Journey (Hero With a Thousand Faces) as explained by Joseph Campbell. But Vogler took the meat from Campbell and seasoned it with modern examples that resonated with me. I could see in all the books that I’d written that I had intuitively, albeit loosely, adopted a hero’s journey structure. But what really helped me was how I began to view the role of the villain in my books.

The quote from Vogler — that the villain is the hero of his own journey — gave me that lightbulb moment. I loved getting into my villain’s heads, but I’d somewhat separated the villain from the hero. The villain’s were bad; the hero’s were good. In classic fiction this works well — people like to know who the bad guys are and who the good guys are. Yet, to create a compelling story, the villain needs to be more than a caricature. The villain needs to be as strong and three-dimensional as the hero. And while there are some all bad villains, how did they get that way? What made them commit their first illegal or immoral act?

 

 

 

 

 

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About this time, I read two books that have stuck with me for years. The first was Thomas Harris’s The Red Dragon, which I still believe is superior to The Silence of the Lambs in almost every way. The hero is tortured, the villain is believable, and the dynamic between Will Graham (tortured hero) and Francis Dollarhyde (tortured villain) is truly compelling. (As an aside — don’t watch the movies. Neither movie did the book justice, unlike Silence of the Lambs which is iconic.)

What resonated with me the most was how deep Harris got into his killer. We get into Dollarhyde’s head, we begin to understand how he got to this point in his life. And there is a pivotal scene where he could choose the light—where he could turn away from the violence within him. But why he doesn’t—how he breaks—is so compelling and felt so real that The Red Dragon is one of the few books I’ve read twice. It taught me first and foremost that villains need to be real people. They are not monsters, at least not at first glance. They have backstories and conflicts and goals just like every other character in the story.

In fact, I’d argue that villains must have as strong or stronger conflicts than the hero. Every author should know exactly why their villain is committing the crime they are committing, and be able to justify it when in the killer’s head. It might not make sense to a “normal” person, but it had better make sense to the villain.

The other book I read was Psychopath by Dr. Keith Ablow. What drew me in was an intelligent and almost reasonable villain who had a very specific reason for why and how he killed. In fact, the villain was so compelling, that when the hero (a forensic psychiatrist) and the villain were on the same page, the villain appeared to be a stronger individual. How—why—can some who do such good in the world also be so bad?

 

 

 

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Johan Wrens is the Highway Killer. He slits the throats of random people all over the country. His body count is in the dozens. Wrens is also a brilliant psychiatrist who helps disturbed children. He has relationships with women, is attractive and cultured. He’s a bit reminiscent of Hannibal Lecter, Thomas Harris’s “arch-villain”—but in many ways, far more layered. He’s definitely the bad guy, but he also saves children for a living. He detests crimes against children, and that redeeming quality, especially when the reader learns his whole story, makes him a tragic character.

The hero, Dr. Frank Clevenger, had very real problems and very real conflicts. A recovering drug addict who had serious problems with interpersonal relationships, readers wondered if he could overcome his personal adversity to stop a very real—and very intelligent—threat.

Through these two books—The Red Dragon and Psychopath—I realized that the dynamic between the hero and villain needs to be intense; it needs to matter to both characters. I haven’t always been able to achieve this, though I consistently strive to. And that, really, is what being a growing writer is all about: constantly striving to write a stronger, better story with stronger, more compelling characters.

A “good” villain needs to challenge the hero; a good villain must be as smart—or smarter—than the hero. The villain needs to be complex, capable, and cunning so the hero is challenged. It’s the hero’s intelligence, perseverance, and humanity that brings the villain to justice—not merely following the breadcrumbs of a villain who would rank in the Top Ten Stupidest Criminals.

 

 

 

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In essence, not only does the villain need to be worthy of your hero, but your hero needs to be worthy of your villain. It’s the creation of this dynamic that gives the reader what she is looking for in crime thrillers.

When you think about the villain as the hero of his own journey, you realize that there are logical reasons for every action the villain takes. Logical for the villain. This is why authors (or actors) need to spend some time in their villain’s head. Think of the villain as you would the hero, ask the same questions. Know what they want and why. Know how they got to this moment in the story. Give them the option of turning away from evil … and then when they don’t, know why they don’t.

The villain makes—or breaks—your story.

And if you remember that the villain is the hero of his own journey? Well, your job just got a small bit easier.

 

 

 

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Allison Brennan is the New York Times bestselling and award-winning author of three dozen romantic thrillers and many short stories. RT Book Reviews calls Allison “A master of suspense” and her books “haunting,” “mesmerizing,” “pulse-pounding” and “emotionally complex.” RT Book Reviews gave her recent Lucy Kincaid thriller BREAKING POINT a Top Pick and Lisa Gardner says, “Brennan knows how to deliver.” SHATTERED, currently out in hardcover, will be released in paperback on May 1. The next book in the Maxine Revere series ABANDONED is on sale August 14, and the next Lucy Kincaid thriller TOO FAR GONE will be out on October 30. Allison lives near Sacramento, California with her husband, five children, and assorted animals.

 

 

 

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Audiobook Blog Tour: The Queen of Diamonds by Patricia Loofbourrow

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The Queen of Diamonds book two

 

 

About Audiobook #2

Author: Patricia Loofbourrow

Narrator: Machelle Williams

Length: 7 hours 51 minutes

Publisher: Red Dog Press, LLC⎮2017

Genre: Noir Mystery, Steampunk Crime Fiction

Series: The Red Dog Conspiracy, Book 2

Release date: Feb. 7, 2017

 

 

 

 

Synopsis: No one is as they seem….

While the villain Frank Pagliacci has been defeated, all is not well in Bridges. The Four Families accuse each other of spying while Red Dog attacks escalate. Aristocratic jewel merchant Dame Anastasia Louis, styling herself “The Queen of Diamonds”, hires her long-time friend, private eye Jacqueline Spadros, to collect from her debtors so she can leave the city.

But Jacqui can’t leave David Bryce’s kidnapping and the murders of her teenage informants unpunished. Convinced that her mortal enemy, the madman “Black Jack” Diamond, was complicit in the crimes, she pursues ways to prove it. The scoundrel and his crew, however, seem to be one step ahead: the terrifying man in white is seen outside David’s home, forged letters are appearing across the city, and merchants in the Spadros quadrant report threats from a man who fits his description.

Jacqui is warned of a plot against her life. Those who try to warn Jacqui are murdered, and evidence emerges that Jacqui’s mother is next on the list. With time running out, Jacqui is forced to make a horrifying choice.

Someone will surely die. Will it be Jacqui, or her mother?

Note: this is chapter two of a 13-part serial novel, the Red Dog Conspiracy. While it’s not mandatory to have listened to chapter one (The Jacq of Spades), it’s highly recommended to do so before venturing forth.

 

Buy Links for Audiobook #2

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Now we come to book two in the Red Dog Conspiracy series, The Queen of Diamonds. This series is interesting to say the least. A neo-Victorian era; in city called Bridges where aristocratic crime families are at war with one another. At the center of it all is Jacqueline Spadros who was taken from her family and forced into a marriage with the Spadros family.

This audiobook is notably different than the first. Narrator Machelle Williams does a better job in her overall performance which brought me deeper into the story. That’s always a plus! She seems much more confident with clarity of voice, portraying characters and attitudes. Thumbs up.

 

 

 

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About the Author: Patricia Loofbourrow

Patricia Loofbourrow, MD is a NY Times and USA Today best-selling science fiction writer, PC gamer, ornamental food gardener, fiber artist, and wildcrafter who loves power tools, dancing, genetics and anything to do with outer space. She was born in southern California and has lived in Chicago and Tokyo. She currently lives in Oklahoma with her husband and three grown children.

 

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Narrator Machelle Williams

 

 

About the Narrator: Machelle Williams

As an audiobook narrator with 23 years of experience moving audiences with her voice through corporate facilitation and public speaking, Machelle knows how to connect with the intent of the author to bring their vision to life. Her compelling yet casual voice draws the listener close, transporting them deep into the story and keeping them hanging on every word with full attention and anticipation.

Machelle’s voice is nuanced and delivers reads that range from soft and soothing to dramatic and smoky. She specializes in Mysteries & Thrillers, but her Bespoke repertoire also includes Non-Fiction, Religious, Urban and Noire.

Machelle is based in Northern Virginia with her two Boston Terriers, Daphne and Lilah, and her fully equipped studio from which she provides quick turn-around of professional quality recordings.

When you need a narrator to take your listener to the edge of their seat and their breath away – trust the telling to Machelle.

 

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Book Review: The Defense by Steve Cavanagh

The Defense Eddie Flynn

 

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Eddie Flynn #1

 

The truth has no place in a courtroom. The truth doesn’t matter in a trial.

The only thing that matters is what the prosecution can prove.

Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren’t that different.

It’s been over a year since Eddie vowed never to set foot in a courtroom again. But now he doesn’t have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie’s back and kidnapped his ten-year-old daughter Amy.

Eddie only has 48 hours to defend Volchek in an impossible murder trial—and win—if wants to save his daughter.

Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his ‘client’ and ensure Amy’s safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible?

Lose this case and he loses everything.

 

 

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“Steve Cavanagh has created a different breed of legal thriller.”

 

 

This book was unlike any legal thriller I’ve ever read. It grips you from the first paragraph until the very last, unrelenting in suspense and utter turmoil. Good to the last drop! The stakes are high, personal, and filled with dilemma at every turn.

Former con man turned lawyer Eddie Flynn doesn’t disappoint in the first book. He has to go up against the head of the russian mafia, a dirty cop, win an impossible case, while a bomb is strapped to his back. There’s everything to love about this series. It’s witty, gritty, tense, smart, entertaining, filled with drama, twists and turns. Don’t miss out on this one.

 

The Plea (Eddie Flynn #2)

The Liar (Eddie Flynn #3)

Thirteen (Eddie Flynn #4)

 

Books 3 and 4 aren’t available yet in the U.S., so we’ll have to wait patiently. The Plea is avaiable though as an ebook, hardback, paperback, and audiobook.

 

 

 

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