Before moving to Amsterdam, I knew very little about the restitution of artwork stolen by the Nazis during World War Two, a topic that plays a central role in my novel, The Lover’s Portrait: An Art Mystery. Sure, I’d read about controversial cases in newspapers and wondered why museums didn’t hand over the artwork immediately when legitimate claimants appeared on the scene, but also why it took the relative of the legal owner so long to submit a claim.
Celebrate the Annual Event
Mystery Thriller Week 