Welcome to this lesson of David Kummerâs writing course. Thatâs me, by the way. If you have any questions, comments, concerns, success stories, or just something fun to say, email me at davidkummer7@gmail.com. Iâd love to talk about anything and everything, especially if that everything has to do with books, basketball, or Chinese food. I am a teenager, after all. So thatâs that! Head on down and read what might be the best writing course of your life, but also might be the worst You wonât know until you try!
Parts of a Book:
A book is a tower, and you build it bottom to top, part by part.
Climax
Oftentimes, readers talk more about a book they hated than one they love. Whether they love or hate yours depends a lot on the Climax.
Welcome to Lesson #3 of Part 2! In this particular study, we will review the center of your novel: Climax.
The Climax is the most memorable part of the book, most times. Itâs very important for you as an author. If the buildup is amazing and the Climax is a total letdown, then you know theyâll be some less-than-positive reviews. Thatâs one thing readers absolutely detest: a letdown.
Iâm sure youâve read a book that promised so much and failed to deliver on the promise. Whatâd you feel? Mad? Disappointed? Thatâs what you donât want your reader to feel. For sure, for sure.
What is the Climax?
It is one of the most memorable parts in the book, mainly because it is the peak of emotions. The Climax is where everything comes together and thereâs a showdown. The heroes fight the villains, thereâs lots of drama, and eventually, somebody wins.
There are a couple things that are very important to remember about the Climax:
1- It can have/be a plot twist. The Climax should be unpredictable. While the reader will probably know the location, they wonât know exactly what happens. They should be wondering, âHowâs the good guy gonna win this?â and then do it in a way thatâs different from what theyâd expect.
2- Characters can die. This is one way to do a major plot twist. Have somebody die. Normally, itâs not the main character. Although I did that once in one of my books, and nobody sent hate mail, so it can work! Like most areas of writing, do write what is right for what you write. Your story decides, not the readers.
3- It should be captivating
Whatâs a good Climax do?
A good Climax should keep the readerâs attention for the entire time. The rising tension leading to it will grab them, but the Climax has to deliver on the promise youâve made. And you have made a promise. Youâve said, âThis Climax is worth a couple dollars and lots of hours to read.â If you let the reader down⌠theyâll be wanting their time and money back.
Often, the Climax is the most memorable part in the book. It comes near the end unless there are multiple Climaxes. The last one, however, is the most important, because things will finally be resolved after it.
Itâs okay to leave questions at the end, especially if youâre going to write a sequel. However, the Climax should always give the reader a sense of completion and fulfillment. If you donât give them what they want -and expect- youâll regret it.
If youâre writing Fantasy, they want an awesome battle. If youâre writing Horror, they want some blood-chilling good-versus-evil scene. Thereâs a cliche whatâs expected for every genre. This is one of the cliches youâd do well to listen to.
One way to make the Climax exciting is a plot twist. Right before the buildup, you throw a wrench in the story. You shock the reader, and theyâre thinking, âOh my gosh! Oh my gosh! What now??â And then you slowly, evilly, brilliantly build up to the Climax.
If your Climax is amazing, the chapters after can suck. If your Climax is terrible, youâre losing a reader. Oftentimes, readers talk more about a book they hated than one they love. Whether they love or hate yours depends a lot on the Climax.
Can there only be one?
As I mentioned earlier, the final Climax is the most important part. But how can there be a âfinalâ one if there are none before it?
Well, some would argue that a Climax is âthe point of highest emotional intensity in a storyâ (said my English teacher.) In other words, the most exciting part. But I think there can be multiple most exciting parts, and thus there can be multiple Climax scenes.
In one of the books I wrote, there is a scene about three-fourths of the way in that could be the Climax. However, I wanted the book to be longer so I didnât end the story there. I added another 20,000 words. Which meant I needed another Climax. One plus one equals two.
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Besides my own work as an example, there are plenty of novels and movies with two or more scenes of high excitement. Most common is in action movies, and also in Fantasy novels. Thereâs no limit to the amount of these scenes but obviously keep them low in number.
Never ever try to force a Climax scene. Itâll just work out for itself. If the excitement starts building, then awesome! Youâve got one. But that might be all you need. This isnât something to think about as you write. Just go back and look over the story once youâre done.
Conclusion
A Climax is important. Itâs not hard to do, but itâs easy to mess up. You have to captivate, you have to entertain, and you have to leave a lasting impact. If youâre looking for âword of mouthâ sales, then this is the road to take: Improve your Climax.
I hope this lesson has been very helpful for you. Come back next week as we descend down Plot Mountain and go over Falling Action!
Iâll see you there. Wink wink.
If you have missed part  1 and 2, you can read them and catch up.

Reblogged this on Don Massenzio's Blog and commented:
Check out this post with more useful writing advice from David Kummer via the Mystery Thriller Week blog
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Thank you for sharing!
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You’re welcome
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Great information. I’ll be sharing the link on Story Empire’s weekly Friday Curated Content post.
Thanks again!
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Thank you for sharing!
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